Other books that might interest you

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  The Mediatization of the OJ...

  Tatjana Neubauer

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  F. Scott Fitzgerald once said: »Show me a hero, and I'll write you a tragedy.« In the 1990s, nobody fell deeper than O.J. Simpson. Once considered a national treasure, the athlete was accused of brutally slaying his ex-wife Nicole Brown and her friend Ronald Goldman on June 12, 1994. Within days, the media and public developed an unprecedented obsession with the story, turning a murder investigation and trial into a sensationalized reality show. Tatjana Neubauer examines the mediatization, deliberate manipulation, and the simplification of popular criminal trials for profit on television. She demonstrates that TV conflated legal proceedings into entertainment programming by commodifying events, people, and places.

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  Live Natural - A Relaxed...

  Alison Davin

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  While existing books approach this topic from either a highly technical or scrappy DIY perspective, Live Natural carves out a unique space in the coffee-table book marketplace, pairing beautifully photographed high-end homes with a clear point of view on wellness and environmental responsibility. Shot by the renowned photographer Lisa Romerein, the inspirational visuals of warm, aesthetically pleasing living spaces bathed in natural light will draw the reader in and pair with a clean, image-forward layout. This book creates a safe, welcoming space to receive ideas, challenging “the way things have always been done” in construction and design. Filled with accessible, actionable tips and delivered in an approachable tone, Live Natural empowers readers to advocate for themselves at home and in the world.

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  Remission

  Kirk Wood Bromley

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  This is a full recording of Daniel Martin Berkey performing the play Remission, which Backstage magazine called "mind-blowing" and NYTheater called "90 intense and harrowing minutes of spectacular wordplay." Written by playwright Kirk Wood Bromley ("Shakespeare on mushrooms" - LA Weekly), produced by NYC's Inverse Theater (“Best Downtown Theater Company" - NYPress 2001), scored by John Gideon, and originally performed by Berkey himself in the NYC Fringe Festival in 2009 (winning "Outstanding Solo Show"), Remission tells the story of Berkey’s journey into and out of schizophrenia in dramatic verse that one reviewer termed "a terrifying, violent freefall into insanity" (JustShowsToGoYou). 
  With his symptoms beginning at age six, Berkey experienced a spectrum of challenges, including berating voices and haunting visions, paranoia and catatonia, and addiction to sex, heroin, and alcohol. Then, at the age of 51, homeless and deranged, while walking along a freeway on Long Island, he saw a vision – a giant golden cube suspended in the sky from which emanated 3000 winged humanoid figures beckoning him to join them in the World Self. Awaking from the splendor, he walked home, flushed his medications, and has been symptom-free ever since. 
  And while this journey is central to Remission's narrative, the play is more than a retelling. With each line, the play "stretches, exercises, jolts, and exalts the audience" (NYTheater) by immersing it in an experience of actually having schizophrenia, creating a "one-of-a-kind, undiluted and unforgettable trip into the crazy." (JustShowsToGoYou).

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  Django Unchained - The Ultimate...

  Film Trivia Metaverse

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  DJANGO UNCHAINED 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY QUENTIN TARANTINO 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Django Unchained is a 2012 Western film directed by Quentin Tarantino. Set in the pre-Civil War South, it follows Django, a freed slave, who teams up with Dr. King Schultz, a German bounty hunter, to track down the notorious Brittle brothers. As they work together, Django seeks to rescue his wife, Broomhilda, from the brutal plantation owner, Calvin Candie. The film explores themes of slavery, revenge, and justice, with Tarantino’s signature blend of dark humor, stylized violence, and sharp dialogue. It offers a revisionist take on the Western genre, blending historical commentary with cinematic spectacle. 
    
  TRIVIA SAMPLES: 
    
  “During the filming of a dinner scene, Leonardo DiCaprio had to stop because he found it difficult to use so many racial slurs. Samuel L. Jackson pulled him aside and told him, "Motherfucker, this is just another Tuesday for us." 
    
  “Jamie Foxx used his own horse, Cheetah, in the movie, a horse he received as a birthday gift four years prior. 
    
  “Leonardo DiCaprio was uncomfortable playing such a racist character. However, Tarantino convinced him to portray the character in an even more menacing manner, assuring him that if he didn't take it to the extreme, people would hold it against him forever. 
    
  “According to critic Alex Ross, the alliance between Django (Jamie Foxx) and Dr. King Schultz (Christoph Waltz) is not as unrealistic as it may seem. In the 1840s, many German revolutionaries and progressives left Europe for the U.S., where they often became involved in the anti-slavery movement.

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  The Hebrides - From the...

  Paul Murton

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  Paul Murton has spent half-a lifetime exploring some of the most beautiful islands in the world – the Hebrides. He has travelled the length and breadth of the Scotland's rugged, six-thousand-mile coast line, and sailed to over eighty islands.
  In this new and updated edition of his acclaimed book, Paul visits each of the Hebridean islands in turn, introducing their myths and legends, history, culture and extraordinary natural beauty.
  In addition he also meets the people who live there and learns their story. He has met crofters, fishermen, tweed weavers, Gaelic singers, clan chiefs, artists, postmen and bus drivers – people from every walk of life who make the islands tick. This blend of the contemporary and the traditional creates a vivid account of the Hebrides and serves as unique guide to the less well known aspects of life among the islands.

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  Family Romance - John Singer...

  Jean Strouse

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  Jean Strouse's Family Romance: John Singer Sargent and the Wertheimers looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career—and at the intersections of all these lives with the sparkle and strife of the Edwardian age. 
   
   
   
  In commissioning this grand series of paintings, Asher Wertheimer, an eminent London art dealer of German-Jewish descent, became Sargent's greatest private patron and close friend. The Wertheimers worked with Rothschilds and royals, plutocrats and dukes—as did Sargent. Asher left most of his Sargent portraits to the National Gallery in London, a gift that elicited censure as well as praise: it was a new thing for a family of Jews to appear alongside the Anglo-Saxon aristocrats and dignitaries painted by earlier masters. 
   
   
   
  Strouse's account, set primarily in England around the turn of the twentieth century, takes in the declining fortunes of the British aristocracy and the dramatic rise of new power and wealth on both sides of the Atlantic. It travels back through hundreds of years to the Habsburg court in Vienna and forward to fascist Italy in the 1930s. Its depictions of Sargent, his sitters, their friendships and circles, and the portraits themselves light up a period that saw tumultuous social change and the birth of the modern art market.

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