Begleiten Sie uns auf eine literarische Weltreise!
Buch zum Bücherregal hinzufügen
Grey
Einen neuen Kommentar schreiben Default profile 50px
Grey
Jetzt das ganze Buch im Abo oder die ersten Seiten gratis lesen!
All characters reduced
The Gospel - cover

The Gospel

Chris Vobe

Verlag: Next Chapter

  • 0
  • 0
  • 0

Beschreibung

“All love is a kind of mythology
 
But what’s a fairytale or two between friends?”
 
Chris Vobe’s The Gospel – a unique, interconnected cycle of lyrics – is available independently for the first time. 
 
Encompassing meditations on faith, distance, remorse and redemption, The Gospel showcases Chris Vobe’s writing at its most sincere – featuring Conversations with God, Ascension and the breath-taking Amor.
 
Littered with moments of mesmerising beauty, The Gospel delivers a commanding, immersive reflection on life, death and our relationship with God.
Verfügbar seit: 29.01.2025.
Drucklänge: 76 Seiten.

Weitere Bücher, die Sie mögen werden

  • Venus and Adonis by William Shakespeare - cover

    Venus and Adonis by William...

    William Shakespeare

    • 0
    • 0
    • 0
    Experience Shakespeare's Epic Poem Like Never Before! 
     
    Embark on a captivating auditory journey with the digital audiobook version of Shakespeare's timeless masterpiece, "Venus and Adonis." Immerse yourself in the rich tapestry of poetic brilliance as the eloquent verses come to life, skillfully narrated by a seasoned cast of actors. 
     
    Synopsis: 
    "Venus and Adonis" is a compelling narrative poem that explores the enthralling tale of the Roman goddess Venus' passionate pursuit of the beautiful mortal youth, Adonis. Set against a backdrop of mythical love and desire, the poem unfolds with exquisite elegance, encompassing themes of love, beauty, mortality, and the eternal struggle between pleasure and fate.
    Zum Buch
  • The Poetry of Michael Drayton - Collection of poems from renowned Elizabethan poet - cover

    The Poetry of Michael Drayton -...

    Michael Drayton

    • 0
    • 0
    • 0
    Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  
    Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. 
    In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle. 
    With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  
    In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing. 
    Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages. 
    By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  
    In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt. 
    Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  
    In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces. 
    Drayton last published in 1630 with The Muses' Elizium.  
    Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson. 
     This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.
    Zum Buch
  • Gaze Back - cover

    Gaze Back

    Marylyn Tan

    • 0
    • 0
    • 0
    Winner of the Singapore Literature Prize (Poetry 2020) 
     
    What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe? 
     
    Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised. 
     
    GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised.
    Zum Buch
  • Top 10 Poets – England The - The South East - Five poems each from poets born in the English South East - cover

    Top 10 Poets – England The - The...

    James Weldon Johnson, Georgia...

    • 0
    • 0
    • 0
    The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
    But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
    For centuries England has always had a leading and admired reputation for its poets and poetry.  In this volume we explore those born in the South-East who created such revered, enduring and respected verse.
    Zum Buch
  • Ovarium - Poems - cover

    Ovarium - Poems

    Joanna Ingham

    • 0
    • 0
    • 0
    Tender, loving and visceral, Ovarium is a pamphlet of poems about a giant ovarian cyst. The poet charts her journey with the cyst, from diagnosis to surgery to recovery, via a landscape of scanner rooms and hospital wards.
    
    The poems explore the impact of illness, and the body as a site of disgust and shame but also healing and endurance. Ingham's poems are forensic as she looks at the disorientating and sometimes patriarchal language of anatomy and medicine, and the way illness can change the relationship we have with our own bodies.
    I tried to think of you as fruit, growing
    against the sun-warm wall of my gut.
    Melon-headed, you nudged the leafy organs,
    dug out a place for yourself in the plot.
    I never guessed. I was only bloody earth
    to you, a coldframe full of light.
    
    - from 'Cyst'
    Zum Buch
  • Emma - cover

    Emma

    Ava Pickett

    • 0
    • 0
    • 0
    Emma Woodhouse thinks she has it all figured out. Fresh from Oxford University and back in her hometown for the summer, she's ready to do what she does best: sort out everyone else's lives, whether they like it or not.
    Her closest friend Harriet is a total dating disaster, her father keeps disappearing on mysterious errands, and George Knightley refuses to stop pointing out the flaws in her flawless plans. But Emma knows best... right?
    Emma is Jane Austen's timeless classic of romance, friendship, and the tricky business of figuring out what truly makes us happy. Ava Pickett's irresistible adaptation joyously pulls the story into the twenty-first century, swapping drawing-room duets for dance-floor fillers. It premiered at Rose Theatre, Kingston upon Thames, in 2025, directed by Christopher Haydon.
    Zum Buch