Rejoignez-nous pour un voyage dans le monde des livres!
Ajouter ce livre à l'électronique
Grey
Ecrivez un nouveau commentaire Default profile 50px
Grey
Abonnez-vous pour lire le livre complet ou lisez les premières pages gratuitement!
All characters reduced
Theresa Raquin - cover

Theresa Raquin

Emile Zola

Maison d'édition: E-Kitap Projesi & Cheapest Books

  • 0
  • 0
  • 0

Synopsis

This volume, "Therese Raquin," was Zola's third book, but it was the one that first gave him notoriety, and made him somebody, as the saying goes.While still a clerk at Hachette's at eight pounds a month, engaged in checking and perusing advertisements and press notices, he had already in 1864 published the first series of "Les Contes a Ninon"a reprint of short stories contributed to various publications; and, in the following year, had brought out "La Confession de Claude." Both these books were issued by Lacroix, a famous go-ahead publisher and bookseller in those days, whose place of business stood at one of the corners of the Rue Vivienne and the Boulevard Montmartre, and who, as Lacroix, Verboeckhoven et Cie., ended in bankruptcy in the early seventies."La Confession de Claude" met with poor appreciation from the general public, although it attracted the attention of the Public Prosecutor, who sent down to Hachette's to make a few inquiries about the author, but went no further. When, however, M. Barbey d'Aurevilly, in a critical weekly paper called the "Nain Jaune," spitefully alluded to this rather daring novel as "Hachette's little book," one of the members of the firm sent for M. Zola, and addressed him thus:"Look here, M. Zola, you are earning eight pounds a month with us, which is ridiculous for a man of your talent. Why don't you go into literature altogether? It will bring you wealth and glory."Zola had no choice but to take this broad hint, and send in his resignation, which was at once accepted. The Hachettes did not require the services of writers of risky, or, for that matter, any other novels, as clerks; and, besides, as Zola has told us himself, in an interview with my old friend and employer,[*] the late M. Fernand Xau, Editor of the Paris "Journal," they thought "La Confession de Claude" a trifle stiff, and objected to their clerks writing books in time which they considered theirs, as they paid for it.* * *One Thursday, Camille, on returning from his office, brought with him a great fellow with square shoulders, whom he pushed in a familiar manner into the shop."Mother," he said to Madame Raquin, pointing to the newcomer, "do you recognise this gentleman?"The old mercer looked at the strapping blade, seeking among her recollections and finding nothing, while Therese placidly observed the scene."What!" resumed Camille, "you don't recognise Laurent, little Laurent, the son of daddy Laurent who owns those beautiful fields of corn out Jeufosse way. Don't you remember? I went to school with him; he came to fetch me of a morning on leaving the house of his uncle, who was our neighbour, and you used to give him slices of bread and jam."All at once Madame Raquin recollected little Laurent, whom she found very much grown. It was quite ten years since she had seen him. She now did her best to make him forget her lapse of memory in greeting him, by recalling a thousand little incidents of the past, and by adopting a wheedling manner towards him that was quite maternal. Laurent had seated himself. With a peaceful smile on his lips, he replied to the questions addressed to him in a clear voice, casting calm and easy glances around him."Just imagine," said Camille, "this joker has been employed at the Orleans-Railway-Station for eighteen months, and it was only to-night that we met and recognised one anotherthe administration is so vast, so important!"As the young man made this remark, he opened his eyes wider, and pinched his lips, proud to be a humble wheel in such a large machine. Shaking his head, he continued:"Oh! but he is in a good position. He has studied. He already earns 1,500 francs a year. His father sent him to college. He had read for the bar, and learnt painting. That is so, is it not, Laurent? You'll dine with us?""I am quite willing," boldly replied the other.He got rid of his hat and made himself comfortable in the shop..
Disponible depuis: 10/02/2024.
Longueur d'impression: 300 pages.

D'autres livres qui pourraient vous intéresser

  • Dracula's Guest - From their pens to your ears genius in every story - cover

    Dracula's Guest - From their...

