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  I Confess

  Eric Schmaltz

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  How is a lyric poem like a polygraph machine? A personal, poetic examination of the technology of truth-telling. 
  Eric Schmaltz’s I Confess delves into the complexities of truth-telling in poetry, and the history of technologies designed to produce truth from willing and unwilling subjects, considering what it means to use a device – poetry or polygraph – to draw out one’s most profound feelings and emotions. 
  Exploring the intersection of power, technology, and language, I Confess meditates on lie detection and its history, including trials by ordeal and pseudoscientific technologies. The poet then turns to his own personal experiences working with a lie detector and polygraph analyst. Taking himself as the central subject of the book, Schmaltz puts his subjectivity and positionality under scrutiny. 
  The answers to questions such as What does family mean to you? and Can you describe a time when you felt your best? inspire a range of forms from conventional lyrical verse to list poems to palindromes to visual poems. With an afterword by Orchid Tierney, I Confess is a personal, poetic document of truth’s performance under duress.

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  Too Much World at Once

  Billie Collins

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  'We should've seen this coming. We did. We did see this coming. The world will not be kind to us because we haven't given it a reason to be.'
  On his fifteenth birthday, Noble transforms into a bird. Thousands of miles away, his sister Cleo is stationed on a remote island with the British Antarctic Survey.
  But the birds have disappeared and Noble needs to reach her. Lying low until it's safe to take flight, he finds solace in misfit Ellis, while his mum desperately tries to stop their home from falling apart.
  The world turns. Dark clouds gather. Chaos is on the horizon...
  Billie Collins's play Too Much World at Once is an urgent coming-of-age story for our times – and a lyrical, theatrical journey that spans continents and lives. It was premiered at HOME, Manchester, in March 2023 by Box of Tricks Theatre before a UK tour.

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  Cornered by the Dark - Poems

  Harold J. Recinos

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  "Cornered by the Dark is a triumph." 
  
  —Junot Díaz, author of The Brief Wondrous Life of Oscar Wao
  
  W. H. Auden, Jorge Luis Borges, Howard Thurman, Julia Equivel, Thomas Merton, Langston Hughes, Pedro Pietri and Miguel Piñero, in their work make a connection between poetry, social criticism and the meaning of life together—that is a part of Harold Recinos' literary labor. His work creates a fusion between the personal and the public in verse that is searching, expansive, and walking hurt streets. Cornered by the Dark is a work about truth-telling and witness-bearing to the marginal men, women, and children who tell their story about a culture of indifference and callousness while finding courage and compassion to hope in everyday life. 
  
  Cornered by the Dark is published under Paraclete Press's Iron Pen imprint. In the book of Job, a suffering man pours out his anguish to his Maker. From the depths of his pain, he reveals a trust in God's goodness that is stronger than his despair, giving humanity some of the most beautiful and poetic verses of all time. Paraclete's Iron Pen imprint is inspired by this spirit of unvarnished honesty and tenacious hope.

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  I'm Sorry Here's a Plasma Rifle...

  Aaron N. Hall

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  SENT BACK FROM THE YEAR 2124, I’m Sorry, Here’s a Plasma Rifle is the last known work of author Aaron N. Hall before his tragic jet ski accident with a shipping container of rubber ducks. 
  It contains seven short stories, eighteen poems, and four pastry recipes that highlight his affection for fantasy, science fiction, and the endearingly odd. 
  The current edition has been republished including the notes of Dr. Arthur B. Salazar, who sent the book from the future before being cryogenically frozen and launched into space prior to Earth’s decay. 
  Listen, enjoy, then say hello to the void.

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  Decade of the Brain: Poems

  Janine Joseph

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  In the deeply personal Decade of the Brain, Janine Joseph writes of a newly-naturalized American citizen who suffers from post-concussive memory loss after a major auto accident.The collection is an odyssey of what it means to recover—physically and mentally—in the aftermath of trauma and traumatic brain injury, charting when “before” crosses into “after.” Through connected poems, buckling and expansive syntax, ekphrasis, and conjoined poetic forms, Decade of the Brain remembers and misremembers hospital visits, violence and bodily injury, intimate memories, immigration status, family members, and the self.  
  After the accident I turned outall of the lights in the room while I watched, 
  concussed, from the mirror. I edged like a feverwith nothing on the tip of my tongue.

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  The Poetry of the Moon & Stars -...

  A. E. Housman, Christina...

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  The sun has descended below the far horizon.  The inky blackness of night begins to envelop the land.  Day has gone and the nocturnal times reveal themselves.  But above the dark blanket the moon, whether waxing or waning, stands sentry and around it vast clouds and swirls of stars regiment themselves.  We look up in awe and wonder, frail beneath their vista. 
  Our gloried poets are on hand though to capture word and deed, emotion and feeling, friend and foe.  Among our ranks of astounding talents are Keats, Byron, Wordsworth, Hardy, Poe, Shelley, Longfellow and many more beside.  Their descriptions capture what they see and feel and describe as perhaps only a poet can. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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