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  Octopus Mind

  Rachel Carney

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  Octopus Mind plays with an array of rich and original metaphors to explore the intricacies of neurodiversity, perception and the human mind. These poems articulate the desire to understand and be understood by oneself and others in a complex world. They observe the nuances of creativity, art, relationships, and self-expression through the lens of neurodiversity, reflecting on the poet's experience of being diagnosed with dyspraxia as an adult. They delve into the challenges of neurodiversity, but also reveal its gifts.
  Poems respond to visual artists like Gwen John, whose paintings break new ground for women representing their own visions of themselves. Other poems suggest that this can be a struggle however, as Pablo Picasso paints not a woman but his own despair in 'Blue Nude', while Elizabeth Siddal reflects on her own image, fetishized by the Pre-Raphaelite painters, and Henri Rousseau's painting becomes an outlet for self-deception and frustration. 
  Some of the most stunning poems in this collection perform a kind of magic or sleight of hand, as dyspraxia is explored through unique and remarkable metaphors, including a series of artefacts in a museum, a walk along the seashore, and a swaying tree. The 'Octopus Mind' evokes the possibilities of what it means to be human, through obsession, self-deception, realisation, and acceptance.
  The speaker in Octopus Mind is endearingly humble and we journey with them beyond self-criticism to reclaiming the self. In 'Growing', the narrator declares 'I will grow // into myself, climbing, steady, / grip by grip, leaf by leaf'. In 'Understood' the narrator describes the complex process of re-imagining one's place in the world, armed with new knowledge: 'Slowly, we adjust / our own soft ignorance / unroll our prejudice / in gentle waves.' 
  "A poet of multiple uncanny self-portraits, of the 'octopus mind', who explores the gaps between mind and body, and body and world, with deft, diverse diagnoses."Damian Walford Davies
  "Extraordinary poems of self-encounter, of divergence, of bruised bodies out of balance with themselves, laid bare – and of new-found identities, and joyous release." Richard Marggraf Turley 
  "Rachel Carney's debut collection delights in its curiosity and surrealism. This is a collection that 'swims out into deep ocean currents' to explore the workings of the mind and the impacts of this on the self." Katherine Stansfield

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  I Am Valuable

  Reggie Ariel Jackson

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  I Am Valuable is a book of poetry that sheds light on all that must truly be treasured. While covering a vast array of topics, including ostracization, temptations, and speculation, the poet focuses on what should be held important the most – love, compassion, and confidence. Most importantly, eternal faith in God and the belief that hard work overcomes hardships is stressed. Rich in tone with profound descriptions, each poem works its magic as the reader revels in its beauty.Based on Reggie Ariel Jackson’s personal life experiences, this book is a testimony of all that he has endured, making it possible for others to not only learn from his lessons but also find hope and the will to continue living.

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  The Human Body is a Hive

  Erica Gillingham

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  Composed in two halves, Erica Gillingham's The Human Body is a Hive is a playful and observant reconception of queer love and queer family-making. Opening with a shameless celebration of sex and desire, the collection expands the boundaries of love to include friendship, romance, and lifelong partnership. The latter catalogues the cyclical heartbreaks and wonders of fertility treatment through the microscopic lenses of nature, medicine, and art. Both quietly moving and profoundly celebratory, this exciting debut evokes tenderness and resilience.

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  Born With Teeth

  Liz Duffy Adams

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  '"O, Jesus bless us, he is born with teeth!"
  
  And so was I, which plainly signified
  
  That I should snarl and bite, play the dog.'
  Henry VI, Part 3
  Christopher Marlowe – rockstar of Elizabethan theatre and notorious spy for the Crown – danger and seduction combined. William Shakespeare – jobbing actor and promising young playwright – dazzled by Marlowe, but with ambitions of his own.
  When the pair meet in the backroom of a pub to collaborate on a cycle of history plays, tensions rise as they navigate the perils of art under an oppressive regime, and flirt like young men with everything to lose…
  An explosively entertaining duel of wits, words and powerplay, Liz Duffy Adams's Born With Teeth is a playful and daring imagining of the relationship between two literary icons. The play was first performed in Houston, Texas, in 2022, where it won several major awards. In 2025, it received its European premiere at Wyndham's Theatre in London's West End, produced by Playful Productions, the Royal Shakespeare Company and Grain of Sand Productions, directed by RSC Co-Artistic Director Daniel Evans, and starring Ncuti Gatwa as Kit and Edward Bluemel as Will.

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  This Might Not Be It

  Sophia Chetin-Leuner

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  'You care a lot, that's nice. It shows your age.'
  Jay's new. He's just started as a temp in NHS Child and Adolescent Mental Health Services. He arrives with little more than a fledgling desk plant and well-meaning plans to change the broken system. Angela's been working here for over thirty years and nothing seems to faze her – except Jay.
  Exhausted and worn down by archaic protocol, Jay starts bending the rules in a desperate attempt to help their patients. But when professional boundaries are crossed and trust is shattered, he discovers the harsh reality of what's truly at stake.
  Sophia Chetin-Leuner's play This Might Not Be It is a candid portrayal of human lives at the mercy of our crumbling NHS. The play was longlisted for the Verity Bargate Award and shortlisted for the Women's Prize for Playwriting. It was premiered at the Bush Theatre, London, in 2023, directed by Ed Madden and produced by Broccoli Arts and Jessie Anand Productions.

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  Patricia Gets Ready (for a date...

  Martha Watson Allpress

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  Patricia has spent a year recovering from an abusive relationship. But when she bumps into her ex on the street, she accidentally agrees to go to dinner with him that night.
  Now she's got some big decisions to make. What to wear? What to say? And... whether or not to go?
  Martha Watson Allpress's Patricia Gets Ready (for a date with the man that used to hit her) is a play for one actor that was first seen at VAULT Festival 2020, directed by Kaleya Baxe and performed by Angelina Chudi, then at the Edinburgh Festival Fringe 2021, winning numerous awards and receiving rave reviews. It was revived on a UK tour in 2022, performed by Yasmin Dawes, including a run at Brixton House, London.
  'The standout production of this EdFringe' - The Stage
  'Brilliant... A script that refuses to simplify, to be neat and tidy, to apologise, to paint Patricia as just a victim. Rather, she is bold, funny (very funny) and sexually confident' - Guardian

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