Verlag: BooxAi
Different feelings between love, respect, finding one self, a little romance. What can go wrong with expressing how you feel when you in love, mad, or just lonely. Sometimes the words isn’t as easy to express from mouth to someone else but it’s easier written on paper with a pen. So many words within a person is a like a biography book of lessons.
Croak is a frog-and-girl opera in three parts, played out like a YouTube mashup of mid-century cartoons, all set to a contemporary pop song. It parades, mutilates and reacquaints Kermit the Frog with Girl 00010111, Michigan J. with Aristophanes, and biblical plagues with caged canaries in a vaudevillian play of time, culture, gender and narrative. Combining vivisection and classical literature, empirical observation and philosophical speculations, Sampirisi's grotesque characters splash and sparkle before moving toward their inevitable narrative end. In conversation with Samuel Beckett's Words & Music , Croak presents a negotiation between the doom and gloom of a species in crisis and the many empirical markers we attach to such creatures. Sampirisi reminds us that we are all porous in the mud of language.Zum Buch
Lady, the first full collection of poems by Laurie Bolger, arrives 'all giddy with endorphins' and explores the many roles girls and women are asked to play and the dressing-up outfits they try on for size – whether housewife or hen, sister or mum, landlady, exercise instructor or best friend forever. Bolger's poems turn her bold, funny and wise words on boys, body image and the pressure to make yourself fit into a pigeon-hole, when all you really want to do is soar away on your own wings. Here, these gritty and effervescent poems look to the things that sustain us when navigating an imperfect world obsessed with perfection. Whether dancing in the kitchen, crying in the bath or eating crisps, these poems are equal parts delicious, joyous, and bittersweet. A celebration of the resilience of working-class women and the solidarity and love found in friendship and family, Bolger's poems dare to dream and be wild – and invite us all to join her.Zum Buch
Kamenetz's poems whirl and shake on the page. He is the poet of the living history of unspeakable names and his book...sings with dark wit the tales of tough family spirits. --Louise Erdrich, author of Love Medicine and The Night Watchman. These are very exciting and original poems...a secret and almost intimate meeting place of English and Hebrew. --Yehuda Amichai, author of A Life of Poetry, 1948-1994 and Open Closed Open: PoemsZum Buch
“Luna Court” by Dandy Noel is a memoir that follows the young life of Denver and her best friend Shay as they embark on a wandering, rock and roll-fueled road trip in search of Denver’s missing father. In the process, they find themselves. After losing her mother to suicide as a young child, Denver’s early life was fraught with trouble and heartache. Now, as an 18-year-old in the early 1990s with her father missing for over a year, the call of a different life – particularly the growing Southern California music scene – is the catalyst for an adventure that begins the trajectory of the rest of her life. With dreams of opening a vintage clothing store and record shop, the friends leave home behind. As they encounter strangers, narrowly escape mishaps, and navigate the transition out of their teenage naivety – all the while searching for Denver’s father – the two girls learn invaluable lessons about friendship, acceptance, and resilience. This true story of the author’s life is filled with twists and turns, exciting discoveries, and poignant growth, all described with beautiful clarity and careful detail. From the dangers of traveling the country with little to fall back on to appearing in the iconic Smells Like Teen Spirit music video, Noel brings readers on an emotionally charged, transformative ride toward healing past traumas and coming to terms with the joys and disappointments of reality as it truly is. Through determination and hope, Denver’s healing journey is a lesson for people from all walks of life, a reminder that our paths are often messy, nonlinear, imperfect, and well worth the effort. With nods to the flourishing grunge scene of the 90s, introspective moments of young adult angst, unexpected setbacks, and powerful moments of triumph, this inspiring tale is an invitation for readers to embark on their own journeys of healing and discovery, and ultimately, a tribute to the unconditional love a daughter has for her father.Zum Buch
Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith's powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures. Smith brings a startling urgency to these poems, their questions demanding a new language and a deep self-scrutiny. A series of ars poetica gives way to "anti poetica" and "ars america" to implicate poetry's collusions with unchecked capitalism. A poem makes clear the consequences of America's acceptance of mass shootings. Another offers the history of Saint Paul's vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it. Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love—those given and made—are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.Zum Buch
Gerard Manley Hopkins was born in Stratford, then part of Essex on 28th July, 1844, to deeply religious parents?the first of nine children. The family moved to Hampstead in 1852, near to where John Keats had lived thirty years before. At age ten the young Gerard was sent to school in nearby Highgate and afterwards to Balliol College, Oxford. Hopkins was unusually shy and reserved and prone to bizarre ideas. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed. In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic and by May 1868 Hopkins firmly "resolved to be religious." Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years. In 1874 Hopkins returned to the Society of Jesus at Manresa House, Roehampton to teach classics. While he was studying in the Jesuit house of theological studies in North Wales, he was asked to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he was moved to take up poetry once more and write a lengthy poem, The Wreck of the Deutschland, inspired by the Deutschland maritime disaster in which 157 people died, including five nuns. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry. Most of his poetry remained unpublished until after his death. Hopkins chose the austere and restrictive life of a Jesuit and was at times gloomy. The brilliant student who had left Oxford with a first-class honours degree failed his final theology exam and although ordained in 1877, Hopkins would not progress in the order. That same year he wrote God’s Grandeur, and sonnets including The Starlight Night and finished The Windhover. In 1884 he became professor of Greek and Latin at University College Dublin. His English roots, his disagreement with current Irish politics, as well as his own small stature (5'2"), shy nature and personal foibles meant that he was not an effective teacher. This and his isolation in Ireland deepened his gloom. The final years of his life continued to find him in a depressed state and to restrict his poetic inspiration. His extremely heavy work load coupled with the dislike of living in Dublin, away from England and friends meant his health further deteriorated, even his eyesight began to fail. As a devout Jesuit, he found himself in an artistic dilemma. To subdue any egotism which would violate the humility required by his religious position, he decided never to publish his poems. After suffering several bouts of diarrhoea, Gerard Manley Hopkins died of typhoid fever on 8th June, 1889 at the early age of 44. On his death bed, his last words were, "I am so happy, I am so happy. I loved my life." This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Zum Buch
