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  The Dunwich Horror — Part 1 of 10

  H. P. Lovecraft

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  Title: The Dunwich Horror — Part 1 of 10 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1929 
  Public Domain: Yes 
  Series Placement: Timeless Terrors No. 62 — Part 1 of 10 
  Description: 
  Welcome to Timeless Terrors No. 62, featuring one of H. P. Lovecraft’s most infamous works of cosmic dread: The Dunwich Horror. 
  In the remote Massachusetts village of Dunwich, something is terribly wrong. The Whateley family — feared, shunned, whispered about — has welcomed a child into the world… but Wilbur Whateley is no ordinary boy. He grows unnaturally fast, speaks strange languages, and seeks forbidden knowledge from the Necronomicon itself. 
  Locked away in their decaying farmhouse, Wilbur and his occult-obsessed grandfather nurture a monstrous secret — a presence too large, too hungry, and too alien to remain hidden much longer. 
  As livestock vanish, the hills tremble, and the air fills with unholy sounds, the truth becomes undeniable: 
  an unseen horror is waiting to break free. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this fresh performance resurrects a groundbreaking tale of ancient gods, corrupted bloodlines, and the terrifying thinness of reality. 
  This is Part 1 of a 10-part complete audiobook. Stay tuned — the nightmare has only begun.

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  Shades A Phantasy - Ukranian...

  Vladimir Korolenko

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  Vladimir Galaktionovich Korolenko was born in Zhytomyr, Ukraine, then part of the Russian Empire on 27th July 1853. 
   
  His father died when he was 13 and life was then often struck with bouts of poverty, which resulted in his education being somewhat erratic.   A spell in exile at 23 was followed by another as the politics of the times opposed his volatile but heart-felt passions. 
   
  Writing was also coming to the fore and in 1879 his debut short story telling of a young Narodnik searching for social and spiritual identity, was published. 
   
  In 1881, Korolenko refused to swear allegiance to the new Russian Tsar and was again exiled, this time much farther afield.  He spent the next three years doing manual work, but took time to study local customs and history.  These impressions in exile provided rich material for his writings. 
   
  In 1885 he was allowed to settle in Nizhny, where again he repeatedly questioned the authorities.  That same year ‘Makar's Dream’ established his literary reputation and was part of his first collection ‘Sketches and Stories’, the following year. 
   
  In the early 1890’s when famine struck Central Russia, he went to work on relief missions, collecting donations, supervising the delivery and distribution of food, opening 45 free canteens, all this while writing the graphic reports that would later be published as ‘In the Year of Famine’ in 1893. 
   
  By 1896 despite some psychological disorders, he was well regarded amongst Russian writers and was even a member of the Russian Academy of Sciences.  Throughout his writing career Korolenko was a staunch advocate of human rights, putting that sacred activity above what he called his 'part-time-writing'. 
   
  In the Revolutionary year of 1905, under his editorship, Russkoye Bogatstvo published the Manifest by the Petersburg Soviet of the Workers' deputies. Korolenko was now repeatedly harassed by the authorities, had his flat raided many times and materials confiscated. 
   
  As a lifetime opponent of Tsarism, he guardedly welcomed the Revolution of 1917.  Once the nature of Bolshevism was established, he soon started to criticize it. During the Russian Civil War that ensued, he condemned both the Red Terror and the White Terror.  
   
  Despite suffering from a progressive heart disorder, he collected food packages for children in famine-stricken Moscow and Petrograd as well as organised orphanages and shelters for the homeless.  
   
  Vladimir Korolenko died in Poltava, Ukraine, of the complications of pneumonia on 25th December 1921.  He was 68. 
   
  In this story Korolenko invokes the characters of Socrates and Elpidias who, after their deaths, involve themselves in a debate on God.  This is a tour-de-force of conception and execution.

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  Balkan Bombshells - Contemporary...

