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  Chola Empire - Masters of the...

  Rolf Hedger

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  The Chola Empire, one of the longest-ruling dynasties in South Indian history, has origins shrouded in legend and antiquity. The early Cholas find mention in Tamil literature and ancient inscriptions, tracing their lineage back to mythical rulers. The Sangam period texts, such as the Pattinappalai and Puranaanuru, speak of the valor and governance of early Chola kings, who ruled over fertile lands along the Kaveri River. However, after a period of decline, the Cholas reemerged as a dominant force in the 9th century CE under the leadership of Vijayalaya Chola, the founder of the imperial Chola dynasty. 
  Vijayalaya Chola, initially a minor chieftain under the Pallavas, seized the opportunity to establish his rule in the fertile region of Thanjavur around 850 CE. This marked the resurgence of Chola power after centuries of obscurity. By defeating the Mutharaiyars, who controlled the region, Vijayalaya laid the foundation for an empire that would dominate South India for the next four centuries. Under his rule, the Cholas not only expanded their territories but also strengthened their political and military structures. He initiated temple-building activities, commissioning the construction of the temple of Nisumbhasudani in Thanjavur, a precursor to the grand temple-building tradition that would define the dynasty. 
  His successor, Aditya I, continued the expansion by defeating the Pallavas, thereby establishing the Cholas as a formidable power in the region. This victory marked a turning point, allowing the Cholas to assert their dominance over Tamil Nadu. Aditya I’s campaigns also extended into Kongu Nadu and the northern parts of Kerala, laying the groundwork for further expansion. His administrative policies ensured a stable governance system, which helped integrate the newly conquered regions into the Chola fold.

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  The Object at Hand - Intriguing...

  Beth Py-Lieberman

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  With charm and exuberance, The Object at Hand presents a behind-the-scenes vantage point of the Smithsonian collections. Veteran Smithsonian magazine editor Beth Py-Lieberman weaves together adaptations of the magazine's extensive and compelling coverage and interviews with scholars, curators, and historians to take listeners on an unforgettable journey through the Smithsonian museums. 
   
   
   
  Objects are grouped into the themes audacity, utopia, fierce, haunting, deception, lost, desire, triumph, scale, optimism, playful, rhythm, and revealing to engage with the emotional dimensions of each object, how they relate to each other, and how they fit into the larger American story. 
   
   
   
  Py-Lieberman reflects on the profound connections between even outwardly dissimilar objects and offers insight and stories from Smithsonian experts. The book explores artworks, scientific specimens, historical artifacts, airplanes, spacecraft, plants, and so much more, contemplating how each item represents different facets of humanity and resonates with cultural meaning in surprising ways. Whimsical, affecting, and insightful, The Object at Hand offers an intimate and exclusive tour of the Smithsonian collections.

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  Classic Cigarette Radio...

  Various Various

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  This fascinating and historical audio program includes actual radio commercials for the following classic cigarettes: Lucky Strike, Mayfield, Camel, Morgan, Muriel, Philip Morris, Prince Albert, Wings

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  Don't Worry He Won't Get Far on...

  John Callahan

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  In 1972, at the age of 21, John Callahan was involved in a car crash that severed his spine and made him a quadriplegic. A heavy drinker since the age of 12 (alcohol had played a role in his crash), the accident could have been the beginning of a downward spiral. Instead, it sparked a personal transformation. After extensive physical therapy, he was eventually able to grasp a pen in his right hand and make rudimentary drawings. By 1978, Callahan had sworn off drinking for good, and begun to draw cartoons. 
   
   
   
  Over the next three decades, until his death in 2010, Callahan would become one of the nation's most beloved—and at times polarizing—cartoonists. His work, which shows off a wacky and sometimes warped sense of humor, pokes fun at social conventions and pushes boundaries. One cartoon features Christ at the cross with a thought bubble reading "T.G.I.F." In another, three sheriffs on horseback approach an empty wheelchair in the desert. "Don't worry," one sheriff says to another, "He won't get far on foot." 
   
   
   
  Don't Worry, He Won't Get Far on Foot recounts Callahan's life story, from the harrowing to the hilarious.

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  An Engineer Imagines

  Peter Rice

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  The long-awaited reissue of the autobiography of Peter Rice, one of the main structural engineers behind the Sydney Opera House, the Pompidou Centre, the Menil Collection and Lloyd's of London.
  
  'I am an engineer. Often people will call me an 'architect engineer' as a compliment. It is meant to signify a quality of engineer who is more imaginative and design-orientated than a normal engineer... To call an engineer an 'architect engineer' because he comes up with unusual or original solutions is essentially to misunderstand the role of the engineer in society.'
  An Engineer Imagines is a rare look into the professional creativity and philosophy of Peter Rice, who was widely acclaimed as the greatest structural engineer of his generation. He was a man who, in Renzo Piano's words, could design structures 'like a pianist who can play with his eyes shut'. Working with many of the world's greatest architects on buildings that became icons of contemporary architecture, he brought a uniquely poetic feeling to his work.
  Joining Ove Arup & Partners in 1956, Rice had heard that 'it was a place where an oddball could fit in.' Taking on Arup's theory of Total Design to heart, Rice writes about the role of the engineer in society, and how he himself applied his creativity to various projects. He admits he became an engineer by accident, tentatively feeling his way through a career without a natural instinct. But as he takes you through each of his projects, one-by-one, you can trace his development from graduate to veteran.
  Written in clear and poetic language, Rice's autobiography is perfect for those who want to better understand postwar buildings, our concrete environment, or are budding students of engineering and architecture.

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  The Talking Draft Method -...

  Frederick Gooltz

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  The Talking Draft Method is the fastest way for playwrights and screenwriters to create scenes. A writer records audio of themselves improvising the dialogue and the action lines, the audio is transcribed, then the text is reformatted into a script. This is not new, as the book reveals, it is actually one of old Hollywood's best-kept secrets. 
  Today it can be done instantly and for free. This practical guide shows exactly how to use The Talking Draft Method for a fast first draft of your script. This book also contains many of Hollywood's most popular outlining structures, plus great revision tricks of the trade to ensure that your next drafts are as great as they can be. 
  The Talking Draft Method is also the best way to achieve a creative flow state while writing. This book contains some of the latest findings about flow state neuroscience and provides helpful steps to harness the peak performance of the flow state as a writer while using the Talking Draft Method. 
  Inside This Practical Guide to The Talking Draft Method:how to achieve a creative flow stateovercome common first draft trapspopular screenplay structurescommon beat sheet examplesproven techniques for revisionsthe screenwriter's "notes" decodernever fear a blank page againthe history of the methodtips for aspiring writers

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