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  I Daniel Blake

  Dave Johns

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  'I, Daniel Blake, am a citizen, nothing more, nothing less.'
  Dan is a carpenter. A Geordie through and through. He had a heart attack recently, but he's on the mend now.
  Katie has just arrived from London. She's finally got a council flat, somewhere for her and her daughter, Daisy. A fresh start.
  In adversity, people come together. But when the system is stacked against you, how does anyone get by? With 14.5 million people (Joseph Rowntree Foundation 2022 Poverty Report) living in poverty in the UK, this is not fiction. It is reality.
  I, Daniel Blake was originally a film – directed by Ken Loach, written by Paul Laverty and produced by Rebecca O'Brien for Sixteen Films – which won the 2016 Palme d'Or at the Cannes Film Festival. This touching and vital stage adaptation by Dave Johns, who played Dan in the film, toured the UK in 2023, co-produced by tiny dragon Productions, Northern Stage, Birmingham Rep and ETT, in association with Cardboard Citizens.
  'A gut-wrenching tragicomic drama… Paul Laverty's brilliantly insightful script finds much that is moving (and often surprisingly funny) in the unbreakable social bonds of so-called "broken Britain".'Guardian on Ken Loach's film

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  Breathing in Broken Spaces -...

  Belinda Daou

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  Breathing in Broken Spaces 
  Heartbreak. Trauma. Loss. Healing. Rebirth. 
  Some wounds don’t just fade—they shape us. 
  Breathing in Broken Spaces is an unfiltered and deeply personal poetry collection that delves into the rawest corners of heartbreak, trauma, and survival. Through piercingly honest verses, Belinda Daou lays bare the loneliness of grief, the weight of past wounds, and the quiet, aching process of piecing oneself back together after being shattered. 
  This book is for those who have loved and lost, for the ones carrying silent battles within them, and for anyone searching for words that echo their unspoken pain. It is a safe space where emotions aren’t just expressed—but truly seen, understood, and honored. 
  This collection gives voice to the devastation of toxic love, the suffocation of manipulation, and the slow erosion of self-worth at the hands of the wrong person. It speaks to the ones who have stayed too long, who have fought for love that only broke them, and who are now learning to unlearn the lies they were told about themselves. 
  More than just poetry, Breathing in Broken Spaces is a reckoning with the past and a testament to the resilience of the human spirit. It is breathtakingly raw, unapologetically vulnerable, and deeply real. It is the brutal honesty of suffering, the messy in-between of healing, and the quiet strength it takes to keep breathing, even when the air feels heavy. 
  This collection is not just about pain—it is about survival. About learning to breathe again through the cracks of brokenness. About reclaiming the parts of yourself you thought were lost forever. 
  For those who have been lost in the darkness, this book is a whisper: 
  You are not alone. You were never too much. You deserve to be whole.

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  Miss Julie & The Stronger

  August Strindberg

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  Two of the most influential and early feminist plays to have ever graced the stage, we have have Miss Julie and The Stronger. 
  Miss Julie is a one act tragedy that finds itself in a similar vein as Henrik Ibsen's "Hedda Gabbler" and "A Doll's House," in which the main woman of the play (Miss Julie) tries to take hold of her own destiny and break away from the system that has failed to meet her needs, but is unable (or unwilling) to see the consequences of her own actions--a desperate cry for legitimacy to a society that seems indifferent to her struggle. 
  The Stronger, in comparison, is a ten minute play about the fallout of such a decision, and confronting that catalyst many years later--a contemplation on the manipulation of thought (both of the main character and the object of her insecurities) and the forgetfulness of coping.

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  The Wife of Cyncoed & Idyll: two...

  Matt Hartley

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  In The Wife of Cyncoed, Jayne is newly retired and disappointed with her life. She's in danger of becoming her daughter's babysitting service, and is desperate to make a change. When she meets a handsome stranger in the park – and an opportunity to do something for herself arises – can Jayne allow herself a second chance at happiness?
  This charming and open-hearted play premiered at Sherman Theatre, Cardiff, in 2024, and provides gloriously entertaining opportunities for a mature solo performer.
  In Idyll, tempers are fraying in the scorching heat as a rural village is overwhelmed by noise, cars and day trippers… Scratch the surface and you'll find danger bubbling away. This captivating short play was first presented as an open-air production by Pentabus Theatre Company in 2021.

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  God of All Flying Things:...

  Rachel Devenish Ford

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  God of All Flying Things is a gentle companion for those seeking God in the midst of lives full of beauty, longing, and mystery. 
  In this intimate collection of prayers and poems, Rachel Devenish Ford writes from the quiet spaces of her devotion to Christ. These are the words of someone who has sat quietly in sorrow, who has shouted prayers into the dark, and who keeps looking for the presence of God in birdsong, breath, and daily bread. 
  Alongside her poems, Rachel shares original paintings made during times of meditation. These are visual prayers that speak of reaching, belonging, and finding a dwelling place within the soul. 
  Whether you are feeling full or empty, certain or in the whirl of mystery, this book is an invitation to connection with the Divine Presence. 
  From the Author: 
  “I want this book to be kind and fierce. I want it to breathe. I want it to be human. I want it to reflect God's goodness, warmth, and love. 
  We, looking at God, have so many voices. We reflect the brilliance of God in our cells. 
  I am one voice, one of so many. So many people, alive or long passed, have encouraged me when my heart needed it. My voice also sings, and I want to show you my songs. 
  These are the poems of my attachment, the long, wandering relationship I have had with Christ. These are the poems of my wrestling. There are so, so many poems of love. Adoration. Longing. Resilience. Wisdom. Justice. Worship. These are the prayers I needed to shout. Dear friend, these poems are for you.”

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  Julia or The Convent of St...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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