Weitere Bücher, die Sie mögen werden

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  Art History Surrealism

  Natalia Brodskaya

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  Arriving with a bang on the post-World War I scene, the Surrealists proclaimed a revolution of thought and creation, insisting on breaking away from the past and a world that had been left in ruins. This refusal to integrate into bourgeois society was also a leitmotiv of the Dada movement, a rebellious trait that led André Breton to say that Dadaism was “a machine had not thought to come up with new perspectives. It was this comment that gave birth to Surrealism. The Surrealists frequently collaborated with Dada artists on intellectual levels for which exclusivity had often become the general rule.
  In his descriptions of the Surrealists as part of a force of absolute resistance, the author approaches the movement in an exciting and original way. Balanced between provocation and cultural revolution, weren’t the Surrealists most of all the products of creative individualism in this period buffeted by history?

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  Lost Time And The Meaning of...

  Jason Williams

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  This audiobook is narrated by an AI Voice.   
  Do you ever feel like your memories are slipping away—until a photograph brings them flooding back? 
  In a world drowning in images, we're still haunted by one central question: What do photographs do to our memories—and our sense of self? 
  If you've ever wondered why a single photo can evoke tears, trigger buried trauma, or transport you across decades, Lost Time and the Meaning of Photography is your essential guide. Whether you're a photographer, historian, grieving loved one, or simply a human being living in the age of visual overload, this book will challenge your understanding of memory, mourning, and meaning. 
  Unlock the hidden power behind every photograph you've ever taken—or kept. 
  In this gripping and poetic exploration, you'll learn: 
  •	Why photography isn't just a way to capture life, but a way to construct identity. 
  •	How grieving individuals and entire cultures use images to keep the dead alive—and what that means for healing. 
  •	Why do some photographs bring comfort while others deepen the ache of loss? 
  •	The neuroscience behind memory and image—how your brain processes pictures and how it changes who you are. 
  •	How national tragedies and historical trauma are archived, mythologized, or erased through visual media. 
  •	What we risk losing in the flood of selfies, algorithm-curated memories, and disappearing snaps. 
  You'll walk away with a deep understanding of how personal photos shape the story you tell yourself—and how collective images shape the stories nations tell about themselves. 
  Ready to rediscover your past—and reshape your future—one image at a time? 
  Buy Lost Time and the Meaning of Photography today and start your journey into the memory behind the lens.

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  Greatest Christmas Shows Volume...

  Various Various

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  OASIS AUDIO CLASSIC RADIO SHOWCASE SERIES   Oasis Audio has gone into the vaults and dusted off the very earliest form of audio book, old time radio shows, for our listeners. Introduced episode by episode by Jim Engel, old time radio authority and board member of the Museum of Broadcast Communications in Chicago, this series of classic radio shows is sure to have something for everyone. Celebrity casts and top-notch writers made the 1920s through the early 1950s, the golden era of radio. The series features seven exciting themes with 100 episodes in each. That is 700 classic radio programs in all.   Greatest Christmas Shows   Join your favorite radio stars under the Christmas tree. Enjoy Bing Crosby, Amos & Andy, The Father Knows Best family, The Great Gildersleeve, Fibber McGee & Molly, and more, even Al Jolson and Boris Karloff. Hear legendary performer Lionel Barrymore as Scrooge. There are no “Bah Humbugs” is this amazing collection. 100 great Christmas classics in ten volumes. Volume 1                                                                                                                               A Christmas Sing with Bing 12-24-57 with Bing Crosby in a program of Christmas music around the worldFibber McGee & Molly 12-20-54 Babes in Toyland with Jim & Marian JordanThe Abbott and Costello Show 1948-12-23 Christmas ProgramThe Adventures of Ozzie and Harriet 12-19-48 New Radio PhonographThe Adventures of Sherlock Holmes 12-21-47 The Adventure of the Christmas Bride with John StanleyThe Aldrich Family 6-18-42 Selling Christmas Cards with Ezra StoneThe Aldrich Family 12-21-52 Christmas Eve with Bobby EllisThe Amos and Andy Show 12-22-44 Christmas Program with Freeman Gosden and Charles CorrellAuthors Playhouse 12-21-41 Christmas by JunctionBoston Blackie 1948-12-22 Stolen Rings at Christmas Time

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  Family Romance - John Singer...

  Jean Strouse

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  Jean Strouse's Family Romance: John Singer Sargent and the Wertheimers looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career—and at the intersections of all these lives with the sparkle and strife of the Edwardian age. 
   
   
   
  In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent's greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes—as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. 
   
   
   
  Strouse's account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. It travels back through hundreds of years to the Habsburg court in Vienna and forward to fascist Italy in the 1930s. Its depictions of Sargent, his sitters, their friendships and circles, and the portraits themselves light up a period that saw tumultuous social change and the birth of the modern art market.

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  Artists Siblings Visionaries -...

  Judith Mackrell

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  'Outstanding' - The Guardian 'Judith Mackrell has done an incredible job in bringing to life the stories of these two great artists' - Anthony D’Offay'This is a must read . . . a deeply moving account of a family bursting with talent' - Anne SebbaIn Artists, Siblings, Visionaries, acclaimed biographer Judith Mackrell turns her attention to British brother and sister artists Gwen and Augustus John.In many ways they were polar opposites. Augustus was the larger of the two; vivid, volatile and promiscuous, he was a hero among romantics and bohemians, celebrated as one of the great British talents of his generation.As a woman, Gwen's place in the art world was much smaller, and her private way of working and reserved nature meant it was only long after her death that her tremendous gifts were fully acknowledged. But her temperament was as turbulent as her brother's. She formed passionate attachments to men and woman, including a long affair with the sculptor Rodin.And there were other ways in which the two Johns were remarkably alike, as Mackrell vividly reveals. The result is a powerful portrait of two prodigiously talented artists and visionaries, whose experiments with form and colour created some of the most memorable work of the early twentieth century.

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  Erotic Art

  Hans-Jürgen Döpp

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  When asked about Picasso, towards the end of his life, what was the difference between art and eroticism, he replied meditatively and dreamily: “But there is no difference.” others feared eroticism, Picasso warned against the dangerous experiments of art: “Art is never chaste, it should be kept away from all innocent ignorant. People insufficiently prepared should never come into contact with him. Yes, art is dangerous. When he is chaste, he is no longer art. ”The notion of erotic art is surrounded by a halo of hypocritical, deceptive and dissimulating concepts: art or pornography, sex or eroticism, obscenity or originality, these attempts at distinction and determination mix too much for an objective clarification to be When can we talk about “erotic art”? Hans Jurgen.

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