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  The One Hundred - A Guide to the...

  Nina Garcia

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  From Nina Garcia—fashion judge on Bravo’s hit Project Runway and the New York Times bestselling author of Style Strategy—comes The One Hundred, the companion edition to her wildly popular The Little Black Book of Style. A must-own list of all the items every fashion-conscious woman should have as a solid, stylish foundation, The One Hundred features gorgeous illustrations by Ruben Toledo.

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  Miss O'Dell - My Hard Days and...

  Katherine Ketcham, Chris O'Dell

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  Chris O'Dell wasn't famous. She wasn't even almost famous. But she was there.She was in the studio when the Beatles recorded The White Album, Abbey Road, and Let It Be, and when Paul recorded "Hey Jude," she sang in the chorus.She was at Ringo's kitchen table when George Harrison said, "You know, Ringo, I'm in love with your wife," and Ringo replied, "Better you than someone we don't know."She typed the lyrics to George Harrison's All Things Must Pass. She lived with George and Pattie Boyd at Friar Park, developed a crush on Eric Clapton, and unwittingly got involved in the famous love story between Eric and Pattie.She's the subject of Leon Russell's "Pisces Apple Lady," a song he wrote to woo her. Other rock legends with whom she was intimate include Ringo, Mick Jagger, and Bob Dylan.She worked with the Rolling Stones as their personal assistant on their infamous 1972 tour and did a drug run for Keith Richards.She's "the woman down the hall" in Joni Mitchell's song "Coyote" about a love triangle on Bob Dylan's Rolling Thunder Revue tour. She's the "mystery woman" pictured on the back of the Rolling Stones album Exile on Main Street. She's the "Miss O'Dell" of George Harrison's song about her.Jam-packed with intimate anecdotes, Miss O'Dell is a backstage pass to some of the most momentous events in rock history.

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  The Prisoner of Second Avenue

  Neil Simon

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  Neil Simon takes a good look at apartment life, career and role reversals, a nervous breakdown, and the love, torture, care, or inertia that somehow keeps a couple in a relationship for many years. At points, it's laugh-out-loud funny; at other times, it offers sensitive insight into the human condition. Fast-moving dialog with nonstop Simon quips and jokes performed extremely well by two fine actors: who could ask for more? This is classic American comedy produced, acted, recorded, and packaged in an exemplary manner.An L.A. Theatre Works full-cast performance featuring Annie Abbott, Lorin Dreyfuss, Richard Dreyfuss, Betty Garrett, Sharon Madden and Marsha Mason.

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  Munch

  Patrick Bade

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  Edvard Munch, born in 1863, was Norway's most popular artist. His brooding and anguished paintings, based on personal grief and obsessions, were instrumental in the development of Expressionism. During his childhood, the death of his parents, his brother and sister, and the mental illness of another sister, were of great influence on his convulsed and tortuous art. In his works, Munch turned again and again to the memory of illness, death and grief. During his career, Munch changed his idiom many times. At first, influenced by Impressionism and Post-impressionism, he turned to a highly personal style and content, increasingly concerned with images of illness and death. In the 1892s, his style developed a ‘Synthetist' idiom as seen in The Scream (1893) which is regarded as an icon and the portrayal of modern humanity's spiritual and existential anguish. He painted different versions of it. During the 1890s Munch favoured a shallow pictorial space, and used it in his frequently frontal pictures. His work often included the symbolic portrayal of such themes as misery, sickness, and death. and the poses of his figures in many of his portraits were chosen in order to capture their state of mind and psychological condition. It also lends a monumental, static quality to the paintings. In 1892, the Union of Berlin Artists invited Munch to exhibit at its November exhibition. His paintings invoked bitter controversy at the show, and after one week the exhibition closed. In the 1930s and 1940s, the Nazis labeled his work “degenerate art”, and removed his works from German museums. This deeply hurt the anti-fascist Munch, who had come to feel Germany was his second homeland. In 1908 Munch's anxiety became acute and he was hospitalized. He returned to Norway in 1909 and died in Oslo in 1944.

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  Insights on Donald S Passman's...

  Swift Reads

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  Download now to get key insights from this book in 15 minutes. 
    
  For more than 20 years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its tenth edition, this latest edition leads novices and experts alike through the crucial, up-to-the-minute information on the industry’s major changes in response to today’s rapid technological advances and uncertain economy. 
  Whether you are - or aspire to be - a performer, writer, or executive, veteran music lawyer Donald Passman’s comprehensive guide is an indispensable tool. He offers timely, authoritative information from how to select and hire a winning team of advisors and structure their commissions and fees; navigate the ins and outs of record deals, songwriting, publishing, and copyrights; maximize concert, touring, and merchandising deals; understand the digital streaming services; and how to take a comprehensive look at the rapidly transforming landscape of the music business as a whole.  
  The music industry is in the eye of the storm, when everyone in the business is scrambling to figure out what’s going to happen to the major labels and what it will mean for the careers of artists and business professionals. No musician, songwriter, entertainment lawyer, agent, promoter, publisher, manager, or record company executive - anyone who makes their living from music - can afford to be without All You Need to Know About the Music Business. As Adam Levine, lead singer and guitarist of Maroon 5, says, “If you want to be in music, you have to read this book.”

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  Classic Radio Hour The - Volume...

  Arthur Conan Doyle, John Meston

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  Back in the day radio was the medium; and its message was entertainment! 
  Whatever you craved, radio delivered. Detectives, Mysteries, Westerns, Sci-Fi, Literature. 
  This Golden Age really was crammed full of exciting, thrilling and downright brilliant programmes. 
  These classic radio hours serve up a wide range of genres, stars, stories, and yes, entertainment. 
  Let's jump right in.

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