D'autres livres qui pourraient vous intéresser

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  Plastiville

  Maria Kownacka

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  Discover the magic of Plastiville, the perfect book to help your child embark on their reading journey!
  
  Join Antonina and her delightful new friends — Plasty, Plastilou the dog, Plasticat the kitty-cat, Plastella the dairy cow, and many more — in a world crafted especially for beginning readers. Maria Kownacka's charming stories come alive with:
  
      Simple, Rhyming Sentences: Easy to understand and remember, helping your child build confidence with every page.
      Large Print: Designed for little eyes, making reading comfortable and enjoyable.
      Beautiful Color Illustrations: Vibrant pictures that spark imagination and bring the stories to life.
  
  Plastiville isn't just a book; it's a fun and engaging adventure that makes learning to read a joyous experience!

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  Through Old Eyes - Poems by...

  Uncle Wes Marne

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  Published to commemorate the author’s 100th birthday, this wide-ranging and thoughtful collection reflects on history, colonisation, family, childhood, Aboriginal Dreaming, traditions and storytelling, working lives and people. 
  Sometimes wistful, melancholic, poignant, at times the author’s wry sense of fun and humour shines through. 
  When he arrived in Sydney in the 1960s, Bigambul man, Uncle Wes, was not allowed to tell his stories at schools. He set up a fire bucket in his backyard and invited families and children from the local Aboriginal community to come to sit around the fire and share his stories. It did not take long for the police to arrive and arrest him for hosting an unlawful gathering – he spent two days in lock-up for sharing his stories. 
  Uncle Wes is a living treasure of Aboriginal storytelling wisdom. Through his poems Uncle Wes invites the reader to join him by the fire as he generously shares his reflections and reminiscences on one hundred years. 
  'It is my pleasure to honour Uncle Wes for his work in retaining the age-old storytelling tradition of our people. It is important to maintain this tradition of our Elders sharing their knowledge and insight through story and verse. Thank you Uncle Wes, for sharing your poems with us as you celebrate your 100th year.' - Dr Anne Pattel-Gray: Head of the Australia First Nations Program, World Vision Australia 
  'Uncle Wes Marne has a unique ability to allow the reader to see through his experienced eyes. The power and wisdom of his words is now more than ever important for the future generations to understand the time and place they exist in.' - Ben Bowen: CEO, Indigenous Literacy Foundation

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  I Remember - I Am Eternally Divine

  Travis Huntley

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  I Remember is a book of poetry inspired while traveling, spending time in nature and from my life's experiences. As a multiracial man in America, I feel I was given the opportunity to experience discrimination and prejudice from people of all walks of life. To learn I needed to love to accept myself first so I can witness firsthand society's most crucial issues of division and polarity. From the systemic illusion of separation from nature and humankind as a whole, due to the fact that most of us have yet to remember who we really are. Although the media is persistently promoting fear and division. The intention of this book is to share a sense of awareness of who we are beyond the body while inspiring the reader to love and have compassion for themselves and others at a greater capacity. Regardless of what one may have learned from their parents, culture, media, movies etc. I Remember is resurfacing to remind the masses we are all equal expressions of the Divine and now have a role to play in co-creating “The More Beautiful World our Hearts Know is Possible.”

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  Gaze Back

  Marylyn Tan

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  Winner of the Singapore Literature Prize (Poetry 2020) 
   
  What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe? 
   
  Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised. 
   
  GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised.

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  A Rare Recording of TS Eliot...

  TS Eliot

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  Thomas Stearns Eliot (September 26, 1888 - January 4, 1965) was an American-British poet, essayist and playwright. He is considered to be one of the 20th century's greatest poets, as well as a central figure in English-language Modernist poetry. His use of language, writing style, and verse structure reinvigorated English poetry. He is also noted for his critical essays, which often re-evaluated long-held cultural beliefs.

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  Primordial - Poems

  Mai Der Vang

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  Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate. 
   
   
   
  With profound and attentive care, Vang addresses the plight of the saola, an extremely rare and critically endangered animal native to the Annamite Mountains in Laos and Vietnam. Remarkably, the saola has only been known to the outside world since 1992, and sightings are so rare that it has now been more than a decade since the last known image of one was captured in a camera trap photo in 2013. 
   
   
   
  Primordial examines the saola's relationship to Hmong refugee identity and cosmology and a shared sense of exile, precarity, privacy, and survival. Can a war-torn landscape and memory provide sanctuary, and what are the consequences for our climate, our origins, our ability to belong to a homeland? Written during a difficult pregnancy and postpartum period, Vang's poems are urgent stays against extinction.

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