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  The Songsculptor Method

  Richard Melvin Brown

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  THE SONGSCULPTOR METHOD (How to write a GREAT commercial song) by Award Winning Songwriter Richard Melvin Brown includes musical-Clips and Examples pertaining to the subject matter. To actually hear what we are talking about in the  (Musical-Clips and Examples) is a huge advantage in understanding the overall concepts in the art and craft of professional songwriting. You will learn " How to write a GREAT Commercial Song " with all the " Secret Songwriter Tips and Techniques " the Pro's use.  An Introduction to Marketable Songwriting  You will learn. THE SONG'S STRUCTURE It's kind of like laying the foundation of a house, but much easier to build, and a whole lot more fun.    HOOK LINE AND SINKERYes, the hook is everything, well almost everything,  It's totally meant to bend the ear, but a hook is something that should not be feared. FINDING YOUR HOOK and FINDING YOUR SINKERIt's easier than you think,  Life is full of hooks, Just look around, Listen, and release your creative juices The rest of the lyrics.  Creativity, Play on Words, Tricks of the Trade. To rhyme or not to rhyme, Should you or Shouldn't you, Depends on the flow from deep inside your pen.   MUSIC  Cheerful earful, catchy tune, agreeable sound, pleasing melody, cordial composition, delightful ditty, raunchy number, cool tones. Chord Progressions, the meat and potatoes. The Nashville Number System > Wow, is this ever easy. Music is just a bundle of numbers which translate into a cluster of sound.   Variations on a Theme, and more easy ways to compose.   If you're not a Musician or adept at Musical Composition (and have no desire to learn the music end of things) this section will help you in understanding your collaborators role in the creative process of Co-Writing.  The accompanying SONGSCULPTOR METHOD eBook can be downloaded at https://songsculptor.com/eBook.htm There is much more BUSINESS of Songwriting info in it.

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  Bang Bang Bang (NHB Modern Plays)

  Stella Feehily

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  Stella Feehily brings her trademark wit and emotional insight to this revealing play that goes behind the public face of charities, journalists and NGOs, and is drawn directly from workshops and interviews with aid workers, doctors, human rights defenders, government advisers, journalists and photographers.
  A seasoned human rights defender and her idealistic young colleague embark on a trip to the Democratic Republic of Congo. For Mathilde, it's an induction into a life less ordinary. For Sadhbh it's back to madness and chaos away from her lover and London - exactly as she likes it.
  But while Mathilde lets off steam with a photographer and a spliff, Sadhbh has her own encounter: tea with a smart but brutal young warlord she's investigating.
  'ambitious, well-researched and sharply presented' - Guardian
  'Stella Feehily's best work to date' - Whatsonstage.com

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  The Three Actors - Behan Shaw &...

  Peggy Webber

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  Excerpts from three one-man shows, starring three of CART's, and the world's, finest actors.Featuring:"Five Men with a Pen" with Dan O'Herlihy; "Confessions of an Irish Rebel" with Shay Duffin; William Windom as James Thurber, and CART's announcer, John Harlan.Produced by Peggy Webber.

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  Phantasmorgia - The writer of...

  Lewis Carroll

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  Lewis Carroll was born Charles Lutwidge Dodgson on the 27th January 1832 at Daresbury, Cheshire, the eldest boy and the third child.  Another eight followed.   
   
  When Dodgson was 11, his cleric father moved his family to Croft-on-Tees in the North Riding of Yorkshire.  Although his father was active and highly conservative his son was ambivalent with those values and with the Church as a whole. 
   
  In his early years Dodgson was educated at home and by age 7 he was reading the likes of ‘The Pilgrim's Progress’.  He also spoke with a stammer which he called his ‘hesitation’. 
   
  At 12 he was dispatched to Richmond Grammar School in North Yorkshire and then on to Rugby.  He sailed through the curriculum.  He was accepted at Christ Church, Oxford but two days after arriving he was summoned home: his mother had died of ‘inflammation of the brain’ at only 47. 
   
  Dodgson was exceptionally gifted and, when not distracted, achievement came easily to him.  He remained at Christ Church studying and teaching in various capacities until his death. 
   
