Outros livros que poderiam interessá-lo

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  Black Milk

  Vassily Sigarev

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  A worm's eye view of post-Communist Russia, from the Siberian-born author of Plasticine.
  A remote railway station in the 'Boundless Motherland'. Stranded there are a young spiv, selling overpriced toasters to the local peasantry, and his heavily pregnant wife. They don't like the place, they don't like the people, and they don't much like each other...
  Vassily Sigarev's play Black Milk, in this English translation by Sasha Dugdale, was first performed at the Royal Court Theatre, London, in 2003.

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  Alls Well That Ends Well

  William Shakespeare

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  Despite its optimistic title, Shakespeare's All's Well That Ends Well has often been considered a "problem play." Ostensibly a comedy, the play also has fairy tale elements, as it focuses on Helena, a virtuous orphan, who loves Bertram, the haughty son of her protectress, the Countess of Rousillon. When Bertram, desperate for adventure, leaves Rousillon to serve in the King's army, Helena pursues him.

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  The Inquisition Yours

  Jen Currin

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  Winner of the Audre Lorde Award for Lesbian Poetry A finalist for the Dorothy Livesay Prize and the Lambda Literary Award
     
  In her ambitious follow-up to Hagiography, acclaimed poet Jen Currin continues her unique exploration of the surrealist lyric, constructing a strong case that, in these frightening times, it may be the best poetic mode for capturing the complexities of lived experience. In tongues alternately vulnerable, defiant, resigned, and hopeful, The Inquisition Yours speaks to the atrocities of our time – war, environmental destruction, terrorism, cancer, and the erosion of personal rights – fashioning a tenuous bridge between the political and the personal. Trying to make sense of a world where even language is 'a danger,' Currin’s poems reject the old storylines in favour of a vigilant awareness, and wonder whatmight happen if we 'change the feared penmanship' and embrace a narrative that empowers everyone.
     
  'Jen Currin writes eloquently; she writes fervently – she writes irony and truth with alarming ease … Currin's writing is always surprising and often revelatory, punctuated by epiphanies and linguistic acrobatics … Anyone who wants to write will find this book an absolute joy to read.'
     
  – Geist
     
  'Currin's poetry … leaves us dazed and amazed at the jumble of words upon the page that fall together like so much confetti in a celebratory parade of language. We are to emerge … with the sense that we have taken a journey to an exotic land.’
     
  – Prairie Fire Reivew of Books
     
  'Currin updates longstanding surrealist tropes – dreamscapes, disjointed images – with lines that would have been unthinkable to André Breton … This is a new poetry for a new century.'
     
  – Xtra!
     
  'The pieces are minimalist and sharp, with a dark sense of humour … Though Currin’s surreal style invites multiple interpretations, her vivid imagery and intense storytelling make it easy for the reader to connect with these poems.'
     
  – Shameless Magazine

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  Ways of Healing

  Charlotte Shevchenko Knight

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  Ways of Healing is an embodied collection with a distinctive and tough but tender voice. Charlotte Shevchenko Knight explores themes of longing, of loss, and of pain and its remedies. These poems are alive with their own vulnerability, are at times unnerving, and are always packed with astonishing sensations and images.

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  Goodness

  Michael Redhill

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  Winner of the Best of the Edinburgh Fringe Prize
     
  Althea: Do you believe in your own death? Every moment you are alive is endless and the present goes on and on with you inside it. Of course the end is truly coming, but it’s so far off, and in the meantime the spring bulbs need bringing out of the dark and the windows must be cleaned. These distant murmurings of unrest are like the way you sometimes hear your name on the wind and you shudder. Because it’s eerie that the wind should know your name.
     
  This remarkable autobiographical play by the award-winning author of Building Jerusalem and Martin Sloane, is a Russian-doll-like play: concentric stories enveloping each other. A writer is told, in confidence, a terrible tale of murder and injustice and he promises never to repeat the story. Goodness is the writer breaking his word.
     
  Recently divorced, Michael Redhill goes to Poland to get away from his life and to do some research on the Holocaust. Thwarted by witnesses unwilling to talk, he returns home via England, but in London is introduced to someone who can tell him a 'real' story of evil. Through this reluctant witness, Redhill learns of a genocide. He encounters, through the memory of the storyteller, an alleged war criminal, about to be put on trial. But this is an old man with Alzheimer's who can no longer remember the time his crimes were allegedly committed. Has his guilt dissolved with his memory? Could he be pretending to be ill in order to escape punishment? The witness conjures for Redhill the war criminal's passionate and beautiful daughter, who will defend her father at all costs. There is also the prosecuting attorney, who has much in common with the old man whose destruction he seeks. As well as an uncomfortable attraction to his daughter. Each is drawn to theother. All is witnessed by a female prison guard - the one who tells the playwright, years later, what really happened in the quest to give a nation some closure. Everyone's story is compelling, and the ending is as unexpected as it is shocking.
     
  Who do we believe? A prison guard still wounded by history? A writer suffering from heartache? A dying war criminal? What is our responsibility? Who does memory serve? Did the past really happen? And if it did, who has a claim on it?
     
  Goodness is a play about what happens in the gaps between experiencing, telling and hearing.

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  The Child Soldiers

  E Braveheart

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  Wherever you’re from, from whatever background or class, no one knows  what goes on behind closed doors. The trauma and abuse I was brought up
   with from a young child has made me the person that I am today. It is like a branding iron put onto a developing mind. The scars you cannot see but dictate my every moment, others of you out there will know exactly what I mean. I hold no shame for what was done to me as a child.
   It has certainly given me more tolerance for other’s situations because of it. It has certainly made me more understanding. For all my adult life, I have suffered from mental health issues as a result. This itself has made me more empathetic with others. All these poems come from deep within. Some written from very dark places, others from hope and forgiveness, I’ve written many poems when I’ve had no one to talk to. Writing has always been there for me - it has always been my friend. 
  Forgive those that hurt you for it will only harm you. Love and good luck
   
  Braveheart.

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