Altri libri che potrebbero interessarti

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  The Tragedy of King Lear

  William Shakespeare

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  King Lear is a tragedy written by William Shakespeare. It tells the tale of a king who bequeaths his power and land to two of his three daughters, after they declare their love for him in an extremely fawning and obsequious manner. His third daughter gets nothing, because she will not flatter him as her sisters had done. When he feels disrespected by the two daughters who now have his wealth and power, he becomes furious to the point of madness. He eventually becomes tenderly reconciled to his third daughter, just before tragedy strikes her and then the king.
  Derived from the legend of Leir of Britain, a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. 
  The first attribution to Shakespeare of this play, originally drafted in 1605 or 1606 at the latest with its first known performance on St. Stephen's Day in 1606, was a 1608 publication in a quarto of uncertain provenance, in which the play is listed as a history; it may be an early draft or simply reflect the first performance text. The Tragedy of King Lear, a revised version that is better tailored for performance, was included in the 1623 First Folio. Modern editors usually conflate the two, though some insist that each version has its own individual integrity that should be preserved.
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  The Rob I Knew - Memories &...

  Eric Copenhaver

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  Enjoy this captivating journey into the life and poetry of Robert Frost, as his dear friend and farmhand, Carl Burell, shares stories about Rob with the people of Derry, New Hampshire at the Derry Centennial Celebration of 1927. 
  This fictional reenactment provides an enlightening and entertaining look inside the early years of Robert Frost through the eyes of his childhood friend, farming mentor and hired hand. Carl’s intimate view provides a unique perspective on Frost’s life as a novice farmer among the people of Derry, whom Frost freely appropriated in much of his poetry. As he reflects, Carl muses on his own appearance in some of Frost’s poems, and the manner in which the poet transformed his experiences on a hardscrabble New England farm into revered, monetized literature. Along the way, Carl also reads many of his favorite Frost poems, masterfully capturing the transcendent power of these enduring masterpieces in his native voice. 
  For lovers of poetry, Frost enthusiasts, teachers and students, The Rob I Knew is a unique and absorbing way to explore and appreciate one of our great American poets. 
  Eric Copenhaver, author and performer of this compelling audiobook, is a displaced New Hampshire native and lifelong Frost devotee—who is delighted to be channeling the colorful Carl Burell.

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  Cymbeline

  William Shakespeare

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  Performed by Claire Bloom and Boris Karloff 
  In ancient Britain during the reign of King Cymbeline, Imogen, daughter to the king, dares to fall in love with a talented young nobleman named Posthumus. But when the king discovers that the couple has secretly married, he banishes Posthumus, and the two lovers must struggle against the power of the king and other status-seeking members of the court to preserve their love.

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  The Prelude

  William Wordsworth

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  Among monuments of narrative poetry, The Prelude; or, Growth of a Poet's Mind, by William Wordsworth, occupies a unique place. Wordsworth published the first version of the poem in 1798, but continued to work on it for the rest of his life. The final version, which is the subject of this recording, was published posthumously in 1850, by Wordworth’s widow, Mary.The Prelude is the first major narrative poem in European literature which deals solely with the spiritual journey of the author. In this respect the only predecessor to which it can be compared in Dante’s Divine Comedy, which is similarly a journey from personal confusion to certitude, from ignorance to realization. However, Dante starts his journey at the age of 35, and, through a lengthy rite of passage, involving both moral and intellectual purification, arrives at a state of illumination that he is not really able to describe. In The Prelude, on the other hand, illumination appears as the background on which the story is inscribed. Wordsworth is really no wiser at the end of his journey than he was at the start, but appears more accepting of the inexorable and sometimes bewildering fluctuations in the flow of human life. Despite Wordsworth’s occasional graceful genuflection to Providence, the poem has a secularity which would have been anathema to a writer like Dante, ensconced in the theocratic fastness of the Middle Ages.The tone of the Prelude is gentle and reflective. Almost completely absent are the crashing cadences of narrative poems like the Aeneid and Paradise Lost, and there is nothing to match the terrible and multifarious griefs endured by so many characters in Dante’s Inferno. Wordsworth led an unheroic life, made remarkable by intensity of observation rather than incident. This is not to suggest that Wordsworth was unfamiliar with either grief or difficulty, but rather that he could accommodate such troubles in his view of life, which seems never to have quite lost its lustre.The Prelude may be considered as Wordsworth’s crowning achievement, and one not really matched by any other poet. Despite the poem’s intractably self-referential nature, Wordsworth does not come across as either vain or tedious. The avoidance of tedium is largely due to his incomparable versification, which is a shining example of “the art which conceals art.” Nor are we tempted to see Wordsworth as unduly self-centred, because he communicates the potential glory of everyday events in a way that the reader (or listener) is drawn to share them. A hundred years before T.S.Eliot Wordsworth had arrived “'where we started “ and had “known that place for the first time.” (Summary by Algy Pug)

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  Short Poetry Collection 151

  Various Various

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  This is a collection of 27 poems read by LibriVox volunteers for December 2015.

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  Short Story Press Presents...

  Short Story Press, Jessie Qu

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  Love can happen, at any place, any time, with any given person. Many people dream of having a rendezvous with a foreigner in a foreign country and have the romance of a lifetime. And that’s exactly what Sophie got when she traveled to Firenze for a short vacation while work-studying abroad. 
  In the outskirts of Tuscany, a fuse sparked, leaving behind the entrails of an undesirable fire, slowly burning away the remains of those left behind. The love between Sophie and Alessandro seemed shallow and childish at best. From their initial confrontations to their constant arguments and differences, the gap between their relationships continued to push them further apart. Left with nothing more than a surreal dream with lingering desires, what will Sophie and Alessandro do when the reality of life finally takes over the world of fancy and dreams? Are the trips to Trieste, Paris, and Slovenia merely a desire for sexual deviance or a sign of true love? With an engagement ring and a lifetime promise, can Sophie really risk having something more than just a measly fling with Alessandro? As each encounter became more complicated, the initial accident turned into constant expectations with no ends. 
  Short Story Press publishes short stories written by everyday writers.

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