Weitere Bücher, die Sie mögen werden

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  Art History The Viennese Secession

  Victoria Charles, Klaus H. Carl

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  Influenced by Art Nouveau, this movement (created in 1897 by Gustav Klimt, Carl Moll, and Josef Hoffmann) was not an anonymous artistic revolution. Defining itself as a “total art”, without any political or commercial constraint, the Viennese Secession represented the ideological turmoil that affected craftsmen, architects, graphic artists, and designers from this period. Turning away from an established art and immersing themselves in organic, voluptuous, and decorative shapes, these artists opened themselves to an evocative, erotic aesthetic that blatantly offended the bourgeoisie of the time. Painting, sculpture, and architecture are addressed by the authors and highlight the diversity and richness of a movement whose motto proclaimed “for each time its art, for each art its liberty” – a declaration to the innovation and originality of this revolutionary art movement.

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  Grace Plus Truth - How to Walk...

  Jason C. Johnson Sr.

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  Gold Medal Winner of the 2025 Illumination Book Awards! 
  Discover the heart and soul behind the Grace Plus Truth album in this powerful, insightful book that goes deep into themes of grace, redemption, and sanctification in the life of a believer. Whether you’re new to faith or have been a believer for years, you'll love this audiobook. As a companion to the album, each chapter expands the music’s themes, providing a director’s-cut-style commentary that allows readers to understand and live out these biblical truths. Stream the full Grace Plus Truth album and experience the soundtrack of this faith journey at www.vytalmusic.com.Key Themes You’ll Explore:The "First Adam" vs. the "Last Adam": Understand the profound difference between Adam and Jesus ChristGrace and Truth in Daily Life: Learn what it means to live in grace and truthVictory in Christ: Gain a renewed perspective on spiritual growth and empowerment in your walk with God.Who This Book is For:New and Seasoned BelieversFans of Christian Rap MusicAnyone Seeking Spiritual GrowthWhy You’ll Love Grace Plus Truth:Engaging and Interactive: A unique blend of music and literature for an immersive faith experience.Scripture-Based Insight: Biblical truths unpacked in relatable, easy-to-understand language.Encouraging and Challenging: Thought-provoking questions and applications help you grow spiritually and live out your faith. 
  May this journey of grace, truth, and transformation be a cup of cold water as you grow in your relationship with Christ.

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  The Beatles Quiz Book - 1000...

  Mart Matthews

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  Mart Matthews is a prolific author of quizzes, having published 24 books on horseracing, football and music. This one follows the same pattern as the previous ones – 1,000 questions in 100 categories. How much do you really know about the four lads from Liverpool who transformed so many lives in the 1960s?
  You can find out by exploring the 1,000 questions set out in 100 categories that make up the Beatles Quiz Book.
  In most books on the Beatles you won't find references to the Marx Brothers, Kojak, Spike Milligan, Z-Cars, Star Trek, Alf Garnett or Regent's Park Zoo. In this one you will!
  Try these for size:
  1. Who pulled off a unique double by being on the cover of Sgt Pepper and in the lyrics of I Am the Walrus?
  2. Which five cities can be found in the lyrics of the Ballad of John and Yoko?
  3. Which is the only day of the week not mentioned in Lady Madonna?
  4. Which four Beatles songs have the word 'shoulder' in their lyrics?

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  Francesca Caccini at the Medici...

  Suzanne G. Cusick

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  A “priceless” study of the life and career of the Renaissance-era Italian who was the first woman to have composed an opera (Gender & History).“Extraordinary in its breadth, its detail, its insight, and its worth to all participants in early music…. Its contribution is not limited to the musical world, however, as Cusick’s remarkable command and analysis of her material…has immense value for scholars engaged in cultural studies, performance studies, history, politics, or the study of difference.”—Renaissance Quarterly A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne G. Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany’s de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine’s power, thereby also supporting the sexual and political aims of its women. In bringing Caccini’s surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.

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  Metaphor and Musical Thought

  Michael Spitzer

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  "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.

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  Stan Brakhage the realm buster

  Esther Leslie, Marco Lori

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  Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage's films. In particular, many of these essays revolve around the controversial issues of representation and perception.This project sets out from the assumption that Brakhage's art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage's art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalised.Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the 'it' within the 'itself' of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophise in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realising Deleuze's image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book addresses not only scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney and Marco Lori.

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