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  Joan Crawford and Bette Davis:...

  Editors Charles River

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  The life of Joan Crawford is one of the most famous Hollywood rags-to-riches tales. While it is common to think of Hollywood as a land offering great opportunity to hard-working actresses, the Horatio Alger myth rarely applies in reality, but it applied almost perfectly to Joan Crawford. Crawford grew up in relative poverty, with both of her childhood father figures abandoning the family before she became a teenager, and she relied on undying ambition in order to progress through the ranks of the show business circuit and then the Hollywood studio system. This drive to succeed continued throughout her entire career, and Crawford’s public battles with both studios (MGM in particular) and other stars (first Norma Shearer and later Bette Davis) were borne out of an unmatched competitive streak. Joan Crawford’s life and career also shed light on the treatment of women in pop culture and in cinema during the early 20th century.  
  	Bette Davis presided over Hollywood at a time in which the film industry was at its most influential. Every actress from Katharine Hepburn to Ingrid Bergman and Ginger Rodgers, themselves now considered among Hollywood’s greatest icons, lived in the shadow of Bette Davis. Not only was Davis a box office sensation and commercial success - she became the highest paid actress in 1938 - but she garnered more critical acclaim than any other actress during the time period, as evidenced by the fact that she was the first actress to be nominated for 10 Academy Awards.  Recently, her place in history was cemented when she was named as the second greatest actress of the 20th century by the American Film Institute behind only Katharine Hepburn (AFI 100 Years…100 Stars).

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  Things in Nature Merely Grow

  Yiyun Li

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  Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.“There is no good way to say this,” Yiyun Li writes at the beginning of this audiobook.“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”There is no good way to say this—because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is an audiobook for James, but it is not an audiobook about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit. A Macmillan Audio production from Farrar, Straus and Giroux.

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  Defeating Jihadist Terrorism

  Jacques Baud

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  Since the early 1990s, terrorism and its victims have increased exponentially. Without any action strategy or exit solution, through political and military incompetence, stupidity and ideological blindness, Western interventions have only contributed to its development. We eliminate terrorists, but not terrorism. The solution lies in a more holistic, more subtle, more intelligent and less dogmatic approach. Terrorism is not an ideology. It is a method that takes many forms, including jihadist terrorism. Each form of terrorism is fought with a specific strategy. Based on the original texts of jihadist strategists as well as on their own analyses of attacks in France, Belgium, Great Britain and the United States, Jacques Baud explains the reasons for Western failure. He uses the analyses of Western intelligence services to decipher the mechanisms of jihadist terrorism, in order to extract strategies of action likely to avoid it or to fight it effectively and durably. The author is a former head of Swiss strategic intelligence and former head of UN peace operations doctrine. In the course of his missions in Africa and Central Asia, the author has had several encounters with jihadists in the field. 
  This audiobook is read by a synthesized voice.

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  Back Yourself - Advice and...

  Kylie Mort, Brenda Keane,...

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  Is there a voice inside you that knows that there is so much more for you and that you have incredible potential just waiting to be realised?  
  Then it's time to learn how to back yourself. Believing in yourself is an incredible force of power that starts with you. Whether you want to change the world, invent an incredible product, take on the big brands, inspire people, take your business global, start a movement or dream bigger in any way it's time to follow that calling!  
  This book is the essential guide for women who are serious about creating the business they've been dreaming of and know that they have the ambition and determination to get there.  
  Combining the inspirational stories and expert business advice of 27 women business leaders this book shares the life-changing power of what can happen when you learn how to back yourself. 

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  The Roaring Brook Fiddler -...

  Julie Lyonn Lieberman

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  What if you could read a book packed with uncommon originality, while simultaneously attending a concert of critically acclaimed original music? Julie Lyonn Lieberman has created a literary album that focusses on her profound journey through life’s epic challenges. With passion, the family code, and her sixth sense as her guide, she forged a creative life against all odds … fueled by her passionate dedication to make a difference in the world. 
  What do the words empathic, visionary, and creative have in common? Author Julie Lyonn Lieberman. The Roaring Brook Fiddler is a unique, compelling, and deeply touching story of the development of a truly creative spirit. For anyone living the creative life, or exploring sensitivities beyond the norm, this book is for you! — SEAN MURPHY, Hemingway Award-winning author of One Bird, One Stone and The Time of New Weather / Julie Lieberman is a natural writer. Her book recounts her adventures as a formal classical musician who forged new paths as a pioneering improviser and role model for a new generation to dare to be creative. — DAVID AMRAM, Composer-conductor-Multi-instrumentalist / Julie Lyonn Lieberman is a force of nature, exemplified by this latest publication. The book … doesn’t flinch. And it is also a compelling reflection of a musician’s other life that the audience doesn’t know about – how, despite internal challenges, the show needs to go on not only to put food on the table, but also to allow a career and artistic life to progress. — ANNE INGLIS, STRAD Magazine / Julie Lyonn Lieberman’s book is riveting… an amazing tale. Man oh man can she tell a story and keep the reader’s attention glued to the page! — PAMELA SPIRO WAGNER, author, We Mad Climb Shaky Ladders / This is a wonderful and courageous book, one that will leave the reader richer … — ANNE WEISS, poet and songwriter

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  The Eye of the Camera - From...

  Fred M White

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  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

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