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  Earth Keeper - Reflections on...

  Anonyme

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  ""Dazzling. . . . In glittering prose, Momaday recalls stories passed down through generations, illuminating the earth as a sacrosanct place of wonder and abundance. At once a celebration and a warning, Earth Keeper is an impassioned defense of all that our endangered planet stands to lose."" — Esquire 
  A magnificent testament to the earth, from Pulitzer Prize-winning novelist and poet N. Scott Momaday. 
  One of the most distinguished voices in American letters, N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. A member of the Kiowa tribe, Momaday was born in Lawton, Oklahoma and grew up on Navajo, Apache, and Peublo reservations throughout the Southwest. It is a part of the earth he knows well and loves deeply. 
  In Earth Keeper, he reflects on his native ground and its influence on his people. “When I think about my life and the lives of my ancestors,"" he writes, ""I am inevitably led to the conviction that I, and they, belong to the American land. This is a declaration of belonging. And it is an offering to the earth.”   
  In this wise and wonderous work, Momaday shares stories and memories throughout his life, stories that have been passed down through generations, stories that reveal a profound spiritual connection to the American landscape and reverence for the natural world. He offers an homage and a warning. He shows us that the earth is a sacred place of wonder and beauty, a source of strength and healing that must be honored and protected before it’s too late. As he so eloquently and simply reminds us, we must all be keepers of the earth.

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  The Aeneid - Revised and...

  Vergil

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  A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes 
   
  "Ruden set the bar for Aeneid translations in 2008, and has raised it now with this revision. I am confident it will be a long time before a translator exceeds the standard that she has set."—A.M. Juster, Athenaeum Review 
   
  This is a substantial revision of Sarah Ruden’s celebrated 2008 translation of Vergil’s Aeneid, which was acclaimed by Garry Wills as “the first translation since Dryden’s that can be read as a great English poem in itself.” Ruden’s line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil’s poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. 
   
  This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil’s masterpiece. 
   
  Praise for the First Edition: 
   
  “Fast, clean, and clear, sometimes terribly clever, and often strikingly beautiful. . . . Many human achievements deserve our praise, and this excellent translation is certainly one of them.”—Richard Garner, The New Criterion 
   
  “Toning down the magniloquence, Sarah Ruden gives us an Aeneid more intimate in tone and soberer in measure than we are used to—a gift for which many will be grateful.”—J. M. Coetzee 
   
  “An intimate rendering of great emotional force and purity. . . . The immediacy, beauty, and timelessness of the original Latin masterpiece lift off these pages with gem-like originality.”—Choice

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  Gaze Back

  Marylyn Tan

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  Winner of the Singapore Literature Prize (Poetry 2020) 
   
  What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe? 
   
  Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised. 
   
  GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised.

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  Tripas - Poems

  Brandon Som

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  WINNER OF THE 2024 PULITZER PRIZE IN POETRYFinalist for the 2023 National Book Award for PoetryWith Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem's ear toward a confluence of history, labor, and languages, while also enacting a kind of "telephone" between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som's lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise―one attuned to the echo in the hecho, the oracle in the órale.

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  After the Fire - A Memoir in...

  Anonyme

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  New York Times bestselling author J. A. Jance's heartrending collection of poetry and essays recounts a dark chapter of her own life, her first marriage to an alcoholic—a powerful look at the emotional cost of addiction and an inspiring story of courage and triumph in the wake of crushing defeat 
  Before she found fame as a bestselling mystery author, Judith Jance wrestled with the anguish of being married to an alcoholic. For years she channeled her pain into words, composing the poems in this moving volume, first published in 1984, a year before her debut novel. 
  In searing and direct language, After the Fire chronicles the collapse of Jance's first marriage under the weight of her husband's addiction—and her own unwitting denial and codependence while she struggled to find herself. "I will not be the price of your redemption," she wrote then. "I will not pay my life to ransom yours." 
  An intimate, deeply personal look into a wrenching time in Jance's life, After the Fire is a portrait of addiction and its insidious effects on lives and love. It illuminates universal truths about unbearable loss and finding the courage to carry on, and offers inspiration and profound insight into the heart and work of a beloved bestselling author.

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  Mary Queen of Scots Got Her Head...

  Liz Lochhead

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  A modern classic about the bitter rivalry between Mary, Queen of Scots, and her cousin and fellow ruler, Elizabeth I of England - retold by Scotland's most popular playwright.
  'Once upon a time, there were twa queens on the wan green island, and the wan green island was split inty twa kingdoms. But no equal kingdoms...'
  Mary and Elizabeth are two women with much in common, but more that sets them apart.
  Following the death of her husband, the Dauphin of France, the beautiful, and staunchly Catholic Mary Stuart has returned from France to rule Scotland, a country she neither knows nor understands. Ill-prepared to rule in her own right, Mary has failed to learn what her protestant cousin, Elizabeth Tudor, knows only too well - that a queen must rule with her head, not her heart.
  All too soon the stage is set for a deadly endgame in which there can only be one winner and one queen on the one green island.
  Liz Lochhead's play Mary Queen of Scots Got Her Head Chopped Off is presented in a distinctive cabaret style, with much of the dialogue in the 'Braid Scots' vernacular. It was first performed by the Communicado Theatre Company at the Lyceum Studio Theatre, Edinburgh, in August 1987.
  This revised version was published alongside the revival by the National Theatre of Scotland, which toured in 2009. Also included is a new introduction by the author.

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