Begleiten Sie uns auf eine literarische Weltreise!
Buch zum Bücherregal hinzufügen
Grey
Einen neuen Kommentar schreiben Default profile 50px
Grey
Jetzt das ganze Buch im Abo oder die ersten Seiten gratis lesen!
All characters reduced
Mostly Mary - Exploring love loss and emotion in lyrical verses - cover

Mostly Mary - Exploring love loss and emotion in lyrical verses

Mary Edward Feehan

Verlag: Good Press

  • 1
  • 0
  • 0

Beschreibung

In "Mostly Mary," Mary Edward Feehan masterfully weaves a narrative that is both introspective and richly textured, exploring the intricacies of personal identity within the framework of societal expectations. Through a series of poignant vignettes, Feehan employs a lyrical style, drawing on her background in poetry to craft vivid imagery and emotional depth. The book exists within the modern literary context of self-discovery narratives, reminiscent of the confessional style popularized in contemporary literature, while also nodding to the epistolary traditions of the past. Mary Edward Feehan, drawing from her diverse experiences as a poet, educator, and cultural commentator, infuses "Mostly Mary" with a unique perspective on the feminine experience. Her academic background and passion for advocating women's voices in literature undoubtedly influenced her narrative choices, as she artfully examines the intersections of personal and collective identities. Feehan'Äôs life experiences, coupled with her keen observations of the world around her, bring authenticity and resonance to her writing. Recommended for readers interested in intimate narratives and explorations of identity, "Mostly Mary" offers a compelling journey that invites reflection and conversation. Feehan's eloquent prose, combined with her insightful observations, creates a profound reading experience that lingers long after the last page is turned.
Verfügbar seit: 18.09.2023.
Drucklänge: 68 Seiten.

Weitere Bücher, die Sie mögen werden

  • Actor's Guide To Mastering the Indian Accent An - Learn The Hallmarks of Indian Pronunciation for the Stage or Screen - cover

    Actor's Guide To Mastering the...

    Oscar Stanley

    • 0
    • 0
    • 0
    Unlock the power of the Indian accent and bring your characters to life with authenticity and confidence. Whether you're preparing for a specific role or expanding your range as an actor, mastering this accent can set you apart in auditions and on screen. This audio-based training guides you through every step, helping you sound natural, nuanced, and believable — without falling into stereotypes. 
    The course breaks down the unique sound patterns of Indian-accented English, teaching you how to shape vowels, soften consonants, and replicate the musical rhythm that defines the accent. You'll learn how regional languages influence speech, giving your delivery a natural flow that goes beyond surface imitation. With a focus on ear training and vocal drills, you'll fine-tune every sound while developing an instinct for the accent's melody and pacing. 
    This training is designed to help actors create rich, layered performances. You'll understand not only how the accent sounds, but why it sounds that way — from the influence of Indian language structure to the subtle shifts in emphasis and intonation. By connecting the accent to character and context, you'll avoid clichés and build performances that feel grounded and authentic. 
    Every lesson is crafted with actors in mind, combining technical precision with practical exercises. Dialogue practice helps you integrate the accent into performance, preparing you for auditions, rehearsals, and on-camera work. The flexible audio format fits easily into your daily routine, letting you learn at your own pace. 
    With the right training, an accent becomes a powerful tool for storytelling. Mastering the Indian accent will give you the confidence to step into any role and deliver performances that are both compelling and true to life.
    Zum Buch
  • The Suspicions of Mr Whicher - cover

    The Suspicions of Mr Whicher

    Kate Summerscale

    • 0
    • 0
    • 0
    Summer 1860, an elegant country house, a young boy is found dead in an outside privy. All clues point towards the murderer being a member of the grieving household.
    Called to the scene is the most celebrated detective of his day, Jonathan Whicher from Scotland Yard. But this case challenges him in ways he's never been challenged before.
    Over twenty years later, still haunted by the case, Whicher visits the murderer. As they replay the past, they start to question the nature of truth, the desire for certainty and the possibility of redemption.
    This compelling stage adaptation of Kate Summerscale's gripping bestseller opened at The Watermill Theatre, Newbury, in May 2023.
    This ensemble piece provides rich opportunities for companies looking to intrigue their audiences with a fresh take on a dark Victorian mystery.
    Zum Buch
  • The Red and the Black - cover

    The Red and the Black

    Anonym

    • 0
    • 0
    • 0
    He wants power. He wants love. Society gives him neither without a price.
    Julien Sorel, brilliant and fiercely ambitious, rises from humble origins into a world ruled by class, hypocrisy, and political intrigue. Torn between faith and ambition, desire and pride, he navigates dangerous romances and ruthless social games—each choice pulling him closer to triumph or ruin.
    
    Celebrated as "one of the first great psychological novels," Stendhal's masterpiece dissects vanity, hypocrisy, and the hunger for status with startling clarity. Its portrait of a young man fighting society—and himself—remains timeless and unsettlingly modern.
    
