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  God of All Flying Things:...

  Rachel Devenish Ford

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  God of All Flying Things is a gentle companion for those seeking God in the midst of lives full of beauty, longing, and mystery. 
  In this intimate collection of prayers and poems, Rachel Devenish Ford writes from the quiet spaces of her devotion to Christ. These are the words of someone who has sat quietly in sorrow, who has shouted prayers into the dark, and who keeps looking for the presence of God in birdsong, breath, and daily bread. 
  Alongside her poems, Rachel shares original paintings made during times of meditation. These are visual prayers that speak of reaching, belonging, and finding a dwelling place within the soul. 
  Whether you are feeling full or empty, certain or in the whirl of mystery, this book is an invitation to connection with the Divine Presence. 
  From the Author: 
  “I want this book to be kind and fierce. I want it to breathe. I want it to be human. I want it to reflect God's goodness, warmth, and love. 
  We, looking at God, have so many voices. We reflect the brilliance of God in our cells. 
  I am one voice, one of so many. So many people, alive or long passed, have encouraged me when my heart needed it. My voice also sings, and I want to show you my songs. 
  These are the poems of my attachment, the long, wandering relationship I have had with Christ. These are the poems of my wrestling. There are so, so many poems of love. Adoration. Longing. Resilience. Wisdom. Justice. Worship. These are the prayers I needed to shout. Dear friend, these poems are for you.”

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  To My Most Dearly Beloved Friend...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed.  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle.  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing.  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages.  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt.  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces.  Drayton last published in 1630 with The Muses' Elizium.  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson.

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  MALAPROP: plays

  Carys D. Coburn

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  MALAPROP Theatre is an award-winning collective of Irish theatremakers, who seek to challenge, delight and speak to the world we live in (even when imagining different ones). This volume brings together four of their bold, playful and genre-spanning plays, all premiered at the Dublin Fringe Festival between 2017 and 2023.
  In Everything Not Saved, ex-lovers argue about when they were happiest, police officers rewrite history, and Rasputin dances like no one's watching. Oh, and also the Queen is there.
  Before You Say Anything questions how everyone can be safe at the same time. A time-travelling set of interweaving stories exploring injustice, freedom and bravery.
  Where Sat the Lovers is about codes, hallucinations, Isaac Newton, war crimes, seeing meaning where there's none and vice versa. In an age of misinformation, how do you know if you know the right things?
  HOTHOUSEtackles climate breakdown with big ideas, a lot of laughs, and some truly grotesque cabaret numbers. Cruise ships, horny/murderous songbirds, fecund/fatalistic rabbits, loving/bruising parents and Minnie Riperton all make an appearance in this play with songs, which asks if things can ever get better.
  MALAPROP Theatre are Carys D. Coburn, John Gunning, Breffni Holahan, Molly O'Cathain, Maeve O'Mahony, Claire O'Reilly and Carla Rogers.
  'MALAPROP have quickly distinguished themselves as one of Ireland's most exciting emerging companies' Ruth McGowan, Director, Dublin Fringe Festival (2018-23)
  'A company of real ambition. One which is using theatrical form to grapple with the complexities of a world where the ground is constantly shifting beneath our feet and where what we believe can be recalibrated not just on a daily basis but minute by minute' Lyn Gardner, Stage Door
  'Reminiscent of early Caryl Churchill... this is thinking theatre at its best'Irish Independent

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  Blues in Stereo - The Early...

