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  Spid the Spider Welcomes in the...

  John Eaton

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  It’s New Year’s Eve and the last thing Spid wants to do is celebrate. Now Spidmas is over, he feels unloved and unappreciated. But just as Spid is thinking he’ll never make anything of himself, Bid comes up with an idea that changes everything.This adventure is about recognising and taking charge of your feelings. And inspiring resolutions for the year ahead. It features two songs: 'New Year Ensemble' and 'Sheen Neean Kwai Luh (Xin Nian Kuai Le)' which is Chinese for Happy New Year. You can also find music videos of the songs at https://spidthespider.com and https://www.youtube.com/spidthespider. Spid is a lowly spider, who wants to better himself, write songs, and marry his girlfriend Bid, though he is prone to hilarious mishaps mostly of his own making. He is hard-working, cool, and a role model for young children. As well as encouraging children to read and love books, Spid's adventures also teach valuable life lessons, including determination and what psychologists call a 'growth mindset' (desire to better oneself and succeed), the importance of friendship, and sustainability. With very creative prose, Spid's adventures are fun for parents, and teachers to read to, and with, their children. They present lots of opportunities to invest dramatic licence thus helping adults and children interact and engage. The humour works at multiple levels from silly and slapstick to more sophisticated wordplay and concepts. Thus, children will discover more and enjoy reading the stories multiple times. For more resources to entertain and help children learn to read, grow and succeed in life, go to https://spidthespider.com/fun-childrens-activities/

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  Summary: The Creative Act - A...

  Brooks Bryant

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  DISCLAIMER: THIS IS NOT THE OFFICIAL BOOK. 
  This is a summary, & it does not accompany the official 
  In 'The Creative Act: A Way of Being' by Rick Rubin, the renowned music producer takes readers on a journey beyond the traditional notions of artistry. Instead of focusing solely on the mechanics of creating great works of art, Rubin explores the profound concept of 'how to be.' He shares his unique approach of providing a space where artists from diverse genres can discover their true selves and unlock their creative potential. 
  Throughout the book, Rubin emphasizes the importance of transcending self-imposed limitations and reconnecting with a sense of innocence that leads to unexpected and inevitable moments of creativity. He argues that being an artist is not solely about the output but about one's relationship with the world. Creativity, he asserts, is a universal capacity that can be expanded by all individuals, making it a significant responsibility for everyone. 
  'The Creative Act' offers readers a generous and enlightening exploration of the artist's path—one that is accessible to all. It distills a lifetime of wisdom into a captivating read that empowers individuals to create moments of exhilaration and transcendence in their own lives. Rick Rubin's book encourages everyone to embrace their creative potential and broaden the scope of their creative endeavors.

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  Bangkok

  Caren Weiner Campbell

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  Bangkok by night draws its lifeblood from the realms of the steamy and the seamy. The capital of Thailand is world-famous for its innumerable massage parlours, yet at the same time the city is rich in historical treasures. Some of its Buddhist temples are more than 400 years old, and contrast strangely with Bangkok’s otherwise cutting-edge modernity. Its unique charm stems also from the winding presence of the  Chao Phraya river, a waterway that can hardly be seen due to the multitude of small vessels that ply up and down it daily carrying a vast horde of passengers and goods,  representing a cameo of the multiplicity of colours and styles that correspond to everyday life throughout Thailand.

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  An Engineer Imagines

  Peter Rice

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  The long-awaited reissue of the autobiography of Peter Rice, one of the main structural engineers behind the Sydney Opera House, the Pompidou Centre, the Menil Collection and Lloyd's of London.
  
  'I am an engineer. Often people will call me an 'architect engineer' as a compliment. It is meant to signify a quality of engineer who is more imaginative and design-orientated than a normal engineer... To call an engineer an 'architect engineer' because he comes up with unusual or original solutions is essentially to misunderstand the role of the engineer in society.'
  An Engineer Imagines is a rare look into the professional creativity and philosophy of Peter Rice, who was widely acclaimed as the greatest structural engineer of his generation. He was a man who, in Renzo Piano's words, could design structures 'like a pianist who can play with his eyes shut'. Working with many of the world's greatest architects on buildings that became icons of contemporary architecture, he brought a uniquely poetic feeling to his work.
  Joining Ove Arup & Partners in 1956, Rice had heard that 'it was a place where an oddball could fit in.' Taking on Arup's theory of Total Design to heart, Rice writes about the role of the engineer in society, and how he himself applied his creativity to various projects. He admits he became an engineer by accident, tentatively feeling his way through a career without a natural instinct. But as he takes you through each of his projects, one-by-one, you can trace his development from graduate to veteran.
  Written in clear and poetic language, Rice's autobiography is perfect for those who want to better understand postwar buildings, our concrete environment, or are budding students of engineering and architecture.

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  Designing a Thriving Future

  Carissa Carter Scott Doorley

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  Design experts explore how we can engage with uncertainty and shape the future with clarity, creativity, and intention. Drawing from their work at Stanford’s d.school and their book Assembling Tomorrow, they offer tools for navigating rapid technological change while anchoring our creations in empathy, responsibility, and hope. Carissa Carter is the academic director at Stanford University’s Hasso Plattner Institute of Design (the d.school) and a former geologist. Her work focuses on systems thinking, climate innovation, and design futures. Scott Doorley is the creative director at Stanford’s d.school. He has worked at the intersection of storytelling, physical space, and creative education, and has a background in film and media. They are co-authors of: 
  Assembling Tomorrow: A Guide to Designing a Thriving Future

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  Louvre and the Hermitage The:...

  Editors Charles River

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  The very name of the Louvre conjures up scenes of art and elegance, and of long halls filled with beauty and people strolling through them whispering quietly among themselves about the glories they are witnessing. Even those who have never been to the Louvre know some of its most prized possessions, from ancient statues to Leonardo Da Vinci’s “Mona Lisa”. As the world’s largest museum, the Louvre is unquestionably the cultural highpoint of Paris, a city that has long been considered the cultural center of Europe. 
  However, life is rarely as simple as one imagines, and the life of the Louvre is no different. While just about everyone is familiar with its history as an art museum, the Louvre’s history goes back over 800 years, and it used to have far different purposes, both as a medieval fortress and a palatial residence for French kings. The Louvre bore witness to mass murder during the French Revolution, and there have been countless accusations of theft and other questionable actions since its opening. 
  Catherine the Great came to power in the midst of the Enlightenment, which was flourishing in France and Britain, and she would rule as an Enlightened ruler. A known correspondent of Voltaire’s, Catherine sought to modernize Russia and turn it into a force in its own right, creating a rich and cultured court at the same time. Over the course of nearly 35 years in power, Catherine ushered in the Russian Enlightenment and presided over a period of time known as the Golden Age of the Russian Empire. 
  Moreover, Catherine had an unmatched passion for the arts, and she began a private art collection that would eventually evolve into galleries upon galleries of historical treasures shipped in from all over the world. This fabled museum was none other than the Hermitage, located in the heart of Saint Petersburg, a city founded by the imperial empire's very own Peter the Great.

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