    If you love sharp character studies, political tension, and classics that expose the cost of ambition, this novel is unforgettable.
    
    Open the book—and witness how desire and destiny collide.
    Zum Buch
  • amuk - cover

    amuk

    Khairani Barokka

    • 0
    • 0
    • 0
    Khairani Barokka's uncompromising third collection of poetry amuk sheds light on the devastating and ongoing effects of a single word's mistranslation, and emphasises what exists in opposition to such hostile histories and presents: hope, resistance, and joy.
    Groundbreaking in its use of form and poetics, amuk deconstructs the brutal workings of oppressive systems to examine how, "through macheted etymology", violence and suffering is replicated through (mis)translation. These radical poems of fury and prayer look towards the vital, living resistance of persisting languages, and resilient peoples.
    Zum Buch
  • Reckon - cover

    Reckon

    Anonym

    • 0
    • 0
    • 0
    “Reckon illuminates all that tries to hide.” — JAVIER ZAMORA, author of Solito: A Memoir 
    “Logan Phillips’s Reckon is a hell of a book... Arizona needs this book. America needs this book. You do too.” — ANDER MONSON, author of Predator: A Movie, a Memoir, an Obsession 
    In Reckon, artist Logan Phillips returns to the fabled town of Tombstone to face the history he was raised on as a boy—gunfights, outlaws, and Hollywood cowboys—for a new, personal confrontation with the West’s foundational mythology. This hybrid memoir also explores sexuality, whiteness, masculinity, parenting, and what it means to love a land rife with contradiction and “slathered in murder.” 
    As innovative as it is moving, this memoir is constructed of essays, photography, poetry, newspaper clippings from the Tombstone Epitaph Local Edition, and of course, movie screenplays. As he writes the characters of his past––including Youngfather and Teenme––Phillips finds the real history to be much more complex than the stories he was told. This is Tombstone in the 1980s and 90s, a century after the West’s most famous gunfight––a fifteen-second event still performed every day in historical reenactments––where Phillips’s father works as a historical exhibit designer at the Courthouse Museum and his uncle as a stuntman at Old Tucson Studios.  
    With an original, searing voice, Reckon is an essential answer to the tough questions of past and future, inheritance and reinvention, all from the perspective of a boy stuck in the middle. 
    NARRATED BY THE AUTHOR. Cover: art by Logan Phillips, design by Leigh McDonald. 
    “A full-throated consideration of the antecedent of sultry desert queerness—the cowboy.” — RAQUEL GUTIÉRREZ, author of Brown Neon 
    “Reckon implodes the braggadocio and myth of the gunslinging West.” — ANTHONY CODY, Whiting Award winner 
    “Flying through masculine silence, Reckon is the owl.” — SESSHU FOSTER, author of City of the Future
    Zum Buch
  • Test Piece - cover

    Test Piece

    Sheryda Warrener

    • 0
    • 0
    • 0
    FINALIST FOR THE 2023 DOROTHY LIVESAY POETRY PRIZE 
    Ways of Seeing meets Mary Ruefle in these visual-art-inflected poems 
    Though they started from Sheryda Warrener’s impulse to see herself more clearly, the poems in Test Piece ended up becoming more expansive meditations on seeing and vision. They engage with the process and practice of art-making, and specifically with abstract minimalist works like those by Eva Hesse, Anne Truitt, Ruth Asawa, and Agnes Martin. 
    Not-seeing/not-knowing is a motif, as is weave, grid, pattern, rhythm of interiors, domestic life. These poems are informed by collage, by the act of bringing images and lines together. With their echoes and reverberations (hand, mirror, body, clear, form, face), a greater complexity is revealed. 
    "In conversation with visual art, mirrors, and the traces of self we assemble through encounter, Sheryda Warrener’s Test Piece holds an expansive place to dwell with the phenomenological. Interacting with event and object, reflection and parataxis, the writing asks us to consider contingent spaces and the matter of matter and meaning making. The poems adhere as arrangement, as a consideration of relationality. 'What does she whimper in the dog’s ear? / How earthly we behave, believing we’re alone.'" – Hoa Nguyen, author of A Thousand Times You Lose Your Treasure 
    "Sheryda Warrener's newest poetry collection unspools as a complex weave of repeated motifs, ritualistic gestures, and deeply embodied observations. I’m especially struck by the influence of twentieth-century women artists within the collection: meditations on Eva Hesse, Agnes Martin, and Sherrie Levine’s works structure much of Test Piece. Palimpsests of photographed interiors, where living and writing collide lyrically and randomly, combine with floating textual cut-ups of variegating transparency. This concretizes, perhaps, how the poems bloom forth from experimental assemblage: 'her body holds/the long blue sentence of it…'" – Marina Roy, artist and author of Queuejumping
    Zum Buch