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  Get Well Soon - Poems

  Jamie Sharpe

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  In the spring of 2020, Jamie Sharpe was in New Brunswick, purportedly studying the famed Magnetic Hill outside Moncton. A dog-walker discovered Sharpe in a ditch, disrobed except for his backpack containing a manuscript …
  		 
  With his fifth collection, Get Well Soon, Sharpe reaffirms “he is utter master of his language. Whether [Sharpe’s] poems are the result of long lucubration or the inspiration of the moment, they bear no mark of effort, and it is not without admiration, nor even without astonishment, that one is carried along — by the noble, unswerving amble of those gorgeous stanzas, proud white hackneys harnessed in gold — into the glory of the evenings. Rich and subtle, [Jamie Sharpe]’s poetry is never merely lyrical; it always encloses an idea within the garland of its metaphors, and however vague or general that idea may be, it serves to strengthen the necklace; the pearls are secured by a thread that, though sometimes invisible, is ever sure.”

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  Marcus Douglas Presents Miles...

  Marcus Douglas

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  Step Into Eyes of Darkness, where Miles Clifford is in his adolescence. After a fatal accident cost him, his family, Miles's life, is shackled and in ruins. He must break free from these chains and change his destiny. Now, Miles must navigate through fear and respect to get a piece of dignity or a piece of dominance!

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  The Theogony

  Hesiod

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  The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. 
  Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing.
  Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.

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  The Poetry of Rainer Maria Rilke...

  Rainer Maria Rilke

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  René Karl Wilhelm Johann Josef Maria Rilke was born into a troubled marriage on the 4th December 1875 in Prague, then part of the Austro-Hungarian Empire.  His mother, having previously lost a baby girl, would dress the young boy up in girl’s clothing.   
  Later his father dispatched him to a military academy at age 10 but after a miserable 5 years the young Rilke left due to illness and instead entered first Prague and then Munich and finally Berlin university to study art history, philosophy and literature. 
  His initial forays into literature was in poetry.  His intense, mystical and lyrical style was much admired and over time inspired many in succeeding generations.    
  His short prose collection ‘Stories of God’, written in an impassioned burst over several nights was published in 1900 and offers a beguiling view of much of Rilke’s influences and outlook.  
  The following year he married the pioneering sculptor and artist Clara Westhoff.  The union produced one child, a daughter Ruth.   
  He lived in Paris for most of the Century’s first decade where he mixed with many great minds of the time.  Although he continued to write he also worked as a secretary to the sculptor, Rodin.   
  It was only after they settled in Switzerland in 1919 that his writing output was in full flow.  Here he wrote profusely in both German and French, which included much on his previous travels, his left-wing sympathies, his religious and existential thoughts, all part of a unique and consummate style. 
  From 1923 on, Rilke increasingly struggled with his health which was now in constant decline and often spent time rehabilitating at a sanatorium.   
  Rainer Maria Rilke died of leukaemia on the 29th December 1926 in Montreux, Switzerland.  He was 51.

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  Saved to Cloud

  Kate Foley

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  The algorithm
  of my own life, faded
  and spidery,
  is written,
  not keyed in.
  From bombsites used as childhood playgrounds to lockdown FaceTime calls, Kate Foley looks back on almost nine decades of life – a life characterised by curiosity, resistance and a strong connection with the natural world.
  Appreciation and concern for the planet runs through this frank and moving collection, which muses on the notions of faith and belief, ultimately rejecting both Whitehall politics and traditional religion as inadequate to deal with environmental crisis.
  Simultaneously nostalgic and highly concerned with the future, Kate Foley's candid reminiscence and simple use of language draw us softly into consideration of life's big questions: What's it all for? How will we be remembered?
  Will it build again, our earth?

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  The Children's Hour

  Lillian Hellman

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  The Children's Hour by Lillian Hellman is a gripping and thought-provoking play that delves into the destructive power of lies and societal prejudice. Set in an all-girls boarding school, the story follows Karen Wright and Martha Dobie, two dedicated teachers whose lives are upended when a vengeful student, Mary Tilford, fabricates a shocking accusation against them. The malicious lie not only jeopardizes their school but also exposes the fragility of their reputations and relationships in a judgmental society. First performed in 1934, the play examines themes of morality, truth, and the devastating consequences of unchecked rumors. A timeless exploration of human behavior, The Children's Hour remains a powerful critique of societal norms and the cost of prejudice.

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