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  The Best American Mystery and...

  S. A. Cosby, Steph Cha

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  A collection of the year’s best mystery and suspense short fiction selected by New York Times bestselling author S. A. Cosby, author of Razorblade Tears, and series editor Steph Cha. 
  In his introduction, guest editor S. A. Cosby observes that writing short stories is “a special skill that combines brevity with wit and cleverness and the hint of the existential malaise that imbues crime fiction with its gravitas.” The stories in this col-lection overflow with gravitas in the most unexpected ways: a cryptic note left on a windshield, a murder for hire meets a game of Mouse Trap, a swipe right on a dating app goes horribly wrong. From an eleven-year-old drawn to the neighborhood spookhouse to a scholarship kid at an exclusive boarding school, a nefarious Old West gunman to a Florida woman’s struggle against both outer and inner demons, the characters in The Best American Mystery and Suspense 2024 are haunted and haunting, and wholly unforgettable.  
  The Best American Mystery and Suspense 2024 includes MEGAN ABBOTT • ALYSSA COLE • TANANARIVE DUE • ABBY GENI • JORDAN HARPER • GAR ANTHONY HAYWOOD •TONI LP KELNER • BOBBY MATHEWS • LISA UNGER • and others

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  Italy Dia Kahania

  Maxim Gorky

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  Italy Dia Kahania (Stories of Italy) is a collection of vivid short stories by Maxim Gorky that captures the everyday life, struggles, and emotions of ordinary people in Italy. Through rich imagery and detailed observation, Gorky portrays social unrest, human resilience, and the vibrant spirit of communities facing hardship. The stories often focus on laborers, children, and common folk, highlighting their interactions, struggles, and small joys in the backdrop of a dynamic cityscape.

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  Origin Stories

  Corinna Vallianatos

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  The stories in Origin Stories take as their subject the sources of love, marriage, motherhood, friendship, artistic ambition, restiveness, and shame. Their characters perceive more than they can explain, want more than they can have, and contend with the bounty and frugality of their relationships. In "This Isn't the Actual Sea," a woman considers that her friend's failure and sudden success have given her the material she needs to write something of her own, if she's willing to risk the friendship to do so. "The Artist's Wife" describes, in a painting stowed in a bowling alley broom closet, the chasm between seeing and being seen. "Dogwood" is a piece of lyric reportage on beauty, family, and survival whose sections range from the narrator's childhood to her son's new adulthood. And "Origin Story" acts as an accounting of the many different states where a woman and her husband have lived, and what it is they've been searching for. 
   
   
   
  In this keen, meditative collection set in Southern California and Virginia, Corinna Vallianatos dramatizes the bonds of mother and child, the self-destruction of young womanhood, the thrill and bewilderment of friendship, and the power of place. 
   
   
   
  Origin Stories is filled with humor, longing, beauty, and belief.

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  Stalkers - Original Tales by...

  Ed Gorman

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  There are two types of entities: the Hunter and the Hunted— and revenge, guilt, lust, and desperation drive all of them. Darkness falls quickly when you're being stalked— but it is always dark when you' re the stalker. From shadowy city streets and Amazon jungles to deep-South swamps, this collection of eight stories involving elements of mystery, science fiction, and horror is sure to entertain. Unabridged selections include:
  • " The Stalker of Souls" by Edward D. Hoch, read by Joseph Campanella
  
  • " Pilots" by Joe R. Lansdale and Dan Lowry, read by Joseph Campanella
  
  • " Lizardman" by Charles de Lint, read by David Dukes
  
  • " The Sacred Fire" by Robert R. McCammon, read by Arte Johnson
  
  • " The Hunt" by Richard Laymon, read by Arte Johnson
  
  • " Trapped" by Dean Koontz, read by Bess Armstrong
  
  • " Rivereñ os" by Trish Janeshutz, read by Bess Armstrong
  
  • " Stalker" by Ed Gorman, read by Arte Johnson

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  A Garland of Earth - From their...

  Dorothy Edwards

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  Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London.  She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12.  Thereafter several popular periodicals published her poetry, stories and articles. 
  In addition she also illustrated some of her own writings and painted scenes from books she had read.  This talent was not supported by her parents, who saw an artist’s life as scandalous.  Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage.  Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing.  Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established.  
  Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. 
  In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off.  In reality her emotional attachments were almost exclusively with women.  From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892.  During this relationship other women also entered and left her life.  Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology.  Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation.  
  To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. 
  After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare.  She was 60.

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  Because of Roses

  Richard May

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  An anthology of ten short, optimistic stories about men meeting other men and exploring relationships with each other, with a focus on racial, age, and background diversity.Chicken Man: a would-be actor encounters a six-foot tall rooster in Times Square, which leads to sort of an acting gig and romance, also of a sort.The Green Bench: a businessman hurrying to work passes an older male couple on a park bench every day, until one day one isn't there.Leprechaun in New York: a young man lusts after a redhead he sees in bars until he goes home with him and the redhead claims he's a leprechaun.Heart Stealer: based on a Choctaw myth of a creature in the woods who takes human hearts.From the Sea: a college friend invites a classmate home for the weekend to a house inhabited by his family and the ghost of a drowned Chinese fisherman.Ticket to Ride: bemused by a makeshift sign offering trips to the past for a nominal sum, a man hurrying by puts his money down. When he returns, his ticket is waiting.The Cowman and the Farmer Should Be Friends: a lonely dairy farmer resorts to OkCupid to find love.Picnic in Moscow: a man in Moscow escapes from a Gay bashing and is taken in by an older man his father wants him to marry.Régalos: a descendant of Cuban boat people returns to Cuba on a professional architectural tour. He's befriended by a mysterious man who turns out to have sinister connections.Because of Roses: grieving over a dead partner, an attorney accepts a transfer to the London office and begins house hunting in the Cotswolds.

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