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  Édouard Manet and artworks

  Nathalia Brodskaya

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  Manet is one of the most famous artists from the second half of the nineteenth century linked to the impressionists, although he was not really one of them. He had great influence on French painting partly because of the choice he made for his subjects from everyday life, the use of pure colours, and his fast and free technique. He made, in his own work, the transition between Courbet’s Realism and the work of the impressionists.
  Born a high bourgeois, he chose to become a painter after failing the entry to the Marine School. He studied with Thomas Couture, an Academic painter, but it was thanks to the numerous travels he made around Europe from 1852 that he started to find out what would become his own style.
  His first paintings were mostly portraits and genre scenes, inspired by his love for Spanish masters like Velázquez and Goya. In 1863 he presented his masterpiece Luncheon on the Grass at the Salon des Refusés. His work started a fight between the defenders of Academic art and the young “refusés” artists. Manet became the leader of this new generation of artists.
  From 1864, the official Salon accepted his paintings, still provoking loud protests over works such as Olympia in 1865. In 1866, the writer Zolá wrote an article defending Manet’s work. At that time, Manet was friends with all the future great impressionist masters: Edgar Degas, Claude Monet, Auguste Renoir, Alfred Sisley, Camille Pissarro and Paul Cézanne, and he influenced their work, even though he cannot strictly be counted as one of them. In 1874 indeed, he refused to present his paintings in the First Impressionist Exhibition. His last appearance in the official Salon was in 1882 with A Bar at the Folies-Bergère, one of his most famous works. Suffering from gangrene during the year 1883, he painted flower still-lifes until he became too weak to work. He died leaving behind a great number of drawings and paintings.

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  Season of the Witch - How the...

  Peter Bebergal

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  This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll—from the Beatles to Black Sabbath—and shows how the marriage between mysticism and music changed our world.From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today's hip-hop scene, the occult has long breathed life into rock and hip-hop—and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll. With vivid storytelling and laser-sharp analysis, writer and critic Peter Bebergal illuminates this web of influences to produce the definitive work on how the occult shaped—and saved—popular music.As Bebergal explains, occult and mystical ideals gave rock and roll its heart and purpose, making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.

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  Fathers Knows Best & The Jack...

  Carl Amari, Various Authors

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  This week’s H360 features classic comedy, including the sitcom Father Knows Best and The Jack Benny Program. We’ll also hear The Line Up and Fort Laramie. Plus, The Weird Circle and Escape.

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  A History of the Undead -...

  Charlotte Booth

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  A history of Western culture’s fascination with undead creatures in film and television. 
   
  Are you a fan of the undead? Watch lots of mummy, zombie and vampire movies and TV shows? Have you ever wondered if they could be “real?” 
   
  This book, A History of the Undead, unravels the truth behind these popular reanimated corpses. 
   
  Starting with the common representations in Western media through the decades, we go back in time to find the origins of the myths. Using a combination of folklore, religion and archaeological studies we find out the reality behind the walking dead. You may be surprised at what you find . . .

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  Adventures of Nero Wolfe The:...

  J. Donald Wilson

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  A religious fanatic has committed murder...or was it the Shakespearean actor?

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  The Public Purpose of Art

  Arlene Goldbard

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  We’re on the cusp of a paradigm shift, a radical change in worldview that will thrust art and culture onto center stage. What does that mean? How will the world be different? What is the rising spirit of the times and how is it being expressed in art? Arlene Goldbard says, “I have this overwhelming image of energy gathering force and taking shape.” She likens this force to a wave and says, “No one masterminds a wave, ordering all the drops of water into line. Many independent forces operate simultaneously – wind, gravity, disturbances of all kinds – and somehow, the wave mounts.” In this dialogue we explore this mounting force and what’s opposing this rolling tide. (hosted by Justine Willis Toms)

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