Weitere Bücher, die Sie mögen werden

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  Chronicling Stankonia - The Rise...

  Regina Bradley

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  This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Regina N. Bradley, Outkast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. 
   
  Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.

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  Seeding the Tradition - Musical...

  Alexander M. Cannon

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  For artists, creativity plays a powerful role in understanding, confronting, and negotiating the crises of the present. Seeding the Tradition explores conflicting creativities in traditional music in Hõ Chí Minh City, the Mekong Delta, and the Vietnamese diaspora, and how they influence contemporary southern Vietnamese culture. The book centers on the ways in which musicians of đón ca tài tù, a "music for diversion," practice creativity or sáng tạo in early 21st-century southern Vietnam. These musicians draw from long-standing theories of primarily Daoist creation while adopting strategically from and also reacting to a western neo-liberal model of creativity focused primarily—although not exclusively—on the individual genius. They play with metaphors of growth, development, and ruin to not only maintain their tradition but keep it vibrant in the rapidly-shifting context of modern Vietnam. With ethnographic descriptions of zither lessons in Hõ Chi Minh City, outdoor music cafes in Cãn Thơ, and television programs in Đõng Tháp, Seeding the Tradition offers a rich description of southern Vietnamese sáng tạo and suggests revised approaches to studying creativity in contemporary ethnomusicology.

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  Snakebit

  David Marshall Grant

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  Jennifer and Jonathan, a showbiz couple, leave their ailing daughter in New York City to come to Hollywood, so Jonathan can audition for a film. And when Jennifer stays with her old friend Michael, a dancer turned social worker, past sins shed new light on the present in the age of AIDS.   
   
  This play is part of L.A. Theatre Works’ “Chicago Theaters on the Air” series, produced in conjunction with Remains Theatre.  
   
  Recorded before a live audience at Chicago’s Guest Quarters Suite Hotel in February 1993. 
   
  Theatrical Direction by Campbell Scott 
  Directed for Radio by Mary McAuliffe 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording, starring: 
   
  Talia Balsam as Jennifer 
  John Benjamin Hickey as Michael 
  Harry Hutchinson as the Man 
  D.W. Moffett as Jonathan 
   
  Radio Producer: Robert Newhouse 
  Recording Engineer: Larry Rock 
  Production Stager Manager: Jan Watson 
  Live Sound Effects: Kim Soren Watson

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  The Blues - A Very Short...

  Elijah Wald

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  Praised as "suave, soulful, ebullient" (Tom Waits), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. 
   
   
   
  It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton, and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. 
   
   
   
  As with all of Oxford's Very Short Introductions, The Blues tells you—with insight, clarity, and wit—everything you need to know to understand this quintessentially American musical genre.

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  Leonard Cohen - The Man Who Saw...

  Christophe Lebold

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  Leonard Cohen has aimed high: to be all Jewish heroes at once. Like Jacob, he struggled with angels. Like David, he sang psalms and seduced women. But he never ceased doing what he did best: going from city to city and reviving our hearts. Leonard Cohen: The Man Who Saw the Angels Fall follows the singer’s cosmopolitan life from Montreal and New York to the Greek island of Hydra and examines his perpetual dialogues with himself, God, and avalanches.
  		 
  We see how six decades of radiant pessimism and a few thousand nights in hotel rooms transformed a young Jewish poet who longed to be a saint into an existentialist troubadour in love with women and a gravelly-voiced crooner who taught a thousand ways of dissolving into love.
  		 
  After more than two decades of research and travels, Christophe Lebold, who befriended the poet and spent time with him in Los Angeles, delivers a stimulating analysis of Cohen’s life and art. Gracefully blending biography and essay, he interrogates the mission Cohen set out for himself: to show us that darkness is just the flip side of light.

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  A Classic Interview with Rock...

  George Harrison

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  George Harrison (February 25, 1943 - November 29, 2001) was an English musician, singer and songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle," Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation. After the break-up of  The Beatles, Harrison had a notable solo career and success as part of The Traveling Wilberys. Some of Harrison's best-known compositions as part of The Beatles, include "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Something," and "Here Comes the Sun." The following interview was recorded in 1975.

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