Otros libros que te pueden interesar

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  Why Modern Music Sounds So...

  John Harpoon

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  The way we experience music has changed dramatically over the past century. From the rich, warm tones of analog recordings to the compressed and often lifeless sound of digital streaming, audio quality has taken a significant hit. While technology has made music more accessible than ever, it has also introduced trade-offs that have diminished the overall listening experience. Many listeners may not even realize how much sound quality has suffered, as modern production techniques prioritize loudness and convenience over depth and detail.  
    
  One of the most significant shifts in music recording came with the transition from analog to digital. Vinyl records and magnetic tape once captured the full range of a performance, preserving the natural dynamics and imperfections that made music feel alive. However, as CDs, MP3s, and streaming services took over, music was compressed to fit digital formats, stripping away much of its warmth and depth. While digital audio offers clarity and convenience, it often sacrifices the organic richness that older formats provided. This shift set the stage for an industry-wide decline in sound quality, where efficiency and portability took precedence over artistic integrity.  
    
  Another major factor in this decline is the so-called "loudness war." Over the past few decades, record labels and producers have increasingly pushed for louder music to grab listeners’ attention, especially in an era of short attention spans and endless competition. This practice involves compressing audio to its maximum volume, reducing the natural highs and lows that give music its emotional impact. The result is a flattened, fatiguing sound that lacks the depth and nuance found in older recordings. While louder tracks may stand out on first listen, they quickly become tiring and fail to leave a lasting impression. 

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  Writing is Designing - Words and...

  Michael J. Metts, Andy Welfle,...

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  Without words, apps would be an unusable jumble of shapes and icons, while voice interfaces and chatbots wouldn't even exist. Words make software human-centered, and require just as much thought as the branding and code. This book will show you how to give your users clarity, test your words, and collaborate with your team. You'll see that writing is designing.

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  Meeting of Minds - Volume VI

  Steve Allen

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  By " assembling" some of the most fascinating figures in world history, Meeting of Minds provided a groundbreaking opportunity for audiences to be exposed to ideas by way of a medium not normally known for its intellectual vigor. Portrayed by actors, panelists engage in stimulating round-table discussions that were conducted like any other talk show but featured prominent influencers from bygone generations— not just philosophers and politicians, but poets, playwrights, and presidents. From activists and artists to international leaders— both famous and infamous— these conversations are unfailingly witty, thought-provoking, and genuinely entertaining.
  An innovative series, Meeting of Minds remains one of the most delightful ways of gaining historical perspective ever devised, and these original soundtrack recordings capture the intellectual and spirited debates of the episodes hosted by Steve Allen. The panelists featured in this volume are English philosopher and Renaissance man Sir Francis Bacon, women' s rights advocate Susan B. Anthony, Mexican revolutionary Emiliano Zapata, and Greek philosopher Socrates.

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  The Topophilia Effect - How...

  Roberta Rio

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  Health. Success. Love. How do the places where we live, work or spend our vacations, affect our life? Historian Roberta Rio is researching the history of buildings, apartments or land and finds recurring patterns. In this book she shows, based on old knowledge and new research results, what we should know about the effect of places and how we find out.

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  Colonial Struggles - Australia...

  Lillian Brooks

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  This bundle offers a compelling exploration of the complex and often turbulent history of colonial conflict in the Southern Hemisphere. This three-part volume dives into the significant struggles that shaped the histories of Australia and New Zealand, shedding light on the fierce resistance of Indigenous communities against colonial powers.  
  The first section, Australia’s War, delves into the violent clashes between European settlers and Aboriginal Australians, exploring the devastating impact of colonization, frontier warfare, and the long-lasting consequences on Indigenous communities.  
  The second section, New Zealand Wars, examines the series of 19th-century armed conflicts between the British Crown and various Māori iwi (tribes), driven by land disputes, cultural resistance, and the fight for sovereignty.  
  The final section, The Māori and the Pākehā, offers a broader understanding of the cultural and political dynamics between the Māori and the European settlers (Pākehā), exploring themes of adaptation, resistance, and the ongoing struggle for recognition and rights. Together, these three perspectives provide a powerful and nuanced account of colonial conflict and Indigenous resilience, making this book essential reading for those seeking to understand the legacy of colonization in Australia and New Zealand.

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  Rockin’ in the Ivory Tower -...

  James M. Carter

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  Histories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. 
   
    
   
  Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin' in the Ivory Tower gives listeners a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.

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