Verlag: Brainstorm Books
Few things can compare to the texture, the look and the feel of an oil painting. Combined with the magnificence of the European cities, this book is an unbelieveable combination...Get it now!
After the collapse of the Soviet Union in the early 1990s, the timing appeared perfect to bring Sesame Street to millions of children living in the former Soviet Union. With the Muppets envisioned as ideal ambassadors of Western values, no one anticipated just how challenging and dangerous this would prove to be. In Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia, Natasha Lance Rogoff brings this gripping tale to life. Amid bombings, assassinations, and a military takeover of the production office, Lance Rogoff and the talented Moscow team of artists, writers, musicians, filmmakers, and puppeteers remained determined to bring laughter, learning, and a new way of seeing the world to children in Russia, Ukraine, and across the former Soviet empire. With a sharp wit and compassion for her colleagues, Lance Rogoff observes how cultural clashes colored nearly every aspect of the production—from the show’s educational framework to writing comedy to the new Russian Muppets themselves—despite the team’s common goal. Brimming with insight and nuance, Muppets in Moscow skillfully explores the post-Soviet societal tensions that continue to thwart the Russian people’s efforts to create a better future for their country. More than just a story of a children’s show, this book provides a valuable perspective of Russia’s people, their culture, and their complicated relationship with the West that remains relevant even today.Zum Buch
The Screaming Skull is a 1958 independently made American black-and-white horror film, produced by John Kneubuhl and directed by Alex Nicol (in his directorial debut), starring John Hudson, Peggy Webber, Russ Conway, Tony Johnson, and Nicol. The film's storyline concerns a newly-married couple, Eric and Jenni, who arrive at the home of Eric's first wife, where the gardens have been maintained by a gardener faithful to the dead woman's memory. Soon, eerie events lead Jenni to think she's losing her mind being haunted by the ghost of her new husband's previous wife. The following is the audio track of the feature film.Zum Buch
This inspirational guide explains how a botanical sketchbook can take many forms and hold different meanings. It shows how a sketchbook can be used as a workbook to study plants through drawing and painting in a variety of media. It includes examples of preliminary work for finished pieces, experiments in colour and exploration of plant anatomy, and shows how these studies can be made away from the pressure of creating the perfect, polished piece of final botanical artwork. It goes on to feature sketchbooks created for their own sake as a curated space for an artist to draw and record plants over a period of time, or a particular place.Zum Buch
From backstage blunders to standing ovations, 100 PLAYS is part memoir, part love letter to the theatre, and part inspirational handbook. Actor, director, and playwright Jason Cannon draws on nearly three decades in the professional theatre to share true stories from real productions—and the lessons they taught him about craft, connection, and courage. Whether you’re a seasoned artist or a curious audience member, welcome to this journey through 100 PLAYS—and all the lessons they carry. Volume 1 contains Plays 1-10:Who's Afraid of Virginia Woolf?No ExitSnow WhiteA Clockwork OrangeTouchBuddy: The Buddy Holly StoryDoubt: A ParableHenry IV Part 1The Great Adventures of SpencerMillion Dollar QuartetZum Buch
The speeches of film legend Sidney Poitier—given at commencement addresses, awards shows, memorials, and more, on topics ranging from entertainment history to filmmaking, civil rights, and parenthood—come to vibrant life in this inspirational and stunningly packaged volume from the Poitier estate that sheds new light on the trailblazing artist's life and culture of the past century. Sidney Poitier represented strength, good looks, and above all dignity at a time when Black representation on the screen was so often relegated to servile parts. He broke ground as the top box-office draw in Hollywood at the peak of his career, and was the first Black actor to win the Best Actor Oscar, for his performance in Lillies of the Field (1963). Poitier—who narrowly escaped illiteracy after rising up from an impoverished childhood and the massive obstacles he faced as a Black man in mid-twentieth century America—was also one of the most articulate and sought-after speakers of his day. This book is a one-of-a-kind collection showcasing the wise, witty, and deeply personal speeches Poitier gave at awards ceremonies, family events, memorials, and more. His salutes to artists such as Dorothy Dandridge, Spencer Tracy, Stanley Kramer, and Denzel Washington offer fresh insight on icons of our time. Poitier's unforgettable cadence and voice are clear as day on the page, sometimes with careful edits and additions written in his own hand. Compiled by his wife, Joanna Poitier, and illustrated by dozens of professional and family photos, this collection stunningly captures all that was remarkable about the man through his own words; archives moments in the history of entertainment, culture, and civil rights; and offers a uniquely inspirational perspective on career, family, art, and life.Zum Buch
The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions. Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter Pears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W. H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist themes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in mid-twentieth century Britain.Zum Buch
