Maison d'édition: BookRix
Programmed By Weather is a collection of poems and lyrics based around the themes of living as a misanthrope and the illusion of reality. The author is the singer songwriter for the band Guiltfilter and has also released an accompanying 4-rack solo EP.. The titles are taken from songs and poetry written between 2010 to 2019.
Radiant and tender, My Baby First Birthday is a collection that examines innocence, asking us who gets to be loved and who has to deplete themselves just to survive. It's about existence and nonexistence, about being born—without consent. Jenny Zhang writes about accepting pain, about the way we fetishize womanhood and motherhood, and reduce women to their violations, traumas, and body parts. She questions the way we feminize and racialize nurturing, and live in service of other people's dreams. Her poems explore the obscenity of patriarchy, whiteness, and capitalism, the violence of rescue and heroism. The magic trick in this book is that despite all these themes, the book never feels like some jeremiad. Zhang uses friendship as a lyric. She seeks tenderness, radiant beauty, and having love for your mistakes. Through all this, she writes about being alone—really alone, like why-was-I-ever-born alone—and trying, despite everything, to reach out and touch something—skin to skin, animal to animal.Voir livre
Travelling from America to Britain to a remote Greek island, The Faith Machine explores the relationship between faith and capitalism and asks fundamental questions about the true meaning of love. On a beautiful September morning in New York, Sophie forces Tom into a decision. The choice he makes, and the events of that day, will change their lives for ever. Alexi Kaye Campbell's play The Faith Machine premiered at the Royal Court Theatre, London, in 2011.Voir livre
What is a stalker? And what kind of life can a woman lead when she knows she is being followed, obsessively and perhaps dangerously, by one?This is the dilemma facing Theresa Bedell, a reporter in New York, in Rebecca Gilman's tensely fascinating new play. When Theresa goes on an awkward blind date with a friend of a friend, she sees no reason to continue the relationship--but the man, an attractive fellow named Tony, thinks otherwise. While Theresa is at first annoyed yet flattered by his continuing attention, her attitude gradually changes to one of fear and fury when he starts violently to menace her and those around her.In brilliantly delineating the kind of terror a woman in full control of her life feels when everything around her suddenly seems to be a threat, Gilman probes the dark side of relationships in the 1990s with the rich insight and compelling characterizations that have distinguished her earlier plays and made her one of the most exciting young playwrights working today.Voir livre
At the core of this debut collection is a question – what is worth holding onto? Through poetic experiments that blend the academic and the artistic, Rhiya Pau queries complex characters and tender landscapes. Routes journeys from Ba's kitchen in Sonia Gardens to Independence hour in Delhi, across the pink shores of Nakuru, to meet a painter on Lee High Road. Celebrating fifty years since her community arrived in the UK, Pau chronicles the migratory histories of her ancestors and simultaneously lays bare the conflicts of identity that arise from being a member of the East African-Indian diaspora. In this multilingual discourse exhibiting vast formal range, Pau wrestles with language, narrative and memory, daring to navigate their collective fallibilities to architect her own identity. '[Routes]...holds up to the light the wisdom of the past, and asks what else is passed down along with it...a work of humane intelligence, formal experiment and linguistic verve' - Sarah Howe, Judge of Eric Gregory Awards 2022Voir livre
There was a time when I was falling, My enemies surrounded me. I was wounded and weary. I felt so weak unable to fight anymore. My eyes were dark and, my strength was almost gone. I prayed and cried out to God; I felt forsaken. I was hurt and felt abandoned. Then I reminded myself of his words that he will never leave me. I cried with my whole heart, He heard me and save me from my enemies.Voir livre
Reminiscent of Mary Oliver’s A Thousand Mornings and Amanda Thomson’s Belonging, this evocative blend of poetry, prose, and personal letters unfurls a story of an untamed, beautiful place—and one woman’s choice to spend the last chapter of her life making it her home. At age sixty-two, Fern started a new life. Recently widowed, she found a piece of neglected acreage above the Snake River on which to build a home, forge a community—and find renewed purpose. On the land around Fern’s Pond, she nurtured a vineyard, an abundant garden, and a small farm of sheep, one cow, a goat, and chickens. She befriended wild ducks and harvested trout in her waters, and she used the materials that grew around the pond and springs to weave baskets—unique works of art that captured the elegance of the natural world. Songs from Fern’s Pond is a collage of poetry, letters, and prose that captures the universal resilience of the human spirit through the humor and courage of a woman who fearlessly pursued the life she dreamed of. A duet of text between mother and daughter, it’s a transcendent vision of the rough, wild, and beautiful landscape of the heart—and a reminder that every chapter is worth living to its fullest.Voir livre
