Traductor Alfred Hayes
Editorial: e-artnow
Boris Godunov is a closet play by Alexander Pushkin. Godunov reigned as Tsar in Russia and this fantastic play invites the reader into 17th century palace intrigue!
Winner of the Publishing Triangle's Audre Lorde Award for Lesbian Poetry (2023)Finalist for a National Jewish Book Award, Berru Award for Poetry, in memory of Ruth and Bernie Weinflash (2022)A trailblazing lesbian poet, child Holocaust survivor, and political activist whose work is deeply informed by socialist values, Irena Klepfisz is a vital and individual American voice. This book is the first complete collection of her work. For fifty years, Klepfisz has written powerful, searching poems about relatives murdered during the war, recent immigrants, a lost Yiddish writer, a Palestinian boy in Gaza, and various people in her life. In her introduction to Klepfisz's A Few Words in the Mother Tongue, Adrienne Rich wrote: "[Klepfisz's] sense of phrase, of line, of the shift of tone, is almost flawless." Her Birth and Later Years was a Finalist for the Jewish Book Award and winner of the Audre Lorde Award for Lesbian Poetry.Ver libro
Greedy elves. Warrior princesses. Earnest robots. Sexy frogs. Love Letters to a House on Fire is a collection of stories, letters, poems, and ransom notes that contain thoughtful and quirky observations on the world we live in. Follow along through science fiction- and fantasy-inspired tales of adventure, conspiracy, betrayal, and determination. Enjoy poems exploring themes of love, life, nature, faith, and mental health. Finish by reading the ransom notes documenting a botched kidnapping that blossomed into a family blood feud. These are love letters to the deep parts of ourselves and the parts of the world burning at our feet.Ver libro
'A jolt, a shock, a humming just beneath my skin, something surging through my veins, my body awakening, buzzing to life finally, FINALLY.' A young trans man, struggling as he begins his medical transition, drops out of university and retreats to his quiet hometown. His friends are gone. The neighbours are watching. His body is changing faster than he can make sense of it... until a midnight screening of Frankenstein offers him a strange kind of salvation. Staring into the monster's big, dead, sad eyes, something finally clicks: for the first time, he feels seen. Vivid, witty and humane, Dear Young Monster is Pete MacHale's debut solo show, delving into fear, otherness, and what it means to embrace being the monster the world keeps telling you that you are. It premiered at Bristol Old Vic in 2024, directed by Sammy Glover, and was nominated for the WhatsOnStage Award for Best Studio Production. It transferred to Soho Theatre, London, in 2025.Ver libro
A new collection from Jane Routh, author of Circumnavigation, shortlisted for the Forward Prize for Best First Collection, and Teach Yourself Mapmaking, a Poetry Book Society Recommendation. After lockdowns have swept calendars clear, leaf-fall, early sunrise and gales are Jane Routh's measures of time, as she goes about her tasks in the hill pasture and woodlands where she has the luck to live. With sharp, lyrical description and down-to earth understanding, her poems consider the flora and fauna around her, formative moments and lifespans – as well as the dead who won't be forgotten. Her elegant and informed writing conveys a sense of belonging in a particular place and the care for its future, carrying a universal resonance.Ver libro
Two of the most influential and early feminist plays to have ever graced the stage, we have have Miss Julie and The Stronger. Miss Julie is a one act tragedy that finds itself in a similar vein as Henrik Ibsen's "Hedda Gabbler" and "A Doll's House," in which the main woman of the play (Miss Julie) tries to take hold of her own destiny and break away from the system that has failed to meet her needs, but is unable (or unwilling) to see the consequences of her own actions--a desperate cry for legitimacy to a society that seems indifferent to her struggle. The Stronger, in comparison, is a ten minute play about the fallout of such a decision, and confronting that catalyst many years later--a contemplation on the manipulation of thought (both of the main character and the object of her insecurities) and the forgetfulness of coping.Ver libro
Since her play Steel opened in her native Sheffield in 2018, Chris Bush has rapidly become one of the UK's most successful and widely staged playwrights, with her plays on stage at the National Theatre, in the West End, and across Europe. Celebrated for her spirited dissections of power, female agency and northern identity, her work is infused with wit, empathy, and a powerful sense of place and belonging. Included here are five of her plays, all first performed between 2018 and 2021, together with a revealing introduction in which she reflects on the tumultuous period from which they emerged. Steel (Sheffield Theatres, 2018) is a political epic constructed from minimal resources, a two-hander spanning three decades of women in politics. 'Sharp, witty and uncannily topical' The Stage Faustus: That Damned Woman (Headlong, 2020) is a radical reimagining of the classic tale, asking what women must sacrifice to achieve greatness. 'Original, ambitious and fantastically revisionist' Guardian Nine Lessons and Carols(Almeida Theatre, 2020) is a play, with songs by Maimuna Memon, about connection and isolation, forged during the Covid pandemic, exploring what we hold on to in troubled times. 'A reminder of the power of theatre and our need for it' Telegraph Hungry (Paines Plough, 2021) is a pithy two-hander about food, love, class and grief in a world where there's little left to savour. 'Reconfirms Chris Bush as one of our greatest, most relevant contemporary playwrights' Broadway World Not the End of the World (Schaubühne, Berlin, 2021) is a daringly theatrical investigation of the climate crisis through the perspectives of class, patriarchy and colonialism. 'Staggering… Bush's remarkable text melds a ruthless structural concept with exquisite lyricism' Guardian 'One of our most prolific and arresting writers'Evening Standard 'A writer of great wit and empathy'The TimesVer libro
