Publisher: Sovereign
Orestes, Apollo, and the Erinyes go before Athena and eleven other judges chosen by her from the Athenian citizenry at the Areopagus (Rock of Ares, a flat rocky hill by the Athenian agora where the homicide court of Athens later held its sessions), to decide whether Orestes's killing of his mother, Clytemnestra, makes him guilty of the crime of murder.
The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America. Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe. Runyon described himself as "being known to one and all as a guy who is just around". That line seems to say a lot about Runyon and his life. It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be. Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence. His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.Show book
Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic). Although Byron's mood starts, after this, to grow darker and his bitterness at English hypocrisy to grow sharper, his discursive comedy and precise and intriguing rhyme is rarely better than in Canto V. (Summary by Peter Gallagher)Show book
Death has never felt so alive in this “bold and sexy and smart” collection of poems (Stephen Dunn). From alluring titles to haunting last lines, the poems in Kim Dower’s fourth collection soothe, terrify, and always surprise, revealing the extraordinary within the ordinary. Acclaimed for combining the accessible and profound, humor and heartache, Dower’s poetry continues to be quirky, dark, sexy, disarmingly candid, and moving, and here she explores the landscape of death and its intersections with love, longing, obsession, sadness, joy, and beauty. Wise and soaring, these poems bravely imagine another life beyond the one we all know, where even the angels surrounding the graves are wearing bikinis, smoking Kool Lights.Show book
Through the poems in The Dream Women Called, Lori Wilson attends to the spirits of depression, uncertainty, and fear while wondering at the beauty in what’s broken, the remarkable in the ordinary, and the balm that the natural world can offer. Following a single speaker, we’re reminded how many lives one woman can live.This book is about crossing into a new version of your own story—after a marriage ends, the parents die, the children are grown, or the faith is discarded—and finding a place to stand, a new way to take up space in the world. Uniting past and present, these poems create multifaceted portraits, particularly of relationships between mothers and daughters. Wilson’s poems sift through memory, dreams, art, imagination, nature, and close observation, turning each discovery over in order to see it fully. Beneath the fine-grained imagery of these lyric excavations are the sometimes opposing but fundamental desires to be whole and to be seen, which often means looking within as well as turning toward the world outside. The speaker is listening always for the dream women who call, for whatever may beckon from the present and future, preparing her in some way for a life that’s truly hers.Show book
Trillium Book Award–winning poet Adam Sol’s newest collection is made up of poems that are loosely linked to the traditional Jewish morning prayers, the Birkhot haShachar, which try to find moments of blessing in the midst of personal and public pain, shame, and worry How do we respond to others’ pain, both the pain of those we love and the larger global pain of those we don’t know? In a religious context, a witness can offer blessing when those in the midst of suffering cannot. Taking on the responsibility of blessing, then, is a way to shoulder that burden for the sufferer. This presupposes the idea that blessing is a necessity — which may be a point up for debate. In the context of his wife’s recovery from surgery, and with civic violence prevalent in his city, the speaker of these poems leans on the structure of the Birkhot haShachar (dawn blessings) to carve out space for empathy, complaint, and occasional flashes of wonder. These poems showcase Sol’s trademark blend of humor and lyric virtuosity, and display his familiarity with Jewish texts and traditions, but add a new intimacy and urgency that break new ground for one of Canada’s most respected poets. It is his most risky and most accomplished collection to date.Show book
Theresa Lola's debut poetry collection In Search of Equilibrium is an extraordinary and exacting study of death and grieving. Where the algorithms of the body and the memory fail, Lola finds the words that will piece together the binary code of family and restart the recovery program. In doing so, these unflinching poems work towards the hard-wired truths of life itself - finding hope in survival, lines of rescue in faith, a stubborn equilibrium in the equations of loss and renewal. "Theresa Lola's poems never fail to surprise with her breath-taking ability to create unexpected imagery; they never fail to move as she laments the last years of a loved one; and they never fail to delight with the transformative and healing power of poetry to create beauty." - Bernardine EvaristoShow book
