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  Freedom House

  KB Brookins

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  Freedom House is a poetry collection that explores internal, interpersonal, and systemic freedom.  
  In this debut full-length collection, KB Brookins’ formally diverse, music-influenced poetry explores transness, politics of the body, gentrification, sexual violence, climate change, masculinity, and afrofuturism while chronicling their transition and walking readers through different “rooms”. The speaker isn’t afraid to call themselves out while also bending time, displaying the terror of being Black/queer/trans in Texas, and more — all while using humor and craft.  
  What does freedom look like? What can we learn from nature and our past? How do you reintroduce yourself in a world that refuses queerness? How can we use poetry as a tool in the toolbox that helps build freedom? This collection explores those questions, and manifests a world where Black, queer, and trans people get to live.

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  A Rhyme A Dozen ― Christmas...

  Sara Teasdale, G K Chesterton,...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Christmas Carols - An Introduction 
  2 - Wondrous Sight For Men and Angels by Ann Griffiths 
  3 - Angels From the Realms of Glory by James Montgomery 
  4 - A Christmas Carol by Aubrey De Vere 
  5 - A Christmas Carol by G K Chesterton 
  6 - Christmas Carol by Sara Teasdale 
  7 - A Carol. I by Mildmay Fane, Earl of Westmorland 
  8 - A Christmas Carol by Samual Taylor Coleridge 
  9 - Carol by Ben Jonson 
  10 - In The Bleak Midwinter by Christina Georgina Rossetti 
  11 - Go, Tell It on the Mountain by John Wesley Work Jr 
  12 - The Darkling Thrush by Thomas Hardy 
  13 - We Three Kings of Orient Are by John Henry Hopkins Jnr

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  The Book of Landings

  Mark McMorris

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  The Book of Landings brings together the second and third parts of Mark McMorris's visionary trilogy "Auditions for Utopia,"—initiated in Entrepôt—and marks two stages in the evolution of the poet's conception of space. The first stage of the collection is the entrepôt, a space where disparate vectors of identity congregate, come into conflict, and finally merge into hybrid forms. The poetry follows a trajectory of diaspora, or exile, instigated by conquest, colonialism, wars, and political defeat in the search for Utopia. In The Book of Landings the promised dwelling has been removed from the realm of physical geography, and there is only transition—fragmentary episodes of arrival and departure, in transit from one entrepôt to another. These episodes of transit do not only compose a linear sequence only. Instead, they define a space or surface marked by repeated traversals over time—tracings and, importantly, re-tracings, by explorers, conquerors, migrants, merchants, slaves, refugees, and exiles—a city of palimpsests. An online reader's companion will be available at markmcmorris.site.wesleyan.edu.

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  The Flame of Her Will

  Phoebe Reeves

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  The Flame of Her Will is an erasure of the Malleus Maleficarum, a text long used to justify witch-hunts. The poems in this collection invert and subvert the original text, paring away the misogyny and hatred until what is left is a lost woman's voice, challenging a history that requires her silence.

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  Tam O'Shanter - Burns had a way...

  Robert Burns

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  Many nations have produced outstanding poets who they would gladly have represent their Culture.  But can any Nation say they have an equivalent of Robbie Burns?  Rabbie. The Ploughman Poet.  The Bard (Of Scotland).  This one poet is indelibly linked and intertwined with the culture and people of Scotland.  His life, loves, politics, verse and songs speak as them and for them.  
  From humble roots, the eldest son of seven born in 1759 to parents, both from tenant farming stock, the family endured both hardship and poverty.   Burns endured the test and began to write first at 15 and to publish his first volume some two years later.    
  He wrote in both true Scottish, dialect and English as well as turning his hand to song.  Politically he was an inspiration to both liberalism and socialism as well as a Scottish parliament.  His unique ability enabled him to appeal to all and quite rightly to be viewed as the National poet.    
  As well as creating his own great works he was also an avid collector of Scottish Folk Songs preserving for posterity the works of others.  
  However his own life was short dying at the young age of only 37.   What further greatness would have lain before him is impossible to say.  But, poetically, on the day of his death his son, Maxwell was born.    
  His fame today is worldwide and celebrated in January each year with the Traditional Burns night.  Each New Years Eve friends and families the world over link arms to ‘Auld Lang Syne’, giving immortality to his words and aims.  
  As former Secretary General of the United Nations, Kofi Annan says:  Burn’s poems dignify and illuminate the struggle faced by the vast majority of the world’s population today.

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  Tintern Abbey - Glorious poem...

  William Wordsworth

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  William Wordsworth was born on 7 April, 1770 in Cockermouth, in Cumbria, northwest England.  
  Wordsworth spent his early years in his beloved Lake District often with his sister, Dorothy. The English lakes could terrify as well as nurture, and as Wordsworth would write “I grew up fostered alike by beauty and by fear,” 
  After being schooled at Hawkshead he went to St. John’s College, Cambridge but not liking the competitive nature of the place idled his way through saying he “was not for that hour, nor for that place.”  
  Whilst still at Cambridge he travelled to France.  He was immediately taken by the Revolutionary fervor and the confluence of a set of great ideals and rallying calls for the people of France. 
  In his early twenties he ventured again to France and fathered an illegitimate child. He would not see that daughter till she was 9 owing to the tensions and hostilities between England and France. 
  There now followed a period of three to four years that plagued Wordsworth with doubt.  He was now in his early thirties but had no profession, was rootless and virtually penniless.  
  Although his career was not on track he did manage to publish two volumes, both in 1793;  An Evening Walk and Descriptive Sketches. 
  This dark period ended in 1795. A legacy of £900 received from Raisley Calvert enabled Wordsworth to pursue a literary career in earnest.  
  In 1797 he became great friends with a fellow poet, Samuel Taylor Coleridge. They formed a partnership that would change both their lives and the course of English poetry. 
  Their aim was for a decisive break with the strictures of Neoclassical verse. In 1798 the ground breaking Lyrical Ballads was published. Wordsworth wrote in the preface “the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” Most of the poems were dramatic in form, designed to reveal the character of the speaker. Thus the poems set forth a new style, a new vocabulary, and new subjects for poetry. 
  Coleridge had also conceived of an enormous poem to be called “The Brook,” in which he proposed to treat all science, philosophy, and religion, but soon laid the burden of writing it to Wordsworth.  To test his powers for that endeavour, Wordsworth began writing the autobiographical poem that would absorb him for the next 40 years, and which was eventually published as The Prelude, or, Growth of a Poet’s Mind.  
  By the 1820s, the critical acclaim for Wordsworth was growing, but perhaps his best years of work were behind him. Nonetheless he continued to write and to revise previous works.  
  With the death is 1843 of his friend and Poet Laureate Robert Southey, Wordsworth was offered the position. He accepted despite saying he wouldn’t write any poetry as Poet Laureate. And indeed he didn’t. 
  Wordsworth died of pleurisy on 23 April 1850. He was buried in St Oswald’s church Grasmere.

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