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  When I Was the Wind

  Hannah Lee Jones

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  In her debut poetry collection, Hannah Lee Jones brings readers on a mythic journey across a vast physical and metaphysical landscape. Four cardinal directions point the way through this inner wilderness, through trials and initiations, suffering and discovery, on a restless quest for deeper connection and wholeness. What emerges is a richly textured map of love and loss, a tapestry of hard-won truths both personal and universal. At turns mysterious, dreamlike, intimate, and illuminating, these poems explore what is wild and timeless in the human soul.

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  Spoiled Rotten - A social...

  Mohamed Elagoza

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  Mustafa is a young man who loves a woman named Talia and sees her as his ideal life partner. Life shines in their eyes, and marriage seems like a beautiful dream. But they soon collide with the reality of married life; disagreements begin, and Mustafa finds himself drifting towards strange adventures outside of his marriage. For her part, Talia changes and emotionally distances herself from him. In the midst of these exciting events, Mustafa discovers something strange: the closer he gets to achieving what he wants, the more he finds that it does not fully understand or satisfy him. Can Mustafa and Talia face the facts and rediscover themselves?

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  Legacy of terror - auschwitz sex...

  Dominique Friendly

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  Meticulously documented and researched, based on facts LEGACY OF TERROR – AUSCHWITZ SEX SLAVE tells the story of 33-year-old beauty Eliza who goes from con artist on the French Riviera to soul-searching survivor in the bowels of the Nazi-created hell on earth, Auschwitz. This is a saga never before told in literature or feature films. 
  Eliza’s Auschwitz journal becomes a must read for a German woman – Anna, who’s on a mission for her son Wolfgang shortly after 1967’s 6-Day War in Israel. Anna hopes to clear him of accusations of being a war criminal while performing his duty as an SS officer during WWII. 
  Containing elements of a thriller, a petrifying war saga and an unconventional romance, this heart-searing novel evolves into a tapestry of brokenheartedness, self-reproach, and perhaps resilience and stalwart acceptance. What must these women do to keep their humanity intact? Its intended audience is any historical fiction lover who wishes to delve deep into the psyches of those who are able to survive this unimaginable hell at all costs.

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  On My Last Breath

  Don Johns

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  Have you ever wondered do we cross paths in life for a reason, even if it's only for a brief moment in time? I've always believed in that and when I wrote this script I tried to capture that. First a film, and now for the first time an audiobook! Lt. Delani has been there and back and private Fisher is young and green, but yet he is fearless in rattling Delani. Although this is a short film, it has epic qualities. Use for an icebreaker for therapy sessions, give it to someone who you know that is afraid of opening up. Listen to the audiobook or watch the movie.

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  Biscuits for Breakfast

  Gareth Farr

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  'If you can cook, if you know flavour and taste and texture, people will pay you to do it. People always need to eat. Always.'
  They don't seem an obvious match. Joanne is spiky, defensive, a survivor; Paul is quiet, considered – and hiding profound grief for his father. But the pleasure he takes in cooking – and the astonishing food he prepares – creates a bond between them.
  When the hotel where they both work closes and they start to spiral into poverty, it throws everything up in the air – first their plans for a cookbook and a restaurant, and, eventually, even their dreams of a future together...
  Gareth Farr's play Biscuits for Breakfast is a tender, heartfelt drama about families – the ones we inherit and the ones we create – and the struggle to survive when times get tough. It opened at Hampstead Theatre, London, in 2023, directed by Tessa Walker.

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  'Look Back to Look Forward' -...

  Frank O'Connor

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  While Frank O'Connor was known primarily as one of Ireland's finest short-story writers, he was also an accomplished translator. In the long line of Irish writers given to translating poems in Irish into poems written in English – a tradition stretching back at least as far as Jonathan Swift – he stands out above all the rest.
  Between the mid-1920s and the mid-1960s, O'Connor published 121 translations that give voice to the full range of this centuries-old tradition. Collected here in full for the first time, O'Connor's work shows an uncanny aptitude for carrying over into English verse many of the riches to be found in the originals – the ancient voice of the Hag of Beare lamenting her decline into old age; the voices of the early monks describing the Irish landscape, Irish weather, their religious faith, and, in at least one instance, their cat; the voice of Hugh O'Rourke's wife torn between loyalty to her husband and a rising desire for her seducer. All these voices haunted O'Connor throughout his career, whatever else he was doing. The collection includes the Irish-language sources for all 121 translations along with literal translations, enabling the reader to see what O'Connor started from.
  O'Connor's translations sprang from a compulsive desire to breathe life into Ireland's past, to 'look back to look forward,' as he once put it; for him the Irish-language tradition was not for scholars and archives alone, but formed a living body of work vitally relevant to an Ireland that seemed puzzlingly indifferent to it.
  Thanks to O'Connor's profound love of his country's language and its rich, literary subsoil – 'a literature of which no Irishman need feel ashamed', he once said – these voices from Ireland's past can still be heard. Strikingly modern in tone, they conjoin flesh and spirit, the sacred and the secular, in a way that speaks to humankind.

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