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  The Clearing - Poems

  Allison Adair

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  Winner of the 2020 Max Ritvo Poetry Prize, The Clearing navigates the ever-shifting poles of violence and vulnerability with rich imagination and a singular incisiveness, “asserting feminist viewpoints and mortal terror in lush musical lines” (New York Times).
  
  
  
  The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness. “What if this time,” they ask, “instead of crumbs the girl drops / teeth, her own, what else does she have.”
  
  
  
  Adair sees the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark tension in this work, and its product is wholly “an alchemical feat, turning horror into beauty” (Boston Globe).

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  Home Burial - a poem

  Robert Frost

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  "Home Burial" is a poem about a man and woman whose baby has died. It tells of the burial, how the parents react to this death, particularly their lack of communication. 
  This piece is especially poignant given that Frost's son Elliot died at age 4, his daughter Elinor Bettina died when she was a few days old, his wife experienced a miscarriage, two of his daughters suffered mental breakdowns and died, and his son Carol committed suicide. 
  A Blackstone Audio production.

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  The Top 10 Poets – The English -...

  Alfred Lord Tennyson, Christina...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
   
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
   
  In this volume the English language reveals itself in a scale and depth that few others can compare with.  It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all.  Is there some bond between the English and writing poetry?  Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

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  The correct fury of your why is...

  Kevin Andrew Heslop

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  Poet-critic Jim Johnstone has described Kevin Heslop's the correct fury of your why is a mountain as among “the most promising poetic projects to come out of Canada in recent years.” This debut collection communicates Heslop’s sense of balance as a visual artist, curator, and poet who weights the page with visual harmony. By turns experiment, lyric, and incantation, the book nods to its author’s training as an actor, combining a command of language, form, character, and polyphony to make something performatively unique.

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  Why I Am Not a Bus Driver

  Ashley Hickson-Lovence

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  Why I Am Not a Bus Driver is a moving and musical debut collection exploring grief, love and the power of community, from the author of The 392, Your Show and Wild East. The heart of this book beats in sync with that of the poet's late grandfather, as, sonnet after unconventional sonnet, Hickson-Lovence uncovers the micro-histories woven into the streets and journeys that shape us. These poems speak with Frank O'Hara, in their stream-of-consciousness lyricism, in meditations that dance like winding roads, both immediate and nostalgic. Committed to honouring the authentic and everyday, the real and true, human connection is the destination in this stirring collection, and every reader has a priority seat.
  "Among the most natural, elegant sonnet sequences I've read: a memorial, moving in its radical honesty and grace. What both broke and strengthened my heart about this collection is the sheer humanity and authentic curiosity that make a life feel meaningful, transfiguring both the extraordinary and the everyday with dignity, love and imagination. Just gorgeous." Luke Kennard
  "A moving collection attuned to the knowledge that poetry of the family is both plain and complex, that the dead sometimes require elegy and sometimes celebration; and all of this held within the strength and uncertainty that is the human-made body of the poem." Andrew McMillan
  "A heartfelt elegy to a grandfather, skilfully weaving themes of legacy, promises, influences and dreams. While the grandfather takes centre stage, England itself emerges as a powerful backdrop to the story. Hickson-Lovence's unified themes lend the book the feel of a novel-in-verse, yet each poem resonates with its own emotional strength. An endearing and enlightening read—don't miss it." Roger Robinson
  "Ashley Hickson-Lovence's debut collection offers an intricate reminiscence, an insight into fierce familial bonds and how they shape a life indefinitely. These poems pulse with longing, vulnerability and doubt, highlighting the human need for connection, the resilience that grows from loss, the certainty that comes when the love unfolds." Rebecca Goss

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  Behind the Web

  Fimalia McNoll

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  Tears, dropping, running like a river 
  Genuine attention needed 
  But how to wipe them with hands tied 
  Call for help, people will hear 
  Some might hear and turn a blind eye 
  Others might pretend they don't hear you cry 
  Yet a kind one must come running 
  If not running, to your aid, walking, scrambling

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