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  Alys Always (NHB Modern Plays) -...

  Harriet Lane

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  A psychological thriller excavating the fault lines that separate the entitled from the rest, Alys, Always is adapted for the stage by Lucinda Coxon from Harriet Lane's gripping novel.
  Frances works on the books pages of a Sunday newspaper. She's quiet and capable, but nobody takes much notice: her face is pressed to the window, on the outside, looking in.
  One evening, driving back to London after visiting her infuriating parents, she comes across an overturned car crumpled on the side of the road. She waits with the injured driver, Alys Kyte, until the ambulance arrives. Later, when Alys's famous family gets in touch, Frances finds herself ushered for the first time into the world on the other side of the window. And she begins to wonder: what will it take to belong?
  This stage version of Alys, Always was premiered at the Bridge Theatre, London, in February 2019, directed by Nicholas Hytner and starring Joanne Froggatt and Robert Glenister.
  'Wonderfully observed… a gripping, psychologically complex achievement, whose greatest success is the lingering sense of unease' - Sunday Telegraph on Harriet Lane's novel

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  Unsun

  Andrew Zawacki

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  In his fifth poetry volume, American poet Andrew Zawacki expands his inquiry into the possibilities and dangers of a ‘global pastoral,’ exploring geographies alternately enhanced and flattened out by digital networks, international transit, the uneven and invisible movements of capital, and the unrelenting feedback loops of data surveillance, weather disaster, war. Wheeling interference patterns of systems of meaning, from radio signals and runway signage to foreign phrases and babytalk, interact with the ‘langscape’ of English, while punctuation is retrofitted as coding. In creating a politically committed lyric form that opens all the dimensions of language – sonic and semantic, syntactic and graphic – Unsun sustains an oblique conversation with Paul Celan’s Fadensonnen, Chris Marker’s Sans soleil, and Michael Palmer’s Sun. Loosely structured by the settings of analog photography, the book features a suite of the author’s black-and-white, large format images alongside an adaptation of Tang Dynasty poet Wang Wei and a series of fractured sonnets for – and from – his young daughter.

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  A Voice Coming from Then

  Jeremy Dixon

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  Jeremy Dixon's first full poetry collection A Voice Coming From Then starts from his teenage suicide attempt and expands to encompass themes of bullying, queerphobia, acceptance and support. Includes unexpected typography, collage, humour, magic, discotheques and frequent appearances from the Victorian demon, Spring-heeled Jack.
  Content Warning: Some poems in this book deal with themes and expressions of physical and verbal bullying, swearing, homophobia, homophobic language, queerphobia, attempted suicide and suicide.
  
  'A moving, haunting collection that is remarkable for both its startling depictions and visual inventiveness, Jeremy Dixon brings us to the edge and says: 'listen'. I recommend you listen' - Natalie Ann Holborow
  
  'A work of powerful vulnerability and queer resilience... holds difficult material with tenderness, precision and formal playfulness. Dixon's invocation to, 'clap and cheer and cradle your younger self' in a world where 'no system can guarantee safety' unsentimentally, but urgently, extends a hand of experience' - Caleb Parkin
  'A rallying cry not just for inclusion but for love, in so many forms' - Katherine Stansfield

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  Things You Shouldn't Say Past...

  Peter Ackerman

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  A brand spanking new bedroom farce about three couples who say what they oughtn’t, do what they shouldn’t, and deliver terrific one-liners while doing it!An L.A. Theatre Works full-cast performance featuring Jeffrey Donovan, Richard Kind, Mandy Siegfried, Alan Mandell, Clea Lewis and Joey Slotnick.

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  Five Little Plays

  Alfred Sutro

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  British dramatist Alfred Sutro's collection contains five one act plays: "The Man in the Stalls," "A Marriage Has Been Arranged…", "The Man on the Kerb," "The Open Door," and "The Bracelet." The plays are performed by Amanda Friday, Libby Gohn, Elizabeth Klett, mb, Bob Neufeld, Caprisha Page, Bruce Pirie, and Algy Pug. - Summary by Elizabeth Klett

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  Damon Runyon Theater - A Story...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.

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