    Bram Stoker

    • 0
    • 0
    • 0
    Abraham Stoker was born in Dublin, Ireland on the 8th of November 1847, the third of seven children.  
    His early years were plagued with such ill-health that he was unable to start school until the age of seven.  He turned the long periods of recovery into an opportunity for thinking and said “I was naturally thoughtful, and the leisure of long illness gave opportunity for many thoughts which were fruitful according to their kind in later years”.  
    Strikingly at Trinity College, Dublin his health had returned with such vigour that he was named their University Athlete whilst also achieving a BA in Mathematics with honours.  
    At this time his interest in theatre became a job offer to be the Dublin Evening Mail’s theatre critic, co-owned by Sheridan Le Fanu.  He now began to also write short stories and in 1872 ‘The Crystal Cup’ was published.  An interest in art developed and he co-founded the Dublin Sketching Club.  
    In 1878 came marriage to Florence Balcombe.  She had formerly been courted by Stoker’s acquaintance, Oscar Wilde.  The marriage produced one child.   
    Stoker had some years before reviewed Henry Irving’s Hamlet and had dined with him.  That friendship now resulted in a proposal from Irving to move to London and to manage his Lyceum Theatre.  His numerous commercial innovations ensured both he and the theatre thrived.  Irving would also often take Stoker with him when he toured abroad. 
    Despite this busy life Stoker continued to write and these works paved the way for his most famous creation, published in 1897, ‘Dracula’.  It is rightly recognised as one of the greatest horror novels of all time and although not the first with a theme of Vampires, it is undoubtedly the most well-known. 
    Stoker also wrote poetry and many excellent short stories and continued to write novels and other works throughout his career. 
    Politically Stoker supported Home Rule, though only by peaceful means.  He was also keen on following scientific trends particularly in medicine. 
    In 1902 his tenure at the Lyceum Theatre ended and although he continued to write his health was deteriorating, mainly due to a series of debilitating strokes. 
    Bram Stoker died on the 20th April 1912, in Pimlico, London.  He was 64.
    Voir livre
  • Three 'Detective' Anecdotes (Unabridged) - cover

    Three 'Detective' Anecdotes...

    Charles Dickens

    • 0
    • 0
    • 0
    Charles Dickens was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.
    THREE 'DETECTIVE' ANECDOTES: 'It's a singler story, sir,' said Inspector Wield, of the Detective Police, who, in company with Sergeants Dornton and Mith, paid us another twilight visit, one July evening; 'and I've been thinking you might like to know it.
    Voir livre
  • God the Invisible King (Unabridged) - cover

    God the Invisible King (Unabridged)

    H. G. Wells

    • 0
    • 0
    • 0
    This book sets out as forcibly and exactly as possible the religious belief of the writer. That belief is not orthodox Christianity; it is not, indeed, Christianity at all; its core nevertheless is a profound belief in a personal and intimate God. There is nothing in its statements that need shock or offend anyone who is prepared for the expression of a faith different from and perhaps in several particulars opposed to his own.
    Voir livre
  • With Her in Ourland - Sequel to Herland (Unabridged) - cover

    With Her in Ourland - Sequel to...

    Charlotte Perkins Gilman

    • 0
    • 0
    • 0
    With Her in Ourland: Sequel to Herland is a feminist novel and sociological commentary written by Charlotte Perkins Gilman. The novel is a follow-up and sequel to Herland (1915), and picks up immediately following the events of Herland, with Terry, Van, and Ellador traveling from Herland to "Ourland" (the contemporary 1915-16 world). The majority of the novel follows Van and Ellador's travels throughout the world, and particularly the United States, with Van curating their explorations through the then-modern world, while Ellador offers her commentary and "prescriptions" from a Herlander's perspective, discussing topics such as the First World War, foot binding, education, politics, economics, race relations, and gender relations.
    Voir livre
  • The Story of the Inexperienced Ghost - cover

    The Story of the Inexperienced...

    H. G. Wells

    • 0
    • 0
    • 0
    "He wasn't a terrifying ghost; he was a pathetic one. He had forgotten how to haunt."
    
    In the cozy, smoke-filled atmosphere of the Meridian Club, a man named Clayton recounts a remarkable encounter. He recently found himself face-to-face with a ghost—not a shrieking specter, but a shy, stuttering young man who had died of "inanition" and was now failing miserably at being scary. The ghost has forgotten the complex "passes" and gestures required to disappear back into the spirit world. As Clayton attempts to help the spirit regain his "spectral footing," the story takes a turn from the humorous to the chillingly profound, questioning the thin veil between the living and the dead.
    
    A Satire of the Gothic Tradition: Wells subverts every trope of the 19th-century ghost story. His phantom is a "low-grade" spirit who is self-conscious about his lack of haunting skills. By treating the afterlife as a bureaucratic or technical skill that one must master, Wells brings a grounded, modern sensibility to the supernatural, making the ghost's plight relatable and strangely human.
    
    The Fatal Curiosity: The narrative tension peaks when Clayton decided to demonstrate the ghost's secret gestures to his skeptical friends. Wells masterfully builds a sense of dread as the "inexperienced" ghost's struggle becomes a real-world danger. It is a cautionary tale about the arrogance of the living when dealing with the mysteries of the beyond.
    
    Discover the lighter—and darker—side of the supernatural. Purchase "The Story of the Inexperienced Ghost" today and master the pass.
    Voir livre
  • White Man's Way The (Unabridged) - cover

    White Man's Way The (Unabridged)

    Jack London

    • 0
    • 0
    • 0
    Jack London (born John Griffith Chaney, January 12, 1876 - November 22, 1916) was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone.
    THE WHITE MAN'S WAY: "To cook by your fire and to sleep under your roof for the night," I had announced on entering old Ebbits's cabin; and he had looked at me blear-eyed and vacuous, while Zilla had favored me with a sour face and a contemptuous grunt.
    Voir livre