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  I hate to be the one to tell you...

  Zoë Walkington

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  It's a shame, isn't it, to have to rat on your neighbours? Upsetting to find out that both your husband and the dog have been telling you lies? And I hate to be the one to tell you this, but there are bad people everywhere, at large, going about their business. Financial insolvents on online-dating sites, contortionist plumbers with a point to prove, and a bloke named Barry, from Halifax, who is singlehandedly ruining the livelihoods of perfectly legitimate psychics.
  It's not all bad news though, there are sham marriages to look forward to, ducklings to be held captive by, and that dog, well, you can always put him up for sale. Life, I'm afraid, is based on nothing more than slippery moorings, and this debut pamphlet breaks the bad news with humour and a twist of darkness.
  The poems in this collection erupt with beauty and emotional resonance. These are graceful meditations on human relationships with each other and with themselves. The voice of the poet is strikingly unique, but there are also moments when it seems to be coming from within us, from the place of personal wonder: 'Outside a wood-pigeon coos monotonously / its slung together nest is hidden from view, / just like your knickers are, mostly, / and your feelings about your mother.' – Romalyn Ante, co-judge of the International Book & Pamphlet Competition

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  Harbour Grids

  Zane Koss

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  Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labour, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in? Harbour Grids seeks to answer this question by combining the sonic texture and investigative poetics of Daphne Marlatt, the improvisatory spirit and ethical engagement of Fred Wah, the experimental attention to the structures of language of Nasser Hussain, and the dazzling sense of visual space of Jordan Abel.

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  Exodus: The Shanghai Jews

  Kate McAll

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  As Jews tried to escape Nazi Germany in the 1930s, they faced unthinkable roadblocks in obtaining exit visas. And while they were denied entry in one country after another, a bureaucratic oddity enabled some of them to flee to an unlikely destination: Shanghai, China.  
   
  In this LATW original commission, playwright Kate McAll used the survivors’ own words to create a narrative of people starting their lives over in a completely new land. 
   
  Funding for this presentation is provided in part by The Rosalinde and Arthur Gilbert Foundation, and The I. Michael Kasser Trust: Michael and Beth Kasser. 
   
  Special thanks to Prof. Steve Hochstadt for his generosity in sharing his research and recordings to help create this work. 
   
  Recorded at the UCLA James Bridges Theater in June 2023. 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording, starring: 
   
  Edyta Brychta as Lisbeth Loewenberg 
  Michael Canavan as Herbert Greening  
  Shannon Cochran as Ilse Greening 
  Arye Gross as Gerard Kohbieter  
  Anna Mathias as Trude Reisman  
  Alan Shearman as Paul Reisman 
  André Sogliuzzo as Ernest Culman 
  Joanne Whalley as Melitta Colland. 
   
  Senior Producer: Anna Lyse Erikson 
  Recording Engineers, Mark Holden and Charles Carroll 
  Sound Design by Mark Holden 
  Editing and Mixing Engineer, Charles Carroll  
  Senior Radio Producer: Ronn Lipkin

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  What's Left Unsaid - Read and...

  Rachel Lawson

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  A book of poems read by their author

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  Selected Poems for Children by...

  Robert Louis Stevenson, Edward...

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  Delight in the whimsical world of childhood through the writing of some of the most beloved poets in English literature. Selected Poems for Children brings together works by Robert Louis Stevenson, Lewis Carroll, Edward Lear, Hilaire Belloc, and Robert Browning—poems that brim with imagination, humour, and unforgettable characters. 
  In this charming collection, Simon Hester's warm, engaging narration and evocative music bring to life timeless classics such as Stevenson's A Child's Garden of Verse, Lear's eccentric Nonsense Poems, Carroll's fantastical Jabberwocky, and the misadventures of The Hunting of the Snark. You’ll also enjoy Belloc's somewhat macabre Cautionary Tales and the tragic story of The Pied Piper of Hamelin—all narrated with the perfect blend of joy and intrigue that children (and the young at heart) will treasure.

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  Bessie Dunlop the Witch o Dalry

  John Hodgart

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  Based on the historical record of Bessie’s ‘confession’ to witchcraft in sixteenth-century Scotland, the episodic structure of the play shows the many characters and events that supposedly made up the catalogue of her crimes, but which in fact testify to her innocence and goodness. Bessie Dunlop, the Witch o Dalry introduces students to different levels and varieties of Scots and English and contains teaching notes, suggestions for classroom activities, and questions for discussion or writing. The original version of Bessie Dunlop, the Witch o Dalry was written by John Hodgart and Martin Clarke in 1977. Hodgart rewrote the play for an EIS Drama competition before revising it again for Hodder and Staunton who published it as a school text in 1995. This 2021 shorter edition is the fourth version of the play.

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