Publisher: Glissato Edizioni Musicali
"When The Saints Go Marching In" traditional, arranged for Saxophone Quartet SATB (intermediate level - written solos) by Francesco Leone. Score: Bb Soprano, Eb Alto, Bb Tenor and Eb Baritone Saxophones. Parts available in series. Audio demo available on www.glissato.it.
See You on the Radio gathers together some of the best of Osgood’s work.
At least twelve million people listen to Osgood every day on CBS radio, and millions more watch him on CBS News Sunday Morning. All of them would agree that no one delivers quite the way he does—the offbeat stories that make listeners stop and pay attention; the commentaries in which he shares his sense of wonder, dismay, or amusement; the well-spun tales of irony that often burst forth into wordplay or even poetry.
See You on the Radio gathers together some of the best of Osgood’s work, over one hundred essays on everything from potholes, perfumes, felons and freeloaders; to psychopaths and politicians (more alike than you think); to earthquakes, animal heirs, and the advancement of science ("Osgood’s First Law: Just because something is obvious doesn’t necessarily mean that science isn’t going to discover it tomorrow").
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After his wife’s death, retired cop Walter ‘Pops’ Washington has made a home for his ex-felon son in his sprawling, rent-controlled, Riverside Drive apartment. Will a long-simmering feud with the NYPD cause him to lose his home and the family he’s built there? The play was the winner of the 2015 Pulitzer Prize for Drama. An L.A. Theatre Works full-cast recording starring (in alphabetical order): Elisa Bocanegra as Church Lady; John Cothran as Pops;Seamus Dever as Lieutenant Carrow; James Martinez as Oswaldo;Ana Ortiz as Lulu; Larry Powell as Junior;and Emily Swallow as Detective Audrey O’Connor. Directed by Diane Rodriguez and recorded before an audience at UCLA’s James Bridges Theater in November 2017.Show book
Orson Bean and Alley Mills star in the story of a man who becomes the town hero after he boasts of murdering his father. Riots greeted the first performance of this 1907 comic masterpiece of the Irish Literary Renaissance.An L.A. Theatre Works full-cast performance featuring Orson Bean, Robert Evan Collins, Alexander Enberg, Jacqueline Heinze, Stuart W. Howard, Dennis Madden, Seth Margolies, Alley Mills, Carolyn Palmer and Sarah Moyo Tracey.Show book
The renowned philosopher contemplates the medium of drawing in “a book full of dazzling insights, imaginative curves and provocative renewals” (Sarah Clift, University of King’s College). In 2007, philosopher Jean-Luc Nancy curated an exhibition at the Museum of Fine Arts in Lyon. This book, originally written for that exhibition, explores the interplay between drawing and form—viewing the act of drawing as a formative force. Recalling that the terms ‘drawing’ and ‘design’ were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic senses. For Nancy, drawing resists any kind of closure, and therefore never resolves a tension specific to itself. Drawing allows the gesture of a desire that remains in excess of all knowledge to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation. Between sections of his text, Nancy includes a series of “sketchbooks” on drawing, composed of quotations on art from different writers, artists, or philosophers.Show book
This WWII pictorial history illustrates Nazi Germany’s North African campaign, showing life under Rommel through vivid wartime photographs. Prior to the outbreak of World War II, the German Army had focused exclusively on preparations needed to wage war in continental Europe. The threat of an Italian collapse in North Africa in early 1941, however, prompted Hitler to aid his ally by sending an armored blocking force to Libya. Not content to merely thwart the British from capturing Tripoli, Lieutenant-General Erwin Rommel harried his inexperienced expeditionary force eastward towards the Nile Delta.With Rommel in the Desert presents a pictorial narrative of the unfolding conflict from the arrival of the Deutsches Afrikakorps until Rommel's departure from the battlefield in March 1943. These rare wartime photographs show daily life in the desert war, with its shifting fortunes and unique challenges. Primarily viewed from the perspective of ordinary combatants, this is their personal record of serving with Rommel in the desert.Show book
Line of Duty holds its status as the defining TV crime drama of today. The conspiracy theme of the series chimes at a time when public institutions and representatives are distrusted. Ted Hastings, the show's head of anti-corruption, has emerged as the beating heart of the series. This book reveals how the compelling drama reflects real crimes, events and figures, most notably that of Robert Mark and his battle against Met corruption. ‘None of my people would plant evidence. They know I would throw the book at them… followed by the bookshelf’ Starting with a bang – ‘I’ll put you all back in uniform’ were his first words to his team. New Met Commissioner Robert Mark – the inspiration for Ted Hastings – took on his entire corruption-riddled detective branch in his first brutal speech. The scale of the problem facing Robert Mark was institutionalised corruption in CID. During his four years eleven months as commissioner, he saw 478 men leave the force following or in anticipation of criminal/disciplinary proceedings. Departures in the previous decade had averaged about 16 a year. Mark's extraordinary career established the need for a dedicated team to investigate corruption that lives on today.Show book
