Maison d'édition: KenWrites
Africa delves into the past and recalls slavery. Africa tells her story. Africa tells his story. Even though Africa's tales are lined with struggle, sweat, tears and blood, it is not all about the bad, as this poem x-rays.
'He grew up to be a man whose sighs and slumps replaced sentences. Is that gonna be me?' Days after his father's passing, Yusuf discovers a dusty mixtape that changes everything he knew about a man who barely spoke. Turns out, his dad spent the '90s rapping about pretty girls and Kilburn life, plotting dreams of superstardom with his best friend Omar. How did this passionate wordsmith become a silent statue? Yusuf's mourning becomes a journey into the past, soundtracked by Omar's thumping beats and his father's bars, as he begins to uncover secrets that turn his world upside-down. Witty, honest and deeply moving, Azan Ahmed's play Statues is a lyrical love letter to the original code-switchers, exploring the impact of loss, and what you can gain from it. It premiered at the Bush Theatre, London, in 2024, with a cast featuring the playwright himself.Voir livre
The Apothecary of Flight by Jane Burn is a heady flight into the art of poetry itself: its vital importance as a tool for expression; for understanding and translating the self; for articulating the sheer force and joy of poetry and the way, for a person with autism, it can hold, identify and celebrate both the smallest and weightiest of life's experiences and concepts. These unfettered and exquisite poems pulse with the details of both the wild and tame, the sacred and the humane – observing nature and animals with an artist's eye, capturing the ways in which place and time can hold the experiences of the body, memory and identity. This ongoing dialogue with poetry itself sets a visionary path towards discovery – the page as a place to root oneself, a place of deep creative freedom, self-permission, belonging and defiance. Ultimately, the form, presence and physicality of Burn's extraordinary poems move us with compassion towards the happiest solitude of words, and of love.Voir livre
Jane Eyre may be poor, obscure, plain and little, but she has heart and soul – and plenty of it. Chris Bush's witty and fleet-footed adaptation lays bare the beating heart of Charlotte Brontë's classic novel, whilst staying true to its revolutionary spirit. With actor-musicians, playful doubling, and a plethora of nineteenth-century pop hits, it was first produced at the Stephen Joseph Theatre, Scarborough, and the New Vic Theatre, Newcastle-under-Lyme, in 2022, directed by Zoë Waterman. 'One of the UK's most exciting young playwrights' The Stage 'A writer of great wit and empathy' The TimesVoir livre
In Vichy, France, in 1942, nine men are detained under a shadowy pretext. As the tension builds, the men are questioned – are they the sort of people whom the new Nazi regime considers "inferior?" An L.A. Theatre Works full-cast performance featuring: Jon Matthews as Lebeau, A Painter Arye Gross as Bayard, An Electrician Robert Lesser as Police Guard and Marchand, A Businessman Gregory Itzin as Monceau, An Actor Jamie Hanes as Gypsy Shahar Sorek as A Waiter and Second Detective Ben Diskin as A Boy Andrew Hawkes as A Major Armin Shimerman as First Detective and Professor Hoffman Raphael Sbarge as Leduc, A Doctor Jamie Hanes as Police Captain Lawrence Pressman as Von Berg, A Prince Robert Lesser as Ferrand, A Café ProprietorVoir livre
Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "Poems and Ballads" brought him instant notoriety. He was now identified with "indecent" themes and the precept of art for art's sake. Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms. Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered. Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well. Much of his poetry in this period may be inferior but some individual poems are exceptional; "By the North Sea," "Evening on the Broads," "A Nympholept," "The Lake of Gaube," and "Neap-Tide." Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'. Swinburne died on April 10th, 1909 at the age of seventy-two. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Voir livre
Winner of the 2023 Aryamati Collection Competition. Through visceral and vulnerable poetry, Ricky Ray meditates on the pain and gratitude that arise from a keenly felt awareness of our fleeting existence. Recognizing his humanity as a facet of natural processes, Ricky measures the ache of living in a disabled body against the joy of \'being lived\' by the places he inhabits. As we accompany him and his soul dog, Addie, through the scenic woodlands of New England, the concrete jungle of Manhattan, and the swamps of the Deep South, the lines between humans, animals and nature begin to blur and move in concert. Shifting between forms both physical and elemental, we read of an existence lived not 'upon / but as one' with the Earth, \'whose being we are throughout and beyond our brief sojourn as human\'. At the heart of this collection is the transformative experience of Ricky's life with an old brown dog, which teaches that soul isn't merely something we possess—it's an animacy deeply shared.Voir livre
