Verlag: The Poetry Business
We are the Weather is a mature and coherent first collection by a distinctive and compelling writer. The poems present vivid and often pungent scenes of rural life in exuberant and hardworking language, with childhood and family relationships at their heart.
This audio collection of poetry from Gregory M. Thompson has over 35 poems about love, despair, and death in structured and free-form styles. Includes the two horror epic poems ALTHEA and MODERIA. Enjoy different types poetic styles from traditional to rhythmic to serious to humorous.Zum Buch
'I think of my body sometimes like it's stubborn. We're not good friends. Like it's a spooky hotel, and I'm a ghost haunting it. 'Cause you don't live in a hotel, you just pass through.' When Daphne is diagnosed with Premature Ovarian Insufficiency at the age of nineteen, her sister Christine steps in to help in the only way she knows how: by donating her eggs. For a while, the world seems corrected. But as the years go by – and Daphne sets out on the long road of IVF – the sisters' relationship begins to twist. Pennyroyal is a heartrending new play by Lucy Roslyn about sisterhood and motherhood, enduring love, and regrets many years in the making. Inspired by Edith Wharton's 1922 novella The Old Maid, it was premiered at the Finborough Theatre, London, in 2022, directed by Josh Roche.Zum Buch
Step into the pages of 'The House of May Flowers,' a touching narrative that traces the protagonist Raja's path from childhood loss to a poignant quest for identity. Born as the prince to the vast estates Pulianda clan, his life takes a sudden turn with the untimely death of his father Kushalappa. Sent to his uncle's care after his father's demise, Raja returns years later, unearthing hidden family truths. With captivating characters and a rich portrayal of Kodagu's culture, readers are immersed in a world both familiar and new. The novel's exploration of generational dynamics resonates, although the shift in narration style offers a unique twist. From grief to joy, the book navigates a spectrum of emotions, making it a compelling choice for those intrigued by urban fiction and cultural revelations, offering a window into the lifestyle of Kodagu.Zum Buch
Winner of the Bram Stoker Award for Superior Achievement in Poetry Welcome to the garden. Here we poison our fruits, pierce ourselves with thorns, and transform under the light of the full moon. Mad and unhinged, we fall through rabbit holes, walk willingly into fairy rings, and dance in the song of witchcraft, two snakes around our ankles, the juice of berries on our tongues. Inspired by Shirley Jackson’s We Have Always Lived in the Castle, these poems are meditations on female rage, postpartum depression, compulsion, and intrusive thoughts. They pull from periods of sleep deprivation, soul exhaustion, and nightmarish delusions, and each is left untitled, a nod to the stream-of-conscious mind of a new mother. Using found poetry and under the influence of bibliomancy, Wytovich harnesses the occult power of her imagery and words and aligns it with a new, more vulnerable, darkness. These pieces are not only visions of the madwoman in the attic, but ghostly visitations that explore the raw mental torture women sometimes experience after giving birth. This collection heals as much as it scars, and is an honest look at how trauma seeps into the soil of our bodies. Her poems are imagined horrors, fictional fears, and all the unspoken murmurs of a mind lost between reality and dream. What she leaves in her wake is nothing short of horror—the children lost, the garden dead, the women feral, ready to pounce.Zum Buch
Saturated with locutions lifted from the late 19th century, The Day-Breakers deeply conceives of what African Canadian soldiers experienced before, during, and in the immediate aftermath of the American Civil War. “It is not wise to waste the life / Against a stubborn will. / Yet would we die as some have done. / Beating a way for the rising sun” wrote Arna Bontemps. In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African-Canadian, fighting for the freedom of their brethren and the dawning of a new day. Brilliantly capturing the rhythms of their voices and the era in which they lived and fought, Fraser’s The Day-Breakers is an homage to their sacrifice and an unforgettable act of reclamation: the restoration of a language, and a powerful new perspective on Black history and experience.Zum Buch
At a time when violence in America and Europe dominates the daily news, a groundbreaking new book co-authored by James Gilligan, an eminent psychiatrist who has worked with criminals, and David A.J. Richards, a legal scholar of toxic patriarchy, illuminates the ways in which Shakespeare offers unique insights into the causes of violence as well as its prevention.Now a riveting new audio production, Holding a Mirror Up to Nature: Shame, Guilt, and Violence in Shakespeare takes advantage of scenes performed by acclaimed actors to dramatize how much Shakespeare’s tragic heroes exhibit the psychology of those who commit violence in the contemporary world.The voice of British-American actor John Douglas Thompson called “perhaps the greatest Shakespeare interpreter in contemporary theater,” together with women’s parts spoken by Shakespeare & Company’s distinguished Tod Randolph, and narration by award-winning theater star Nigel Gore, orchestrate this tour de force audiobook that belongs in the listening library of everyone who loves Shakespeare and is curious about what causes and what prevents violence.Zum Buch
