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  Bottom of the Pyramid - A Memoir...

  Nia Sioux

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  Read by the author. 
  INSTANT NEW YORK TIMES BESTSELLER 
  "Sioux’s harrowing reality TV ordeal cuts deep, and her subsequent self-assurance is endearing and infectious. It adds up to an inspiring account of reclaiming artistic agency.” - Publisher’s Weekly 
  When you’ve been told over and over that you belong at the bottom, how do you come out on top? Dance Moms star and triple threat Nia Sioux shows the way via her story of resilience, triumph, and defining success for herself. 
  Young dancer Nia Sioux was only nine years old when she stepped into stardom as one of the original cast members of Lifetime’s reality TV show Dance Moms. Nia learned new choreography week after week and competed against dancers from across the country as well as at her own studio. Perhaps her greatest obstacle was suffering through her dance teacher’s ranking of the girls against each other in her infamous pyramid, where Nia spent the majority of her time on the bottom—all in front of an audience of millions. 
  But there was much that viewers didn’t see. How her experiences in the studio went far beyond what made it into the show. How she was ostracized for not fitting into an aesthetic that wasn’t designed for girls like her. How her friendships and her mental health crumbled under the strain of the show. How she lost control of her story and her voice. 
  But don’t be fooled—this is a story about resilience. Nia is not looking for pity, sympathy, or validation as she reflects on her experiences. Instead, she is choosing to use her story as a celebration of triumph. Nia finally gets to tell her story in her own way and in her own words. In this captivating memoir, Nia reclaims both the spotlight and her narrative. 
  In addition to going behind the scenes of the seven seasons of Dance Moms, she shows how she fought against the negative perceptions that dominated her tween and teen years and emerged as a confident young woman secure in her talents and her direction. Anyone who has ever felt misunderstood, overlooked, or stuck at the bottom of the pyramid will be inspired by Nia’s story of overcoming. “Despite barriers and constant naysayers, assumptions and criticisms, only you know who you are inside and out,” Nia says. “And you have the power to create your own narrative, your own level of success.”

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  Inside the Mind of the Yorkshire...

  Chris Clark, Tim Hicks

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  The fullest possible account of the crimes of Peter Sutcliffe, the Yorkshire Ripper, including those he was not charged with and has never previously been connected to. 
  The police believed Sutcliffe was operating only in the Greater Manchester Police, South Yorkshire Police and West Yorkshire Metropolitan Police force areas, using his car. In fact, Sutcliffe was operating nationally and internationally, using his employer’s lorry to commit attacks. Authors Chris Clark and Tim Hicks have meticulously researched Sutcliffe’s crimes and reveal many of his previously unknown victims for the first time. 
  The police failed to deliver justice for the victims’ families, and the media has failed to hold the police to account for this failure – both in the original investigation and in subsequent cold-case investigations. 
  The authors hope that by bringing more of the facts of the case into the public domain and by telling the victims’ stories, they can help to bring closure for friends and relatives of victims of the Yorkshire Ripper.

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  Forgotten Authors The - Women -...

  Gertrude Minnie Robins, George...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  All too often the talents of women have been scorned, mocked and laughed at.  In reality that was more usually by those who’s own talents were hardly fit to even grace their shadows.   
  But society in general still connived and set women to one side in almost everything that men considered their rightful territory.  And literature was one such territory.  Remarkably resilient as well as talented these women strove to be published, to show themselves as equals.  The results more often than not proved that they were.   
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of talents whose time has now come again.

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  Anguish The double secret

  Max Dorra

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  The words of others, as an unpleasant remark ("You’re not hardworking") or a medical diagnosis ("You’re bipolar"), have the power to plunge us into anguish whenever they show an image of ourselves that we do not recognize: "In a world where words become viruses, certain sentences can kill." 
  The reductive identity that is thus assigned to us creates the illusion that our life can be summed up by these few words, allowing others to exercise the tyrannical power of anxiety over us. 
  Max Dorra explains how this illusion, created temporarily by the gaze of others, is just a montage-effect of our memory—as in a movie—and that it is enough to understand the mechanisms of this illusion in order to free ourselves from it: "To become aware of the fact that one is held captive by a montage is to be freed from a false confinement."
  In virtuosic and sensitive language ("The affects—shapeless and promising, wonderful clouds"), the author journeys through music, painting and cinema, appealing to sociology, psychoanalysis and philosophy, while remaining firmly rooted in reality: "There are more things in a hospital elevator than in all of philosophy." 
  He shows us that trusting our imagination allows us to tame anxiety without fearing it, and understanding that "another montage is possible" allows us to go towards the other without losing ourselves.

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  The Unraveling - Reflections on...

  Bob Bauer, Jon Meacham

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  Essential for anyone interested in modern American politics, get the book that former President Barack Obama on X calls "a deeply thoughtful book" and says, "couldn't be a more timely read." 
   
   
   
  Part memoir, part rumination on the declining moral compass of the American political class, The Unraveling is the first book to place restoring political ethics at the center of the renewal of American democracy. Politics is a brutal game, but Bauer asks where does the line fall between the "hardball" of politics and attacks on the very foundation of democracy? Looking back on foryt-six years in the political arena, Bauer tries to better grasp what has gone wrong and to understand what shaped his own decisions and actions. He offers anecdotes, perspectives, and insights that are vitally relevant in our world today, including efforts in 2020 (and 2024) to defend our democratic system of elections from attack and distrust, and the struggles with social media, such as Meta, to combat disinformation in a post-truth politics. He writes about the various personal experiences along the way—the highs, the lows, and the absurd. Bauer presents a smart and serious look at our political culture and the role that he has played in shaping it. The Unraveling will be essential for anyone interested in American politics of the last fifty years—and the next.

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  For the Boys - The War Story of...

  NCR Davis

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  "This novelistic narrative captures both the violence and trauma of WWII and its subject’s remarkable heroism."— Publishers Weekly
  
  A month after her 24th birthday, Lt. Mary Elizabeth Balster collapses among the rubble of a shelled supply room. Has the young nurse finally succumbed to the mounting emotional toll caused from months of caring for the sick and wounded just behind the front lines of General Patton’s Third Army? On the night of November 30, 1944, holed up in the Heinrich Himmler Barracks in Morhange, France, Lt. Balster’s evac receives a typical patient load (over 200 soldiers, including wounded enemy), but this time one of the admissions is a 19-year-old tanker she’d nursed back to health five months before in Normandy. The charge nurse on Surgical gently informs the lieutenant that the private is critical, admitted with two gunshot wounds and almost half his body consumed by burns. Rising determined to save him, Balster limps toward the shelled supply room determined to search for any blood plasma bottles still intact after Luftwaffe strafing.
  
  Recaptured from her mother’s reminiscences and letters home, N. C. R. Davis takes the reader through every heat-of-battle harrowing moment as Balster lived it, achieving a rare glimpse of one nurse’s point of view during the latter part of the European conflict.
  
  The book mixes Lt. Balster’s observations, memories, and dreams to re-tell the true story of a richly rebellious and intense woman trying to navigate her life and nurture her sanity while nursing the wounded and dying frontline soldiers of the Third Army. Her strong-willed, beguiling personality fosters the grit necessary for her success as a combat nurse, but these same characteristics cause two men to fall in love with her. And the personal cost of war comes to a heartrending conclusion, as she must choose one man over the other to save herself.

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