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  Beauty and Imitation - A...

  Daniel McInerny

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  The human person is a truth seeker, and one of the most compelling ways human beings pursue truth is through the arts. In Beauty and Imitation: A Philosophical Reflection on the Arts, Daniel McInerny argues for an understanding of art as a form of inquiry into truth that proceeds by way of sensible beauty.  Drawing upon the thought of Aristotle and St. Thomas Aquinas, McInerny argues for the unfashionable yet philosophically compelling view that art is essentially “mimetic,” imitative of human action. But what does it mean for art to imitate human action? It means that art imitates the way human beings by nature quest for fulfillment, or happiness. In questing for fulfillment, human life takes the form of a story, and so the arts—all the arts, from painting to music, from fiction to film—are storytelling arts whose beauty reveals the truth about human happiness.  The first part of the book features a renewed defense of the ancient Aristotelian claim that art is mimetic and that its imitation of the human story takes the form of a moral argument. The second part shows how audiences are transformed by the moral arguments the mimetic arts make, and the third concludes with a guided tour of the mimetic arts, where specific arts are considered in light of the Aristotelian and Thomistic principles advanced earlier.

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  Goddamn Electric Nights

  William Pauley III

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  When electricity hangs in the air so thick the moon and stars fizzle and drown in a sea of light, the people living within it, breathing it in, can never be “normal.”From disfigured mutants accidentally murdering god to a man falling madly in love with a blood-thirsty VCR, we promise you’ve never read anything as bizarre as this!In these six tales, Pauley explores the lives of those living in the darkest corners of the world, those living electric:GODDAMN ELECTRIC NIGHTS.Contains the stories:1) Slime Night!2) Killing Teddy (previously published under the names Insection 8 and The Third Floor)3) The Spiders of Honeyville4) Hypnagogia5) $5 Electric Suzie6) Spin Doctors Mixtape

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  Inside Out - The Ultimate Trivia...

  Film Trivia Metaverse

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  INSIDE OUT 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY PETE DOCTER 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Inside Out is an animated film that explores the emotions inside the mind of an 11-year-old girl named Riley. After moving to a new city, Riley’s emotions—Joy, Sadness, Anger, Fear, and Disgust—must work together to help her navigate the challenges of adjusting to her new life. The film delves into themes of growing up, emotional growth, and the complexity of feelings, portraying how both positive and negative emotions play a crucial role in shaping one’s personality and experiences. It blends humor, adventure, and heartfelt moments while providing a unique look at the human mind. 
    
  TRIVIA SAMPLES: 
    
  “At the end of the movie with the cat, the background poster reads "sure locks for homes," a playful reference to Sherlock Holmes.” 
    
  “Bing Bong reminisces over a recent memory of Riley, feeling she has grown too large to fit in the wagon. This moment leads to a quiet realization that his time is running out and he may be a burden.” 
    
  “Bing Bong's final line is often misquoted as "Take her to the moon for me, Joy." The actual line is "Take her to the moon for me, okay?" 
    
  “Joy is often viewed as the only positive emotion in the movie, while the other emotions are seen as negative. However, the film shows that no emotion is inherently positive or negative.”

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  Portal - San Francisco's Ferry...

  John King

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  A two-time Pulitzer finalist explores the story of American urban design through San Francisco's iconic Ferry Building. 
   
   
   
  Conceived in the Gilded Age, the Ferry Building opened in 1898 as San Francisco's portal to the world—the terminus of the transcontinental railway and a showcase of civic ambition. In silent films and World's Fair postcards, nothing said "San Francisco" more than its soaring clock tower. But as acclaimed architectural critic John King recounts, the rise of the automobile and double-deck freeways severed the city from its beloved structure. King's narrative spans the rise and fall and rebirth of the Ferry Building, introducing colorful figures who fought to preserve its character (and the city's soul)—from architect Arthur Page Brown and legendary columnist Herb Caen to poet Lawrence Ferlinghetti and Senator Dianne Feinstein. A microcosm of the changing American waterfront, the saga of the Ferry Building explores the tensions of tourism and development—and the threat that sea level rise poses to a landmark that in the twenty-first century remains as vital as ever.

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  Art History Byzantine art

  Charles Bayet

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  For more than a millennium, from its creation in 330 A.D. until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that we are only beginning to rediscover. Endowed with the rich heritage of Roman, Eastern and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far beyond the borders of the Empire. Today, Italy, Northern Africa, and the Near East preserve the vestiges of this sophisticated artistic tradition, with all of its mystical and luminous beauty. The magnificence of the palaces, churches, paintings, enamels, ceramics and mosaics from this civilisation guarantees Byzantine art's powerful influence and timelessness.

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  The Ukrainian Icon 11th - 18th...

  Liudmila Miliayeva

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  Icon painting, the ultimate expression of Orthodox Christian art, reached its zenith in Ukraine between the 11th and 18th centuries. This book spans the entire period, showing the development of the style. The Ukrainian icon is a surprising synthesis of the traditions of Eastern Byzantine art and the stylistic characteristics of Russian icon painting. The introduction of this book explains the stages of development of icon-painting over five centuries in Ukraine’s major Centres of art - Kyiv, Chernihiv, Transcarpathia, Galicia, and Volhynia - and discusses the life and work of the masters of icon-painting. Despite the strict stylistic considerations imposed by the genre, Ukrainian icons display a striking range and variety of backgrounds and contexts. The author has been awarded the Ukrainian Medal of Arts, the Order of Princess Olga.

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