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  The Ballad of East & West - A...

  Rudyard Kipling

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  Joseph Rudyard Kipling was born in Mumbai, India on 30th December 1865.   
  As was the custom in those days, he and his sister were sent back to England when he was 5.  The ill-treatment and cruelty by the Portsmouth couple they boarded with Kipling said contributed to the onset of his literary life.  
  At 16 he returned to India to work on a local paper where he was soon contributing and writing.  It also exposed him to the issues of identity and national allegiance which pervade much of his work.  
  In 1886, his ‘Departmental Ditties’, collection of verse appeared in print followed by 39 short stories for his newspaper over only 8 months.  These were then published as ‘Plain Tales from the Hills’, shortly after his 22nd birthday.  
  He continued his prolific pace of writing before being dismissed in a dispute and, taking his pay-off and the profits from the sale of some publishing rights, decided to return to London, travelling via Rangoon, Hong Kong, Japan and the United States, all the while writing articles, and arriving at Liverpool in October 1889. 
  Over the next two years he saw further works published as books and in magazines, as well as a nervous breakdown for which he was prescribed a sea voyage, to South Africa, Australia, New Zealand and India.  
  Happier times came with marriage to Caroline Starr Balestier in January 1892.  The honeymoon began in Vermont and ended in Yokahama where they heard their bank had failed.  They returned to Vermont and settled.  Caroline was now pregnant and he was planning the ‘Jungle Books’.  
  A failed arbitration between the US and England resulted in an argument between Caroline’s brother and Kipling, and then his arrest.  At the hearing he was mortified by the exposure of his private life and after settling the matter they returned to England and life in Torquay.  ‘Kim’ was published in 1902, and ‘Just So Stories for Little Children’, a year later.  
  In 1907 he was awarded the Nobel Prize for Literature with the citation “in consideration of the power of observation, originality of imagination, virility of ideas and remarkable talent for narration which characterise the creations of this world-famous author”.   
  When the Great War erupted, he scorned those who refused conscription.  His son enlisted and was killed at the Battle of Loos in September 1915, at 18, an exploding shell had ripped his face apart.  This death inspired Kipling’s writing thereafter, but the tragedy broke his life and by 1930 his prolific pen had almost ceased. 
  Rudyard Kipling died on 18th January 1936 from a perforated duodenal ulcer.  He was 70.  His ashes are buried at Poets’ Corner in Westminster Abbey.

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  Poetics

  Aristotle

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  Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term that derives from a classical Greek term, ποιητής, that means "poet; author; maker" and in this context includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: Differences in music rhythm, harmony, meter and melody. Difference of goodness in the characters.Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles", Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions". The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes.Aristotle's work on aesthetics consists of the Poetics, Politics and Rhetoric. The Poetics is specifically concerned with drama. At some point, Aristotle's original work was divided in two, each "book" written on a separate roll of papyrus.

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  Oedipus

  Robert Icke

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  'Time turns, sets a backward course, starts for the start with speed: the fragile moments drop unravelling, reversing, unwound, back to the beginning.'
  Election night. The polls predict a landslide victory. Everything is about to change.
  Award-winning writer and director Robert Icke transforms Sophocles' epic tragedy into an essential and explosive political thriller.
  First performed in Dutch in 2018 at Internationaal Theater Amsterdam and the Edinburgh International Festival, this arresting version of Oedipus received its English-language premiere at Wyndham's Theatre in London's West End in 2024, produced by Sonia Friedman Productions, and starring Mark Strong and Lesley Manville. The production won Icke the Best Director Award at the 2025 Critics' Circle Theatre Awards, as well as Best Actor and Best Actress for its leads.
  Robert Icke is one of the most visionary figures in theatre today, celebrated for his contemporary re-imaginings of classic texts by Shakespeare, Schiller, Chekhov, Aeschylus and Ibsen.
  'Robert Icke is the great hope of British theatre'Time Out

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  On the Subject of Blackberries

  Stephanie M. Wytovich

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  Winner of the Bram Stoker Award for Superior Achievement in Poetry 
  Welcome to the garden. Here we poison our fruits, pierce ourselves with thorns, and transform under the light of the full moon. Mad and unhinged, we fall through rabbit holes, walk willingly into fairy rings, and dance in the song of witchcraft, two snakes around our ankles, the juice of berries on our tongues. 
  Inspired by Shirley Jackson’s We Have Always Lived in the Castle, these poems are meditations on female rage, postpartum depression, compulsion, and intrusive thoughts. They pull from periods of sleep deprivation, soul exhaustion, and nightmarish delusions, and each is left untitled, a nod to the stream-of-conscious mind of a new mother. 
  Using found poetry and under the influence of bibliomancy, Wytovich harnesses the occult power of her imagery and words and aligns it with a new, more vulnerable, darkness. These pieces are not only visions of the madwoman in the attic, but ghostly visitations that explore the raw mental torture women sometimes experience after giving birth. 
  This collection heals as much as it scars, and is an honest look at how trauma seeps into the soil of our bodies. Her poems are imagined horrors, fictional fears, and all the unspoken murmurs of a mind lost between reality and dream. What she leaves in her wake is nothing short of horror—the children lost, the garden dead, the women feral, ready to pounce.

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  My Father's Fable

  Faith Omole

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  'Shall we have a real conversation? I am ready to stop pretending if you are.'
  Peace didn't know what she needed when her father died. Then she found Bolu, her halfbrother from Nigeria, whom she didn't know existed. Filled with grief and a thousand questions, Peace ignores her mother's concerns, and invites Bolu to England. His arrival feels like something clicking into place.
  But questions about this stranger's intentions and his mysterious past hang heavy in the air. Desperate to keep her fractured family – and herself – together, Peace must face the fact that the answers she desperately seeks might just lead to everything falling apart.
  Faith Omole's play My Father's Fable is a gripping story of grief, belonging, and a family on the edge. It was first performed at the Bush Theatre, London, in 2024, directed by Rebekah Murrell.

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  Female Poets of the Nineteenth...

  George Eliot

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  For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture.  Whilst this traditional view has some merit it is not entirely accurate. 
  Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. 
  For the Female Poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere.  These lines, these gilded verses often protest otherwise. 
  The contribution of women in these earlier centuries is immense and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written.  And remember these words, these telling lines, have been written against the grain of society's male bias.  With their remembered words these female poets have given us a history that we can all now share. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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