  Will Firth

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  A collection to whet the appetite of anyone wishing to learn more about a region rich in history, folklore and (her)stories. Telling it like a woman does not mean literature for women only: it provides an insight into half of humanity, a window onto the lives of citizens who work, love and develop their inner lives. This collection brings together the voices of a wide selection of prize-winning and established authors:
  Balkan Bombshells brings together established Serbian and Montenegrin writers like Svetlana Slapšak, Jelena Lengold (winner of the EU Prize for Literature 2013), Dana Todorović and Olja Kneżević (author of Catherine the Great and the Small, Istros 2020), together with a select group of up-coming writers: Marijana Čanak (1982, Serbia): "Awakened" (Probuđena) follows the early years of a girl from a very simple background, who discovers she has extrasensory powers. A gruesome fascination with biology allows her to attend high school, where she ends up sewing a voodoo doll to take revenge on a molesting teacher. Marijana Dolić (1990, Bosnia-Herzegovina & Serbia): "Notes from the attic" (Zapisi iz potkrovlja), originally diary entries, are intense mediatations on faith, love and hope – poignant testimony to a struggle to cope in difficult times. Ana Miloš (1992, Serbia): "Peace" (Mir) portrays a woman struggling with disparate feelings after her only child dies. She has long since broken up with the child's father. She enjoys finally having time for herself, but she has to confront accusations of people around her that she is heartless. Once a mother, always a mother? Katarina Mitrović (1991, Serbia):"Small death" (Mala smrt). We are introduced to a fearful young woman who is far from happy with life, and we follow her on a summer holiday by the Adriatic, where a halfhearted romantic adventure takes a scary turn. Andrea Popov Miletić (1985, Serbia):|: excerpt from the novel Young pioneers, we are seaweed (Pioniri maleni, mi smo morska trava; 2019). This stand-alone excerpt is a poetic flashback to her childhood in the province of Vojvodina in the Yugoslav era, to holidays by the Mediterranean, and to feelings of belonging and home. Lena Ruth Stefanović (1970, Sebria/ Montenegro): "Zhenya" is a fragment from her 2016 novel Daughter of the Childless Man (Šćer onoga bez đece), is an entertaining meta-story about an ordinary woman in the late Soviet Union, whom the author decides to grant a new lease of life, so Zhenya studies languages, becomes a mondain writer and moves with her new husband to Montenegro, where the author loses track of her.

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  Are You Happy? - Stories

  Lori Ostlund

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  "Once I read the first story in Are You Happy?, I put aside everything else to savor the rest. This is a wise collection, capturing its characters swimming upstream to encounter their fates. With vivid and compassionate prose that explores the countless ways we betray and then rediscover ourselves, Lori Ostlund reminds us of the vitality of the genre." 
  —Jai Chakrabarti, author of A Play for the End of the World and A Small Sacrifice for an Enormous Happiness 
   
   
   
  Nine exquisite stories that explore class, desire, identity, and the specter of violence that looms daily over women and the LGBTQ+ community. 
   
   
   
  An aspiring veterinarian survives a plane crash and starts life over in California. A woman mourns the loss of her childhood friend's innocence and rethinks justice. A queer teacher's sense of safety in the classroom is destroyed. With settings ranging from small-town Minnesota to New Mexico, from bars and bedrooms to a furniture store and a community college, Are You Happy? casts a spotlight on people who try—and often fail—to make peace with their pasts while navigating their present relationships and notions of self. In prose that is evocative and restrained, unpredictable and masterful, Lori Ostlund offers a darkly humorous and compassionate examination of America's preoccupation with loneliness, happiness, guns, and violence.

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  Home Life Relayed - BBC presents...

  E M Delafield

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  Edmée Elizabeth Monica Dashwood, née de la Pasture, and more commonly known as E M Delafield, was born in Steyning, Sussex on 9th June 1890.   
   
  Raised in the fading years of the Victorian era with its Empire and strict moral codes Delafield, not yet married at twenty-one, joined a French religious order, in Belgium, but soon decided that this was a totally wrong choice for her.   
   
  Her next challenge was her work during the horror of the First World War.  Delafield decided to take up a position as a nurse in a Voluntary Aid Detachment in Exeter.  It was whilst here that she managed to write her first novel, ‘Zella Sees Herself’.   
   
  With the end of the war new opportunities were sought and she now took up a position for the South-West Region of the Ministry of National Service in Bristol.  With it came enough time to write two more novels: ‘The War Workers’ (1918) and ‘The Pelicans’ (1918).   
   
  On 17th July 1919, she married Colonel Arthur Paul Dashwood, OBE, an engineer responsible for building the massive docks at Hong Kong Harbour.  The marriage produced two children; Lionel and Rosamund.  That same year her fourth novel, ‘Consequences’, was published.   
   
  The couple spent their early years in Malaya but returned to England to live in Croyle, an old house in Kentisbeare, Devon.  Delafield continued to collect responsibilities and organise whatever she could.  At the initial meeting of the Kentisbeare Women's Institute, Delafield was unanimously elected president, and also became a Justice of the Peace, raised the children and, of course, continued to write her best-selling novels.   
   
  Her greatest work is undoubtedly the largely autobiographical ‘Diary of a Provincial Lady’, which is a simply structured journal of the life of an upper-middle class Englishwoman, living mostly in a Devon village of the 1930s.  It spawned several best-selling sequels.  Her works also includes stage and radio plays, film scripts and short stories.  
   
  After the death of her son in 1940, her health began to markedly decline.    
   
  E M Delafield died on 2nd December 1943 after collapsing whilst giving a lecture in Oxford.  She was 53.

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  We Aim to Live

  John Budden

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  We Aim to Live is a collection of fourteen powerful, dark and funny short stories, about ordinary people – mostly men – at moments of crisis, crossroads or revelation. The stories look unflinchingly at men's behaviour and the moments when masculinity is on the edge of turning dangerous.
  Some stories portray the toxic world of professional football drawing upon the writer's past in that world; while others are set in high end hotels, removals firms and sheds.
  Here, the issues of masculinity, class and the struggle with life's small (and large) humiliations are all told in an authentic and utterly distinctive voice.

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