Other books that might interest you

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  One Year

  Conor Matthews

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  One Year is a collection of poems written by Conor Matthews over the course of the last two years. With a wide range of themes, from optimism to grief, from love to death, from fear to slice-of-life, and more in between, One Year is as diverse as it is human, warts and all. Whether you a year to read the collection, or enjoy it in a single session, you're sure to feel something for at least one if not more of the entries.

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  Losing Venice

  Joe Clifford

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  'Our duty is plain. To bring an end to peace.'
  An empire gone wrong; an empire completely gone, in fact. A nation with delusional ideas of its place in the world, making poor choices, involved in clumsy foreign adventures, constantly on the edge of war.
  At home, class divides are stark yet all attention is on a Duke's ceremonial marriage. And surging through the chaos, the absurdities of masculinity threaten to destroy everything.
  An epic fable set in the faraway Spanish Golden Age, Jo Clifford's play Losing Venice is a joyously original, witty take-down of dangerously daft machismo and the deranged behaviour of countries that have lost an empire and still not yet found a role…
  First seen at the 1985 Edinburgh Festival Fringe, Losing Venice was revived at the Orange Tree, Richmond, in 2018.

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  Rhyme A Dozen A - Heartbreak -...

  Oscar Wilde, Emily Dickinson,...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Heartbreak 
  2 - Helas! by Oscar Wilde 
  3 - A Poor Torn Heart, a Tattered Heart by Emily Dickinson 
  4 - I Prithee Send Me Back My Heart by Sir John Suckling 
  5 - Loves Lies Bleeding by Algernon Charles Swinburne 
  6 - Ebb by Edna St Vincent Millay 
  7 - My Own Heart, Let Me Have More, Have Pity by Gerard Manley Hopkins 
  8 - My Heart is Lame by Charlotte Mew 
  9 - My Heart Cries by Kabir 
  10 - Sonnet 87 - Farewell! Thou Art Too Dear for My Possessing by William Shakespeare 
  11 - When We Two Parted by Lord Byron 
  12 - We Parted in Silence by Isabella Valancy Crawford 
  13 - Annabel Lee by Edgar Allan Poe

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  Pack of Wolves Cailin i nGra

  William T McCartney

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  The play about Sophie and meeting the love of her life, but she got more than she bargained for.

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  The Crocodile

  Fyodor Dostoyevsky

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  Ivan Matveich, the most ordinary person you might hope to meet, is swallowed alive by a crocodile at a sideshow. Finding life inside the belly of the beast quite comfortable, he makes a home for himself there. His disquisitions on the state of the world from inside the crocodile make him quite a name for himself; while all the while the discussion rages outside as to whether the beast is going to be cut open to release him or not, its value as a sideshow attraction having massively increased owing to the presence of the human voice buried inside it. One of Jorge Luis Borges' seven most favourite stories

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  The Aeneid - Revised and...

  Vergil

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  A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes 
   
  "Ruden set the bar for Aeneid translations in 2008, and has raised it now with this revision. I am confident it will be a long time before a translator exceeds the standard that she has set."—A.M. Juster, Athenaeum Review 
   
  This is a substantial revision of Sarah Ruden’s celebrated 2008 translation of Vergil’s Aeneid, which was acclaimed by Garry Wills as “the first translation since Dryden’s that can be read as a great English poem in itself.” Ruden’s line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil’s poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. 
   
  This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil’s masterpiece. 
   
  Praise for the First Edition: 
   
  “Fast, clean, and clear, sometimes terribly clever, and often strikingly beautiful. . . . Many human achievements deserve our praise, and this excellent translation is certainly one of them.”—Richard Garner, The New Criterion 
   
  “Toning down the magniloquence, Sarah Ruden gives us an Aeneid more intimate in tone and soberer in measure than we are used to—a gift for which many will be grateful.”—J. M. Coetzee 
   
  “An intimate rendering of great emotional force and purity. . . . The immediacy, beauty, and timelessness of the original Latin masterpiece lift off these pages with gem-like originality.”—Choice

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