Otros libros que te pueden interesar

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  Between Riverside and Crazy

  Stephen Adly Guirgis

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  After his wife’s death, retired cop Walter ‘Pops’ Washington has made a home for his ex-felon son in his sprawling, rent-controlled, Riverside Drive apartment. Will a long-simmering feud with the NYPD cause him to lose his home and the family he’s built there? The play was the winner of the 2015 Pulitzer Prize for Drama. 
  An L.A. Theatre Works full-cast recording starring (in alphabetical order): 
  Elisa Bocanegra as Church Lady; John Cothran as Pops;Seamus Dever as Lieutenant Carrow; James Martinez as Oswaldo;Ana Ortiz as Lulu; Larry Powell as Junior;and Emily Swallow as Detective Audrey O’Connor. 
  Directed by Diane Rodriguez and recorded before an audience at UCLA’s James Bridges Theater in November 2017.

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  In The Dark

  James Whitcomb Riley

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  James Whitcomb Riley was an American writer, poet, and best-selling author. During his lifetime he was known as the "Hoosier Poet" and "Children's Poet" for his dialect works and his children's poetry respectively. His poems tended to be humorous or sentimental, and of the approximately one thousand poems that Riley authored, the majority are in dialect. Riley began his career writing verses as a sign maker and submitting poetry to newspapers. Thanks in part to an endorsement from poet Henry Wadsworth Longfellow, he eventually earned successive jobs at Indiana newspaper publishers during the latter 1870s. Riley became a bestselling author in the 1890s. His children's poems were compiled into a book and illustrated by Howard Chandler Christy. Titled the Rhymes of Childhood, the book was his most popular and sold millions of copies. As a poet, Riley achieved an uncommon level of fame during his own lifetime.  - Summary by Wikipedia

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  Mother Goose for Grown-Ups

  Guy Wetmore Carryl

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  "Mother Goose for Grown-Ups" is a delightful reinvention of classic nursery rhymes tailored for a more mature audience. In this witty and irreverent collection, Carryl puts a humorous spin on beloved childhood favorites such as "Humpty Dumpty," "Jack and Jill," and "Mary Had a Little Lamb," with each rhyme being transformed into a clever and comical tale. If nostalgia is calling your name, but the intellectual side of your brain won't let you be whimsical, throw this on your headphones and let Guy Wetmore Carryl appeal to both sides of your fancy with "Mother Goose for Grown-Ups!"

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  Birds and All Nature Vol IV No 2...

  Various Various

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  Birds and All Nature was a monthly publication of the Nature Study Publishing Company of Chicago. It includes short poems and brief descriptions of birds, animals and other natural subjects with accompanying color plates. The magazine was published from 1897-1907 under the various titles, "Birds," "Birds and all Nature," "Nature and Art" and "Birds and Nature." Good listening for anyone with a love of nature!    - Summary by J. M. Smallheer

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  Wound from the Mouth of a Wound...

  torrin a. greathouse

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  A Minnesota Book Award Finalist in Poetry 
  A CLMP Firecracker Award Finalist in Poetry 
  A Bustle Best Book of 2020 
  A Refinery29 Best New Book of Fall 2020 
  “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. 
  These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” 
  Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw. 
  Additional recognition:  
  A New York Times Book Review “New & Noteworthy Poetry Collection” 
  An NBC Out “Best LGBTQ Book to Gift This Holiday Season” 
  A Book Marks “Most Anticipated Poetry Collection of Fall/Winter 2020” 
  A Lambda “Most Anticipated LGBTQ Book of December 2020” 
  A Chicago Review of Books “Must-Read Book of December 2020”

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  Right of the Soil

  Yong Shu Hoong

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  The Latin phrase, jus soli (“right of the soil”), is an unconditional right of a person born within the territory of a country to be conferred citizenship. Singapore’s nationality law is based on jus sanguinis (“right of blood”, in which citizenship is determined by that of one or both parents) and a modified form of jus soli (with at least one Singaporean parent). 
   
  A two-time Singapore Literature Prize winner, Yong Shu Hoong contemplates how a person is invariably bound to the land on which he first sets foot. These poems address topics like belongingness and birthright by exploring the intermingling of the four fundamental elements of air, water, fire and earth. 
   
  Expanded from a 2016 chapbook published a year after the 50th anniversary of Singapore’s independence, this book also attempts to sharpen Yong’s understanding of his relationship with his homeland. A new sequence of poems then plunges readers into Hell, reimagined as Singapore’s third integrated resort that opens underground in the centennial year of 2065, with its concepts inspired by Haw Par Villa’s main attraction, the 10 Courts of Hell. 
   
  Beyond our earthly lives, is it soil – or another element or dimension – that will assert its right to claim us? 
   
  Shortlisted for the Singapore Literature Prize for Poetry 2020

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