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  A Rhyme A Dozen ― Winter - 12...

  William Shakespeare, Emily...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Winter.  An Introduction 
  2 - Blow Blow Thou Winter Wind by William Shakespeare 
  3 - To Winter by William Blake 
  4 - Winter by Khalil Gibran 
  5 - Winter at Delphi by Willa Cather 
  6 - Winter Sleep by Elinor Wylie 
  7 - Winter Heavens by George Meredith 
  8 - Some Too Fragile for Winter Winds by Emily Dickinson 
  9 - To a Locomotive in Winter by Walt Whitman 
  10 - A Winter's Sad Retreat by Daniel Sheehan 
  11 - In Drear Nighted December by John Keats 
  12 - The Snow Storm by Ralph Waldo Emerson 
  13 - The Snow Man by Wallace Stevens

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  African Queen

  Mr Punch Audiobooks

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  Full Cast Radio Drama 
  Set in 1915 on the treacherous rivers of war-torn Africa. Humphrey Bogart plays the gin sodden river trader, Charlie Allnut, who reluctantly agrees to help the prim missionary Rose Sayer, played in this radio version by Greer Garson, to travel down river on a hazardous journey and destroy a German gun boat. Humphrey Bogart won the 1951 Oscar for Best Actor, and again plays the uncouth captain of the tramp steamer in this special radio production.   
  This high-quality audiobook has been re-mastered and re-edited from the original radio broadcast.

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  Frank’s Wing - Poems

  Jacob McArthur Mooney

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  “… my relationship with most art living or lost / is the same as yours: we will pass it by” bemoans the last poem in Jacob McArthur Mooney’s latest collection. Written as a sequence of “ghost ekphrastics” (poems inspired by works of art that neither the poet nor most living people have ever seen), Frank’s Wing constructs a whole world of lost or destroyed artifacts that have been rearticulated and resurrected, brought back to life by a fictional property baron as a dying gift to Toronto’s Art Gallery of Ontario.
  		 
  From “decadent” modern paintings torched by Nazis, to lost films, to never-performed performance art, the abiding premise of the book is that art invites mourning: not because it is mournful, but because it is vast. It taunts the plans of mortals while “a week / of kids’ videos and lip syncs / siphon through the internet each second.” Bordering ideas about FOMO and mortality are considerations of destruction itself, as the book recalls loss events predicted by both the considered works’ historical contexts and the frailties of their makers. Concerned with consuming art as much as with making it, Frank’s Wing examines the positions made available to the art-consumer: owner, overhearer, interrogator, and potentially, both destroyer and the thing that art destroys.

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  The Anarchist

  Karina Wiedman

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  'In the morning they'll shut the streets, roll the tanks in and begin the arrests. Everyone who tries to leave will be taken in for days, weeks, years. If I don't board the flight tonight, I'll be here forever.'
  Middle-aged, middle-management Dasha is ordered to quell the anti-government protests in her factory in Belarus by firing sixty workers.
  Her only escape is a one-way ticket to the US, but as she prepares to flee, she cannot escape memories of her rebellious youth resisting the Soviets. As her country heads to the polls, Dasha must make a decision…
  The Anarchist is a gripping, timely and deeply moving play, which won the inaugural Woven Voices Prize for migrant playwrights. It was first performed during the Footprints Festival at Jermyn Street Theatre, London, in 2022, directed by Ebenezer Bamgboye.
  Originally from Kazakhstan, Karina Wiedman lived in Russia and Belarus before moving to the UK. The Anarchist is her first play.
  'A beautifully written play for our times' Jatinder Verma, Chair of the Woven Voices Prize judging panel

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  The Cherry Orchard

  Anton Chekhov, Julius West

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  The highly acclaimed Russian classic of twentieth-century theatre about a wealthy family unable to let go of the past or face the future. At the turn of the century, Russia is undergoing massive changes. Feudalism has ended, the middle class is growing, and the aristocracy are uncertain of their future . . .  The cherry orchard on the Ranevskaya grounds is known throughout the country for its beauty, but it now sits on the brink of ruin. The entire estate is headed for auction if the family cannot pay off their debts. The land’s fate lies in the hands of the family’s matriarch, Madame Ranevskaya, recently returned from five years in Paris where she wasted away much of her fortunes.  Neither Ranevskaya nor anyone else in her household can fathom the gravity of the situation. But a merchant, the son of a former serf on the land, has an idea . . .  Written in 1903, The Cherry Orchard premiered in Moscow in 1904. It was Chekhov’s last play before his death that same year. Since then, the work has been translated and adapted into numerous languages and performed around the world.

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  Domesticated Volume Two

  James Domestic

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  In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. 
    
  A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. 
    
  “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) 
    
  “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) 
    
  “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) 
    
  “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).

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