  Langston Hughes

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  Publishers Weekly’s Top Ten Fall 2024 Poetry Books From Harlem Renaissance poet Langston Hughes, a stunning collection of early works written from 1921-1927 and curated by award winning poet and National Book Award finalist, Danez Smith. Before Langston Hughes and his literary prowess became synonymous with American poetry, he was a seventeen-year-old on a train to Mexico City, seeking funds to pursue his passion. His early poems, beloved verses like “The Negro Speaks of Rivers,” were written without formal training, often on the back of napkins and envelopes, and were inspired by the sights and sounds of Black working-class people he encountered in his early life.  Blues in Stereo is a posthumous collection of these early works, in which we see Langston Hughes like we’ve never seen him before. In the intimate pages of his handwritten journals,you will travel with Hughes outside of Harlem as he ventures to the American South and Mexico, sails through the Caribbean, and becomes the only Harlem renaissance poet to visit Africa. He celebrates love as a tool of liberation in his poems and journal entries. His songs included showcase musicality of verse poetry. And the book even includes a play he co-wrote with Duke Ellington with a full score that experiments with rhythm and structure. Blues in Stereo portrays a young man coming of age in a changing world. Page by page, a young, fresh-faced Hughes contends with matters beyond his years with raw talent. National Book Award nominated poet Danez Smith offers their insight and notes on themes, challenges, and obsessions that Hughes early work contains. Blues in Stereo foreshadows a master poet that will go on to define literature for centuries to come.  

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  The Sun Also Rises

  Ernest Hemingway

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  A timeless classic of love, longing, and the search for meaning, The Sun Also Rises is Ernest Hemingway’s definitive novel of the Lost Generation. 
  Follow war veteran and journalist Jake Barnes as he navigates the vibrant streets of 1920s Paris and the bullfighting arenas of Spain with his circle of expatriate friends. At the heart of it all is Lady Brett Ashley—beautiful, charismatic, and unattainable—whose complicated relationships fuel the novel’s emotional depth. Against a backdrop of café culture, revelry, and moral disillusionment, Hemingway’s spare, powerful prose captures the emptiness and excess of a postwar world. 
  Now brought to life in this evocative audiobook, The Sun Also Rises immerses listeners in Hemingway’s iconic style and unforgettable characters. Whether you’re discovering it for the first time or returning to an old favorite, this masterful narration delivers the novel’s raw emotion and haunting beauty like never before. 
  Experience the novel that defined a generation—listen today. 
  Cover Photo by Buck Nacho Gomez: https://www.pexels.com/photo/smiling-brunette-woman-in-sombrero-and-red-dress-20625081/

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  The Poetry of Charlotte Perkins...

  Charlotte Perkins Gilman

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  Charlotte Perkins Gilman was born on the 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. 
   
  Inevitably her schooling was limited and by 15 she had attended seven different schools but received only four years of education.  However, Charlotte was resourceful and did spend time with her father’s aunts – the suffragist Isabella Beecher Hooker and the ‘Uncle Tom Cabin’s’ author, Harriet Beecher Stowe as well as many hours at the public library studying ancient civilizations. 
   
  In 1878, she enrolled in classes at the Rhode Island School of Design where she met Martha Luther and they developed a close relationship until Luther married another woman in 1881.  Charlotte was devastated and detested romance and love until she met and married the artist Charles Walter Stetson.  
   
  Their only child, Katharine Beecher Stetson, was born in 1885 but left Charlotte with post-natal depression, then often dismissed as a case of hysteria or nerves.  Unsuited to domestic life she ruptured her life and moved to California with Katherine.  She divorced in 1894 and then sent Katharine east to live with her father and his second wife confirming that his paternal rights be acknowledged, and that Katherine establish a relationship with her father. 
   
  After her mother died in 1893, Charlotte moved back east and became involved with her first cousin, Wall Street attorney, Houghton Gilman who she married in 1900.  After his death she moved back to California, where Katherine now lived.   
   
  In this volume we bring her extensive poetry writings to the fore.  Her talents in the poetic arena are indisputable, bringing a brave and focused eye to a world of her words that is too often neglected.  
   
  Charlotte lectured widely for social reform, wrote important non-fiction works that questioned our patriarchal system and left a legacy as a leading and positive spokesperson for feminism.  
   
  She was diagnosed with incurable breast cancer in 1932 and, as she wrote in her suicide note and autobiography, she ‘chose chloroform over cancer’    
   
  Charlotte Perkins Gilman took her own life on the 17th August 1935, aged 75, in Pasadena, California.

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