Outros livros que poderiam interessá-lo

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  Music Theory for Beginners -...

  Aventuras De Viaje

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  Play in Perfect Harmony! 
  Music Theory for Beginners is a thorough yet accessible guide. 
  It’s written without confusing terms or jargon, and you can use the concepts to play any instrument in any style or genre. 
  Rather than telling you what to do, it trains your ears and hands to express yourself. You can even use what you learn to produce your own original music on a laptop! 
  Discover how to express yourself through rhythm and notes, because music theory doesn’t have to be intimidating or tedious. 
  Get it now.In this music theory guide, you’ll discover:How to combine notes and chords in a pleasing wayThe history of music theory from the invention of the octave in ancient GreeceHow to train your ears for sound, pitch, timbre, and toneEverything you need to know about intervals—major and minor, chromatic and diatonicScales, key signatures, and how they make your song sound lighter or more melancholicTempo, bar, and time signatures, and how to use an advanced-level polyrhythmSteps to transpose any composition from one key to anotherDissonance, consonance, and other creative techniques to build intensity and dramaTips to compose your own music &/or improvise on the spot 
  ... and much more! 
  Teach yourself basic music theory today, because art is about creativity, but you need to know the rules in order to break them. 
  Get it now.

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  A Quintessential Quartet - The...

  Bernard Gregor-Smith

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  Bernard takes the reader on an evocative and fascinating journey from his early life, detailing his ancestral influences on his his chosen career of cellist, until the present day. 
  A charming book full of pathos and humour, which tells the true story of the world famous Lindsay String Quartet, their adventures during 40 years of world travel and their achievement of the highest accolades, making them one of the most revered quartets of the 20th century. Bernard continues, in his third section, to talk of his introduction to the Alpujarras in the Sierra Nevada of Southern Spain, the area he has chosen to live with his wife Theresa. 
  This book is both engaging and humorous whilst also giving a uniquely personal perspective into the life of one of the world's greatest quartet cellists. A must read for any fan of chamber music and in particular of the famed 'Lindsay String Quartet'.

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  Death Is Not So Bad! - On the...

  Tim Renner

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  When Tim Renner applied to the German record company Polydor in 1986, he intended to write an exposé about the music industry. However, things went differently and he turned this exposé into a career. For eighteen years his biography has been intermeshed with the development of the music industry, he led bands like Element of Crime, Rammstein, Tocotronic and Philip Boa to sucess. He raised up higher and higher on the ladder, finally reaching the top of Universal Music Germany. He witnessed how musical development has been hampered by the pressure of the markets, how pop and commerce diffused, and importantly, he witnessed the rapid dissolution of old comercial structures through the forces of digitalzation and globalization. But the ponderous giant labels kept their eyes shut in front of these developments and Renner finally quit. After his leave from Universal in 2004 he described his point of view on what he found were wrong tracks and challenges of contemporary pop music.
  "Death is not bad!" is a profound analysis of culture and music in times of digitalization, based on the vison that creativity, consumption and capital could find a way of coexistence.
  
  Ten years after the German edition of this book was published some passages read like a history book about a long forgotten time. Some passages pointing to developments which are fully manifested today and look to evolve further in the future. The book shows the changes of a whole industry and the first steps of a society on it's way into the digitalized future.

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  Discovering Classical Music:...

  Ian Christians

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  "I recommend this book wholeheartedly to new music lovers"  Sir Charles Groves CBE      Thanks to Nigel Kennedy and Pavarotti, millions of people have recently discovered that classical music is a highly enjoyable experience, perhaps contrary to their expectations. But the world of classical music can be highly intimidating and confusing. Ian Christians, for many years a passionate believer in broadening the interest in classical music, has developed a unique approach, designed to make it as easy as possible for both newcomers to classical music and those who have started down the path to explore with confidence. Discovering Classical Music concentrates on the greatest composers. The author takes you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for continued enjoyment.This volume concentrates on the life, personality and music of Edward William Elgar.

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  A Still Untitled (Not Quite)...

  Ron Moody

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  Actor Ron Moody has enthralled generations with his masterly performance as Fagin in both the stage and film versions of Oliver! - one of the great classics of British theatre and cinema. Now, in this highly original, idiosyncratic and often very funny memoir, he looks back on those early days, describing in fascinating detail the twists and turns of his career, the people he met and worked with, and the many, varied roles that led up to Oliver! With characteristic frankness, he reveals the conflicts and clashes that can occur, both on and off stage, even in the most successful of shows. For this self-taught thespian every show has come with new lessons, and Moody weaves together these experiences to form his own theories on what ultimately makes a successful performance. Set on an academic career, Ron first took to the boards when a student at the London School of Economics - writing and acting in student revues. But such a comedic talent and the innate ability to create a string of eccentric and original characters quickly caught the attention of West End theatre producers, and the course of his life was changed forever.

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  Ordinary Notes

  Christina Sharpe

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  This program is read by the author.The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman). A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.A Macmillan Audio production from Farrar, Straus and Giroux.

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