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  Ghosts You Left Behind The:...

  Charity Tahmaseb

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  If Katy and Malcolm want a future, they'll need to survive the past. 
  When Katy and Malcolm discover a secret stash of Springside ghosts, they can't tell if they're on a rescue mission, walking into a trap—or dealing with something far more sinister. 
  But the simple act of freeing the ghosts sets the past on a collision course with the present. 
  Katy has always known the past can haunt. Usually, that's something she can fix with freshly brewed coffee and some Tupperware. 
  This time, old enemies lurk in the shadows, pulling strings and weaving inescapable webs. 
  When she falls in, survival may be impossible. But to escape, Katy must navigate threads from the past, deal with capricious spirits, dubious allies, and ruthless adversaries. 
  And if she fails? 
  No one she loves will have a future. 
  Coffee & Ghosts is a cozy paranormal mystery/romance serial told over multiple episodes. This series bundle contains all three novella-length episodes of Season Four: 
  Episode 1: The Ghosts You Left Behind 
  Episode 2: Misty Sandborne and the Vampire Husband 
  Episode 3: The Necromancer's Nephew

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  Way of the Witch

  Kim Richardson

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  They don’t want Shay. They want you. 
  	Okay, so these were not the words I was expecting, coming from my angel father Matiel’s mouth. But here they were. 
  	The Assassins’ Guild of Angels wants me dead. 
  	Fantastic. 
  	I mean, what’s a witch gotta do to catch a break these days? I can’t even go for a leisurely stroll without someone trying to off me. 
  	Worse, I have no idea why they’re hunting me. 
  	But you know what they say: When life gives you lemons, make lemonade. And I’ve got a whole lot of lemons to work with. 
  	I may not be an angel like my father, but I’ve got a few tricks up my sleeve too. Especially when it comes to saving my own skin.  
  	Do I run and hide from these angel assassins? Nope. I’m going to face them head-on and fight.  
  	 

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  Pickman's model

  H.P. Lovecraft

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  "Pickman's Model" is a short story by H. P. Lovecraft, written in September 1926 and first published in the October 1927 issue of Weird Tales. It was adapted for television in a 1971 episode of the Night Gallery anthology series, starring Bradford Dillman. The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in the revocation of his membership in the Boston Art Club and he is shunned by his fellow artists. The narrator is a friend of Pickman, who, after the artist's mysterious disappearance, relates to another acquaintance how he was taken on a tour of Pickman's personal gallery, hidden away in a run-down backwater slum of the city. As the two delved deeper into Pickman's mind and art, the rooms seemed to grow ever more evil and the paintings ever more horrific, ending with a final enormous painting of an unearthly, red-eyed and vaguely canine humanoid balefully chewing on a human victim. A noise sent Pickman running outside the room with a gun while the narrator reached out to unfold what looked like a small piece of rolled paper attached to the monstrous painting. The narrator heard some shots and Pickman walked back in with the smoking gun, telling a story of shooting some rats, and the two men departed. Afterwards the narrator realized that he had nervously grabbed and put the rolled paper in his pocket when the shots were fired. He unrolled the paper to reveal that it is a photograph not of the background of the painting, but of the subject. Pickman drew his inspirations not from a diseased imagination, but from monsters that were very much real.

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  What The-? - The Strangest...

  Rachel Lawson

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  The Strangest Vampire Story Ever 
   I once met a man from an old land, who told me of the creatures of the night please understand, he was a hunter by trade, before me a bloody wooden stake he laid, he muttered the blood is the life, looking at it I wonder why not use a knife, I asked what he did hunt with a stake, he said vampires before they wake, he used the stake I had no doubt, I said the dead do not go out, he knew I did not believe so he did apologize and took his leave.

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  The Witchcraft Of Ulua

  Clark Ashton Smith

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  The Witchcraft Of Ulua - Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz 
  Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". 
  Smith was one of "the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft", though some readers objected to his morbidness and violation of pulp traditions. The fantasy writer and critic L. Sprague de Camp said of him that "nobody since Poe has so loved a well-rotted corpse".[3] Smith was a member of the Lovecraft circle, and his literary friendship with Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked by an extraordinarily rich and ornate vocabulary, a cosmic perspective and a vein of sardonic and sometimes ribald humor. 
  Of his writing style, Smith stated: "My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."

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  For the Blood Is the Life

  Francis Marion Crawford

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  "For the Blood is the Life" is a F. Marion Crawford's classic horror story about two lovers, a murder, and a revenantThis story tells the gothic horror account of a young man in the thrall of a vampire, and...yes, there WILL be blood.

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