Otros libros que te pueden interesar

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  Top 10 Poets The - Elizabethan -...

  William Shakespeare, John Donne,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we explore the poets and the poetry of the Elizabethan Age.  Long revered and admired this verse illuminated both this gilded age and the talents in the centuries that followed.

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  How and Why a Poem Works -...

  John Lehman

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  Here is a thought-provoking 51- minute audio presentation for writers, readers, students, teachers, parents...anyone who has ever wondered why a particular poem is their favorite. It includes the poem Stopping by the Woods, by Robert Frost. 
  Delving beneath the surface of Robert Frost's poetry, John Lehman is a nationally published writer and poet with 20 years experience as a professional speaker and 15 years as a creative director and senior copy writer for advertising agencies. He is a graduate of the Great Books program at Notre Dame University and has a master's degree in curriculum development from the University of Michigan. 
  John has presented seminars throughout the country. He is a book reviewer, business columnist, poet, and freelance feature writer for magazines and newspapers. His articles have appeared in The Christian Science Monitor, Popular Science, Omni, and in more than 50 other trade or consumer publications. He is also the founder of Rosebud magazine, managing partner of Zelda Wilde Publishing and the poetry editor of Wisconsin People and Ideas. 
  ©2009 John Lehman; (P)2009 John Lehman

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  Born in England – Exploring...

  Sir Philip Sidney, Sir Thomas...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume we explore through many centuries the poetry written by the Nobility of England.  Their titles may be inherited and reek of undeserved privilege but their verse is the inheritance of us all.  Our poets include Sir Thomas Wyatt, W S Gilbert, Sir John Beaumont, Sir John Suckling and many others.  Genius is written in their names.

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  Dead White Men

  Shane Rhodes

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  A vital collection that interrogates the stories of the dead white men that litter our histories and landscapes.
     
  Juxtaposing the seemingly benign names of Europeans that permeate our geographies with the details of their so-called discoveries and conquests, Dead White Men turns ideas of exploration, discovery, finding and keeping back upon themselves. Engaging with exploration and scientific texts from the fifteenth to the nineteenth centuries – texts wrapped up in the history and ongoing present of colonization – this collection builds a fascinating poetry of memory out of histories that are largely forgotten.
     
  ‘A provocative and galvanizing read … Riveting and dazzling invention is visible on almost every page: fonts shift size, language cascades and cleaves, and images disrupt order. Dead White Men should be widely read and taught.’
     
  – Eduardo C. Corral, author of Slow Lightning
     
  ‘Dead White Men is not only a searing indictment of colonialism but also a painful reminder of the violence that underpins the logic of exploration. Each poem strikes at the heart of the issue: there are often unarticulated, unacknowledged Indigenous presences here that have been flattened over by the lies and mirages of empty landscapes. Dead White Men is a stinging and difficult journey, and one that continues to remind us that stolen land has always been the most pressing concern for Indigenous peoples and settlers. This is an absolutely essential book.’
     
  – Jordan Abel, author of Injun

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  Voices from Ukraine: Two Plays

  Neda Nezhdana, Natalka Vorozhbit

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  Two powerful plays about the shattering impact of war, and the astonishing resilience of those living through it, written by two of Ukraine's leading playwrights.
  'They've mobilised all the living now, the fifth call took the last of the living. But the war keeps on. So high command asked us.'
  Sasha, a Colonel in the Ukrainian Army, has died suddenly of a heart attack, leaving his relatives Katia and Oksana to mourn for him. But a year later, as war intensifies, the army has resorted to recruiting the dead. Sasha is anxious to be resurrected so he can rejoin the fight, but can his family bear to lose him all over again? Take the Rubbish Out, Sasha by Natal'ya Vorozhbit blends reality and the supernatural in a startling exploration of the effects of war and conflict.
  'I want to report a robbery... I was robbed. What was stolen from me? Almost everything... Home, land, car, work, friends, city, faith in goodness...'
  Donbas, 2014. A nameless woman stands in the street, trying to sell a basket of kittens. She has lost everything else she holds dear. Her only remaining hope is to find a home for the kittens, since she cannot offer them one herself. Pussycat in Memory of Darkness by Neda Nezhdana is an unflinching examination of Russia's war on Ukraine through the brutalised eyes of one woman.
  The two plays were translated by Sasha Dugdale and John Farndon, respectively, and performed in English at the Finborough Theatre, London, as part of their #VoicesFromUkraine season in 2022.
  10% of the proceeds from sales of this book will be donated to the Voices of Children Charitable Foundation, a Ukrainian charity providing urgently needed psychological and psychosocial support to children affected by the war in Ukraine.

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  Match

  River Halen Guri

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      What is it to be plaster-cast in the dense cream of June?     Robed in a chain mail of summer afternoon, your dainties     hang like bricks from a clothesline, the mouth pares its     possibilities: gape or zip,
     
      and the weed-whackers make no noise at all.
     
  
     
  Robert Brand has given up on real women. Relationships just haven’t ever worked out well for him. He has, however, found a (somewhat problematic) solution, a new feminine ideal: the 110-pound sex doll he ordered over the internet.
     
  Showing an uncanny access to the voice of the rejected, unimpressive, emotionally challenged modern male, Helen Guri’s debut collection explores Robert’s transition from lost and lonely to loved, if only by the increasingly acrobatic voices in his mind.
     
  
     
  Match’s touching, whip-smart poems chart the limits of the mind/body relationship in decidedly virtual times. Does our hero’s lovesick, wry, self-searching and often self-annihilating gaze signal some catastrophic aversion to depth or a feverish (if unsettling) reassertion of the romantic impulse? Can anything good really happen when the object of one’s affection is, literally, an object? And if she looks like a human being, can you ever know for sure she isn’t one?
     
  Equal parts love story, social parody and radiant display of lyrical gymnastics, Match announces the arrival of a daring, forthright and stubbornly original new talent.

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