Maison d'édition: BookRix
Art of sorrow II is the second collection of poems by Ayodeji Melefa with different styles touching on different subjects and themes such as love, pain, romance, death, depression, happiness and shame.
Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first produced 22 February 1892 at the St James's Theatre in London. The play was first published in 1893. Like many of Wilde's comedies, it bitingly satirizes the morals of Victorian society, particularly marriage. The story concerns Lady Windermere, who discovers that her husband may be having an affair with another woman. She confronts her husband but he instead invites the other woman, Mrs Erlynne, to his wife's birthday ball. Angered by her husband's unfaithfulness, Lady Windermere leaves her husband for another lover. Or does she? Is it really possible to trust delicious gossip? Are all men really bad? These and many other questions are raised and if not answered, then held up for public scrutiny in this biting satire of morals and proper behavior. The best known line of the play sums up the central theme: We are all in the gutter, but some of us are looking at the stars. —Lord Darlington (from Wikipedia and the reader)Voir livre
Inspired by the lyrical, mythic mode of Italian sports journalism from the 1930s to the 1950s, Viva Bartali! is a biography-in-verse of the iconic Italian cyclist Gino Bartali (1914—2000), two-time winner of the Tour de France (1938, 1948), known both as 'Gino the Pious' because of his fervent Catholic faith, and as Ginettaccio ('Gino the Terrible'), owing to the short shrift he so often gave the Press.
Conjuring Bartali at crux moments in his personal and professional career, through joy and tragedy, defeat and victory, the collection places us alongside the young rider proving his mettle and adding to his palmarès in the edgy atmosphere of Mussolini's Fascist Italy, whose political ideology he loathed. From amateur races to the professional one-day classics and on to Tour de France glory, Bartali is seen alongside his fellow riders as both vulnerable body and élite athlete; both cycling's hard man and fond and bereaved father; both kneeling believer and climbing god.
The collection gives us an insight into the complex relationship that underpinned his great rivalry with the campionissimo ('champion of champions') Fausto Coppi – the 'man of glass' against Bartali's 'man of iron'. It was a rivalry that a divided a nation and defined a sport. We are with Bartali at the 1948 Tour de France when he takes a phone call from the Italian prime minister, who asks him to do his part in diffusing a political crisis that could have tipped over into violence. And we witness his remarkable secret missions in the saddle as a courier throughout Tuscany during World War 2, carrying forged identity documents that helped save the lives of hundreds of Italian Jews. It was a deed he never spoke about – one for which he was named 'Righteous Among the Nations' by Yad Vashem in 2013.
"A fascinating, original take on the epic life and career of an Italian hero." John Foot, author of 'Pedalare! Pedalare!'
"Stylish and sophisticated, this poetic record of an extraordinary life confirms Damian Walford Davies' status as one of the finest poets writing in Wales today." Jem Poster
Voir livre
While Frank O'Connor was known primarily as one of Ireland's finest short-story writers, he was also an accomplished translator. In the long line of Irish writers given to translating poems in Irish into poems written in English – a tradition stretching back at least as far as Jonathan Swift – he stands out above all the rest. Between the mid-1920s and the mid-1960s, O'Connor published 121 translations that give voice to the full range of this centuries-old tradition. Collected here in full for the first time, O'Connor's work shows an uncanny aptitude for carrying over into English verse many of the riches to be found in the originals – the ancient voice of the Hag of Beare lamenting her decline into old age; the voices of the early monks describing the Irish landscape, Irish weather, their religious faith, and, in at least one instance, their cat; the voice of Hugh O'Rourke's wife torn between loyalty to her husband and a rising desire for her seducer. All these voices haunted O'Connor throughout his career, whatever else he was doing. The collection includes the Irish-language sources for all 121 translations along with literal translations, enabling the reader to see what O'Connor started from. O'Connor's translations sprang from a compulsive desire to breathe life into Ireland's past, to 'look back to look forward,' as he once put it; for him the Irish-language tradition was not for scholars and archives alone, but formed a living body of work vitally relevant to an Ireland that seemed puzzlingly indifferent to it. Thanks to O'Connor's profound love of his country's language and its rich, literary subsoil – 'a literature of which no Irishman need feel ashamed', he once said – these voices from Ireland's past can still be heard. Strikingly modern in tone, they conjoin flesh and spirit, the sacred and the secular, in a way that speaks to humankind.Voir livre
Byways, an anthology of stories and poems from across the UK and elsewhere, exploring the urban shortcuts, well-trodden meanders, ancient pathways, hillside and field paths. The public and the secret ways that take us away from the crowds and out of our vehicles. Mainly in English but including a handful of poems in Welsh (with translation), join us off the beaten track. Arachne Press has a track record (pun intended) of publishing what academics call psychogeography, but we call well-routed. We also have history with climate concern. We combine the two here, offering drama and solace from experiencing the world at the slow pace of a walk, whether the short cut to the chippy, or an all day hike in the hills. with contributions from Adele Evershed, Amelia Foster, Angela Arnold, Annemarie Cooper, Annie Kissack, Attalea Rose, Cath Humphris, Des Mannay, Diana Powell, Eabhan Ní Shuileabháin, Em Gray, Gloria Heffernan, Gregory McGreevy, Gwyn Parry, Heather Lane, Helen Campbell, Jane McLaughlin, Jeff Phelps, Jonah Corren, Josie Levin, Judith Mikesch-McKenzie, Katie Harrison, Katie Margaret Hall, Kelly Davis, Laura Besley, Lisa Farrell, Lizzie Lovejoy, Mab Jones, Maddison Price, Marcus Smith, Michael Shann, Michelle Penn, Mitzi Dorton, Nicholas McGaughey, Phil Wood, Raymond Luczak, Rhys Owain Williams, Ros Woolner, Sara Louise Wheeler, Seth Crook, Simon Chandler, Sue Burge Sue Moules and Thea SmileyVoir livre
Abbie Kiefer’s debut collection is a clear-eyed portrait of an aging mill town and a larger reflection on memory, making, and the significance of home. What sources of solace and stability remain amid the ruins of industry, after the death of a parent, while raising children in an uncertain time alongside the ghosts of the past? How do we reconcile ourselves to the inevitability of change and protect what remains? A transcendent exploration of breakdown and renewal, of vulnerability and endurance, of personal and communal responses to loss, this book takes up the question of how to find shelter and make one’s way in an altered world.Voir livre
'Where's Robin? Where's Robin? Where's Robin?' In a cottage by the sea, four women live in a house made for five. Meals are prepared, stories are shared and the waves break on the shore. When only one of their two expected guests arrives for the summer, life is about to change for all of them... Cordelia Lynn's Sea Creatures is a haunting play about grief, loss and the power of storytelling. It opened at Hampstead Theatre, London, in March 2023, directed by James Macdonald.Voir livre