  In March 1856, he published the romantic poem ‘Solitude’ as by ‘Lewis Carroll’.  
   
  That same year he took up the new art of photography.  He soon excelled and became a well-known gentleman-photographer, and even toyed with the idea of making a living out of it.  When he ceased photography in 1880, he had his own studio and had created around 3,000 images. 
   
  He enjoyed moderate success with his early poems and short stories but had an array of other interests in the pre-Raphaelite circle, Psychical Research and even ordained in the Church of England in 1861.  
   
  In July 1862 he told a young Alice Liddell the story that would become his first and greatest success.  Alice begged him to write it down, and eventually he did and later presented her with a handwritten and illustrated ‘Alice's Adventures Under Ground’.  The publisher Macmillan agreed to publish it as ‘Alice's Adventures in Wonderland’ by Lewis Carroll.  
   
  It was a huge and sensational life-changing success.  Royalties quickly accumulated as did fan mail.  
   
  In 1871, the darker themed sequel ‘Through the Looking-Glass, and What Alice Found There’ was published.  A half decade later came ‘The Hunting of the Snark’, a fantastical nonsense poem, as nine tradesmen and a beaver set off to find the snark.  It was another enormous success. 
   
  He also loved to invent such delights as a writing tablet ‘the nyctograph’ that allowed note-taking in the dark as well as many word games, such as the precursor to ‘Scrabble’, and alternative systems of parliamentary voting.  Within the discipline of mathematics, he worked in geometry, linear and matrix algebra, mathematical logic, recreational mathematics and wrote nearly a dozen books on the subject.   
   
  Lewis Carroll died of pneumonia following influenza on 14th January 1898 in Guildford, Surrey.  He was 65.  
   
  01 - Phantasmagoria by Lewis Carroll - An Introduction 
  02 - Phantasmagoria -  Canto 1. The Trystyng by Lewis Carroll 
  03 - Phantasmagoria -  Canto 2. Hys Fyve Rules by Lewis Carroll 
  04 - Phantasmagoria -  Canto 3. Scarmoges by Lewis Carroll 
  05 - Phantasmagoria -  Canto 4. Hys Nouryture by Lewis Carroll 
  06 - Phantasmagoria -  Canto 5. Byckerment by Lewis Carroll 
  07 - Phantasmagoria -  Canto 6. Dyscomfyture by Lewis Carroll 
  08 - Phantasmagoria -  Canto 7. Sad Souvenaunce by Lewis Carroll

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  Poetsy - Poetry Inspired by Cecilia

  David Deutsch

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  Everyone feels, but not everyone proves it the same way. 
  Some sing, others shout. 
  Some rhyme, others curse. 
  Some dance, others hit. 
  These are examples of how we try to get people to understand, “I’m feeling this way, and I want you to know about it!” 
  This book has some of my examples, and since I consider these healthy expressions, I hope they will help you find your own.

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  The Poetry of May Sarton Volume...

  May Sarton

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  Three celebrated volumes of verse from a feminist icon, poet, and author of the groundbreaking novel Mrs. Stevens Hears the Mermaids Singing.  Letters from Maine: A rugged coastline provides a stark background for Sarton’s images of a tragically brief love. With vulnerability and emotional depth, she explores the willingness to devote everything to a new love, as well as the despair at the memory of what is left over when it fades.  Inner Landscape: This collection of May Sarton’s poems displays her inimitable mix of stately verse and depth of feeling that lurks beneath every line, creating a tantalizing, magnetically charged distance between reader and poet.  Halfway to Silence: After decades of writing flowing lyric verse, May Sarton’s style turned to short, vibrant bursts of poetry. These condensed poems are rife with exuberant impressions of nature and of love, including two of her most acclaimed works, “Old Lovers at the Ballet” and “Of the Muse.”   Recognized as a true pioneer in lesbian literature, “Sarton’s poems enter and illuminate every natural corner of our lives. . . . So strong in their faith and in their positive response to the human condition that they will outlast much of the fashionable, cynical poetry of our ear” (James Martin).  

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