Maison d'édition: Libresco Feeds Pvt Ltd
"This book ""Meri Kalam Se"" is rendition of those unfelt feelings, unemoted emotions, unspoken words which cant be expressed freely because of social stigma of what will people say, feel?Hence the mind saw the opportunity of befriending the pen to jot these down. "
The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet, is a tragedy written by William Shakespeare sometime between 1599 and 1602. Set in Denmark, the play depicts Prince Hamlet and his revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Hamlet is Shakespeare's longest play and is considered among the most powerful and influential works of world literature, with a story capable of "seemingly endless retelling and adaptation by others".It was one of Shakespeare's most popular works during his lifetime and still ranks among his most performed, topping the performance list of the Royal Shakespeare Company and its predecessors in Stratford-upon-Avon since 1879. It has inspired many other writers—from Johann Wolfgang von Goethe and Charles Dickens to James Joyce and Iris Murdoch—and has been described as "the world's most filmed story after Cinderella". Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.Voir livre
The play, “Do Jewish Lives Matter” arose out of the Crown Heights Riot in Brooklyn, a Pogrom where a Black boy was accidentally killed by a Hasidic driver with devastating results. James Baldwin, the famous Negro writer, as far back as 1948 wrote, “Georgia has the Negro as a target of hatred. Harlem has the Jew.” In 1973 Rabbi Kahane wrote, “In no way should we refuse to see the danger to Jews that comes from Black hatred. It is of epidemic proportions.” And again in 1977, when addressing an audience, he said, “In Crown Heights, where poor Jews live side by side with Blacks and are regularly robbed, mugged, terrorized, a Black explosion against them is inevitable.”Voir livre
Read by the author. These are prayers for your moments of gratitude and celebration. For your seasons of loss and waiting. For your days when prayers come, not in words but in groans. When We Talk to God, from poet-theologian Sharifa Stevens, captures the arc and the ache of our lives. A beautiful interweaving of prayers and poems for Black women, this unique book encourages you to lift up your whole heart and loudest voice to God. And to tell Him about everything; nothing is off-limits. Sharifa's honest and powerful words express prayer and longing through personal experiences and biblical examples. When We Talk to God offers:An invitation to journey through honest lamentation and heartfelt joy to find greater peace in a turbulent worldPoems and prayers exploring topics from job interviews to grief, from braiding hair to feeling invisible, from parenting to dancingValidation and inspiration for Black women of faith, by a Black woman speaking from her life to yoursA relatable and authentic voice that frees you to present your own prayers and praises to the God who hears you, sees you, and loves youA beautiful gift idea for Mother's Day, Grandparents' Day, International Women's Day, spiritual anniversaries, and birthdays Ideal for Black women of any age and background, When We Talk to God is a balm to your spirit and soul as it urges you to go to God with all of who you are and with everything you can or cannot say.Voir livre
A group of friends decamps from 1920’s Paris for the Festival of San Fermin in Pamplona, Spain. Jake is in love with the aristocratic Bret Ashley, but Bret’s wandering eye lands on a young matador. In the week of drinking, bullfighting, and jealousy that follows, friendships will be upended and hopes for love dashed. Recorded at The Invisible Studios, West Hollywood in April 2022. Directed by Anna Lyse Erikson Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full-cast recording starring: Geoffrey Arend as Robert Cohn Seamus Dever as Bill Gorton Patrick Heusinger as Jake Barnes Derrick Kemp as Pedro Romero Rhian Rees as Lady Brett Ashley Herbert Sigüenza as Montoya and others André Sogliuzzo as Mike Campbell and the Count Devon Sorvari as Frances and Georgette Senior Producer: Anna Lyse Erikson Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood Sound Design by Charles Carroll with Austin Halterman Recording Engineer and Mixer: Charles Carroll Senior Radio Producer: Ronn Lipkin Foley Artist: Jeff GardnerVoir livre
Read by the author and poet, Brian Bilston.Why do we write poetry? Who should write it? And where do you even start?Well, Brian Bilston, one of the UK’s most hilarious and best-loved poets, is here to take us through the hows, whys and whats of reading, writing and enjoying poetry every day.With his characteristic wit and charm, Bilston accompanies us through the jungle of imagination to the source of inspiration, takes us under the bonnet of a sonnet and over the fear of literary devices. He gives us a whirlwind tour through the history of verse, and shows us why human poetry will always triumph over any attempts by AI.Showcasing over a hundred brand new poems, and including practical critiques of some of his greatest hits, every page is an immensely pleasurable deep-dive into the life-affirming craft of poetry and a passionate argument for why we should all pick up a pen.How to Lay an Egg with a Horse Inside is for anyone who loves words and all the things they can do.Voir livre
This audiobook contains what I call my “Africanesque Folktales”. They appear in my audio and print book “Remembering Your Ancestral Fire” and are all original compositions of mine. My teacher, Grand Master Drummer Mamady Keïta said about them, quote: “Taylor’s folktales draw from his experiences with me and his times in Africa. They contain the stuff of folktales of old. They are a wonderful interpretation of African tradition.” All of my stories are sourced from my decades of study with the djembe, my teachers, especially Mamady Keïta, and my numerous times traveling to Guinea, West Africa. The names are based on a ctual people I’ve known or heard of; the places, on actual places. The sounds you hear in the village were field recordings I did when I was there. I have and continue to create these Africanesque folktales, but there is a trilogy I created that represent origin, duality and plurality, which are presented in this short audiobook.Voir livre
