Otros libros que te pueden interesar

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  The influence of the...

  Fernando Hernandez

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  The influence of the relationship between students and teachers is explored

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  Memo from Darryl F Zanuck - The...

  Rudy Behlmer, Philip Dunne

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  One of Hollywood's biggest players for almost 50 years, Darryl F. Zanuck presided over Twentieth Century-Fox during the studio' s most glorious era— with stars like Marilyn Monroe and Henry Fonda, directors like John Ford and Elia Kazan, and classics like How Green Was My Valley, Gentleman' s Agreement, and All about Eve. Drawing on Zanuck's own correspondence, author Rudy Behlmer presents a from-the-top look at the elements that went into making a feature film during the heyday of the Hollywood studio system. Full of secrets and surprises, this treasure trove of legend and lore— read by Zanuck' s son, Oscar-winning producer Richard D. Zanuck— is as entertaining as it is informative.

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  Inglourious Basterds - The...

  Film Trivia Metaverse

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  INGLOURIOUS BASTERDS 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY QUENTIN TARANTINO 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Inglourious Basterds, directed by Quentin Tarantino, is a World War II film that blends historical fiction with intense action. It follows two main storylines: one about a group of Jewish-American soldiers, led by Lieutenant Aldo Raine, who aim to instill fear in the Nazi army by killing and scalping German soldiers. The other centers on Shosanna Dreyfus, a young Jewish woman who seeks revenge on the Nazis after they kill her family. Tarantino uses themes of vengeance, justice, and survival, blending intense violence with sharp dialogue and dark humor in a unique and stylized narrative. 
    
  TRIVIA SAMPLES: 
    
  “Inglourious Basterds marked the first Quentin Tarantino film to win an Oscar for acting, with Christoph Waltz receiving the Best Supporting Actor award. Waltz went on to win another Oscar for his role in Django Unchained (2012).” 
    
  “In a roundtable discussion with Brad Pitt, Tarantino revealed that Til Schweiger, who was born and raised in Germany, had always refused to wear a Nazi uniform for a film. However, Schweiger agreed to do so on the condition that he could kill a Nazi in every scene where he wore one.” 
    
  “Tarantino spent nearly a decade working on the script for Inglourious Basterds.” 
    
  “Colonel Hans Landa, played by Christoph Waltz, speaks the most languages in the film, including English, French, German, and Italian.”

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  Rise Above The Script -...

  PhD Albert Bramante

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  We all hold dreams within, yearning to manifest our highest potential. Yet when opportunity arises, inner obstacles often trigger self-sabotage. What mental traps prevent actualizing our possibilities? 
  In Rise Above the Script, psychologist and talent agent Dr. Albert Bramante unravels the hidden drivers behind self-defeat. By strengthening self-belief, managing motivation, optimizing natural talents, and confronting deep-seated fears like failure and success that distort our path, we clear the way for actualizing dormant gifts. 
  Dr. Bramante integrates scientific research on peak performance with insights gained through guiding actors’ careers. Practical strategies help construct unshakable confidence and self-efficacy. Examining personality traits in the Big Five model highlights maximizing strengths while overcoming weaknesses. Confronting fears of rejection, change, isolation, and other roadblocks paves the way for boldly pursuing aspirations. 
  Rise Above the Script provides the mental toolkit for recognizing and breaking free of limiting patterns holding you back. Its wisdom applies equally to artists, entrepreneurs, students, parents—anyone feeling the friction between their ambition and their achievement. 
  Equipped with this empowering psychology, you will finally transform possible into reality. The guidance you need to take flight awaits these pages. Grab your copy today!

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  The Tangut Kingdom - And Its...

  Rolf Hedger

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  The Tangut people, an ethnic group of uncertain origins, gradually emerged as a distinct force in northwestern China. They are believed to have descended from the Qiang tribes, a collection of nomadic and semi-nomadic groups that roamed the Tibetan Plateau and the Ordos region. Over centuries, they migrated and settled in what is now modern-day Ningxia and parts of Gansu and Inner Mongolia, where they established communities and developed a unique cultural identity. Their position between the Tibetan Plateau, the Central Asian steppes, and the Chinese heartland made them an important intermediary in regional affairs. 
  The Tangut rise to prominence was influenced by their interactions with the dominant powers of the region. The Tibetan Empire, which controlled vast areas of western China until its decline in the ninth century, played a significant role in shaping early Tangut culture and governance. The collapse of the Tibetan Empire created a power vacuum that allowed smaller groups like the Tangut to assert their independence. At the same time, the weakening of the Tang Dynasty left northern China vulnerable to fragmentation, further enabling the Tangut to carve out a space for themselves. 
  By the tenth century, the Tangut had developed into a formidable military and political entity, leveraging their strategic location along trade routes to establish economic and diplomatic ties with neighboring states. They maintained relations with the Song Dynasty to the east, the Tibetan remnants to the south, and the nomadic Khitan Liao Empire to the north. These interactions not only enriched Tangut society but also introduced them to a variety of political models, from the bureaucratic governance of the Chinese dynasties to the tribal confederations of the steppe.

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  Francesca Caccini at the Medici...

  Suzanne G. Cusick

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  A “priceless” study of the life and career of the Renaissance-era Italian who was the first woman to have composed an opera (Gender & History).“Extraordinary in its breadth, its detail, its insight, and its worth to all participants in early music…. Its contribution is not limited to the musical world, however, as Cusick’s remarkable command and analysis of her material…has immense value for scholars engaged in cultural studies, performance studies, history, politics, or the study of difference.”—Renaissance Quarterly A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne G. Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany’s de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine’s power, thereby also supporting the sexual and political aims of its women. In bringing Caccini’s surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.

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